Arete Hime

Arete Hime initially seems like a typical modern iteration of a fairy tale, ala Disney, with a captive princess who desires to see the world and empathize with its denizens. Eventually, it shapes into a multi-segmented journey of self discovery more akin to "Siddhartha" than "Rapunzel." When looking back at the entire Journey our main character, Arete undergoes, it's quite epic. This in no way changes the fact that some stretches are completely starved for plot development, using the time instead to flash some scenic shots and play with Arete's diatribes on her predicaments. Which brings me to one of the biggest problems with this film: it is dead focused on Arete. She will continuously feed you her dispositions and her albeit, genuinely pitiful perspective. She`s a free bird trapped in a cage for most of the movie and she longs for human contact. That`s the gist of basically every line she says, and she has many, many lines. While a philosophical and spiritual journey with a poorly paced, and overall uneventful plot may still be a decent read, it`s not particularly satisfying as a film. Arete is at once adorable and inspiring, in that fairy tale heroine manner, so all is not lost with this movie. Lectures on philosophy are one of my greatest peeves, and she throws a couple out there, but thankfully, most of her character development focuses on her perspective. Arete is not only starved of human contact, but also just the general gratification of being able to live. Her yearning for things so gosh darned basic, things as simple as friends or everyday emotions, illustrates the degree to which she is sheltered and makes her pitiful in a heart wrenching way. She`s even more affecting because she doesn`t just cry and accept the pity. Instead of lamenting her own misfortune, she always keeps her hope and her wits about her through tough situations to get the freedom which she so desires. Arete`s mild mannerisms are a break from the utter exaggerations of most Anime characters, and is a benefit to her cause for sympathy. Emotional understatement is much more effective than rampant bawling. Her rounded personality makes her more complete, more nuanced. Her timid demeanor and slight build serve to contrast and highlight her internal fortitude. When all is said and done, Arete stands side by side with the best animated heroines targeted towards children in any feature, Japanese or otherwise. It`s too bad that Arete`s character development didn`t come with a richer plot, but at the very least, the focus she commands makes the blandness in the rest of the cast forgivable. Arete is a completely fleshed out, admirable yet pitiable, and altogether believable character who also happens to be adorable. Watching her adventure in Princess Arete is worth suffering the disjointed and hollow plot.

It’s now the year 2016, new challenges and obstacles awaits us in this following year and let me start the by introducing you guys the Movie Princess and what I think about it. Plot (6/10)+ Character (4/10)- The story is very simple but very slow paces in presenting its wonderful message. The concept of the story is good for it promotes freedom by self-discovery and believing in one self to achieve its goal and wishes without relying to any superficial solution which are magic that bent reality. Princess Arete is a good deconstruction of princess stories for it teaches us that dreams can be achieve by determination and prior knowledge than relying on fairy god mothers and epic level wizards to turn the tables. The show became anti-escapism for Arete resolve her troubles by herself which is impressive for me because most princess stories I ever read or watch are mostly saved by the prince or by their magical spell caster guardians. But the biggest weak point of the story is the characters in general; they are presented in a overly dry manner that it’s hard for me to take any care or sympathy for them. Characters lack actual depth in the story. The interaction is unappealing and not interesting. The characters are not exciting or dynamic. Arete should be dynamic given the role of a smart princess and the wizard Boax is not very intimidating given he’s presented to be the antagonist of the story. Sadly to say he is one the dries fearsome wizard I ever known even the wizard in the Smurf looks more interesting. Nice presentation of message but very shallow on character presentation. Music (4/10)- Animation (5/10)- In a magic fantasy setting, music and animation of the setting is very important in hooking the viewers to care. But for fairytale scenery Princess Arete loses for it doesn’t have any appealing atmosphere. The animation is just very gray and gloomy. As for the music it’s doesn’t have any good BGM and the other song are just plain forgettable. Enjoyment (3/10) Overall (4.7) >>>> (5/10) Average Even with the great concept and idea the anime holds I cannot denied towards the entire course of the movie I really get bored watching it. I watch fairytale movie for excitement and epic adventure that’s what the children audience wants to see in the first. I don’t recommend this movie to be watch for the children for this anime doesn’t have action or any exciting magic for the kids to enjoy. The reason why I not very positive about the movie because I have seen lots of great fairytale movies with more exciting premise and good morals. Studio Ghibli did a lot of deconstruction of fairytale in the past but they are still exciting for the kiddies to watch. In Conclusion Princess Arete is not a bad show for it has good message that can be thought provoking and inspiring but it will take a lot of patience and tolerance for one to get the message fully which is not very rewarding if you take account the time you invested on it. There are other good deconstruction of fairytale out there worth the check like the movies of studio Ghibli made I highly recommend you check it out.

Children’s fiction is an appealing genre for all ages. Consider Harry Potter: kids, teenagers, and adults all screamed in glee when the final book in the saga was released. All of these works are simple, straight to the point, and wonderful to look at. Reading these types of fiction influences everyone in the crucial age of adolescence. Everyone has their favorite children’s books; mine was Charlie and the Chocolate Factory. Hence, I learned to laugh at dark humor and absurd deaths at a young age. At the age of five, I asked the unknown sentient beings with the cooties -- a worse opponent than the Bubonic Plague -- what’s their favorite books. Their response goes something like this: “The Apple-Pip Princess! I love princesses!” Today, young girls read Twilight. How time passes by so quickly... Nevertheless, fantasy stories about being a princess-like figure -- Twilight’s Bella is a more contemporary (and stupider) version of the generic princess archetype -- are still popular. Us cool kids don’t like that kind of mainstream crap; we want aversions, subversions, and different settings (aka what made Twilight oh-so popular). Reinventions, especially the darker and edgier types, are fascinating to us. Think Revolutionary Girl Utena, a work that changed the shoujo demographic forever. Grown-up people are like so mature~ What about the kids? They deserve a work like that. Of course, we are not that stupid to recommend Revolutionary Girl Utena to children -- it has incest and disgusting lesbians; it’s fine with us to show gruesome deaths from CSI. As I previously said, children are sensitive to influences. What is the perfect balance of today’s busting of old conventions and kid-friendly literary devices? Enter Princess Arete. Appreciating the work requires a good understanding of the plot structures of the princess fairy tales: the kingdom will be destroyed by an unknown monster, the king (preferably fat and has a good sense of fashion) says, “Whoever kills SOPA wins my princess!”, a charming prince (ideally with good teeth) kills the monster, the princess (usually Olive Oil skinny) falls in love, and they all live happily ever after. Watching Disney Princess works and its kins may be enough; I also recommend watching this after Revolutionary Girl Utena and other feminist works for children. Princess Arete is like one of those hipsters and hippies in the countercultural movements in the 70s; you need to get the context to understand their reasonings. What amazes me is that this work is old-school allegory. Arete symbolizes the feminist and existentialist aspects of the work; she feels timid, but she wants to find her own meaning of life. Stuck in the towers and objectified as a treasure, she is sick of becoming a princess -- a twist on the archetype and an attack on the Disney Princess culture. There is a gradual progression of her character development: from an isolated figure afraid of having a meaningless life to a braver and maturing female. She is logically the person you will add to your favorite characters if you liked the movie a lot. Boax, the villain, also controls a number of themes as well: the role of magic (or technology if using the work to compare and contrast today’s society), male superiority, and the villain archetype. Other supporting characters reflect the wickedness of fairy tales in a realistic lens. Anyone interested in writing or reading inventive tales will rejoice. The soundtrack, while not memorable enough to be downloaded, complements the work. Its insert songs don’t feel out of place and introduce the scene in a more, unique way. Dreamy and soothing, the classical music soundtrack elevates scenes into something only few works can do -- now, that’s what I call art. Having said that, it’s a pity the pacing is almost abysmal. This is not to say I dislike slow-paced works; I enjoy them more for their atmospheric value. It gives time for our brains to compute literary analysis, hypothesize future events, and appreciate the aesthetics. Most Studio 4C works have beautiful art and this is no exception; the minimalistic art design emphasizes its fairy tale nature. What is problematic, though, is that it feels too slow. There are some scenes that feel too long-winded and should have been condensed or cut; the duration is unnecessarily lengthy. Its pacing undercuts the effects of the strong characterization and symbolism of the allegorical work. Is this work suitable for the children today -- more hyper and attention deficit than high school students? I’m not a parent -- only an uncle of three nephews and one niece -- so I do not know. However, I will not be surprised if the answer is “no.” I, myself, had trouble watching this work, sometimes dozing off at boring moments. I can see this work, despite that, created for the past generations of children -- the mostly imaginative and curious ones. These kids can get the remote, pause, and ask questions to their parents; the work is targeting that demographic. Children don’t do that anymore. If children don’t understand something, they will switch to another channel; arguably, adults do that as well. It’s a pity a 2001 children’s fiction anime might feel dated to today’s children. Everyone else can still like this work; I know I did. The work is likable, at the very least, and does not seem harmless at all. Consider this work if you enjoy fairy tales, shoujo works, and innovative pieces. It should provoke some thoughts and make you smile at the end.

Set in a mesmerising medieval fantasy world, the story centres around Princess Arete, a young princess yearning to break free from her sheltered life in the castle. Her desires come to life when a mysterious sorcerer takes her to his magical kingdom. However, as Arete delves deeper into the sorcerer's true intentions, she begins to realiae that he is not the saviour he claims to be. This anime delves into feminist themes, exploring the importance of independence and shedding light on the perils of blindly following authority. Through its clever subversion of traditional princess fairy tale tropes, Princess Arete delivers a compelling narrative that challenges conventions and provides a refreshing take on the subgenre. One of the standout features of the movie is its stunning background art, which is rich in intricate details and exhibits a vivid colour palette. The meticulously crafted visuals create an immersive atmosphere, transporting viewers into a world of enchantment and wonder. Adding to the movie's allure is the beautiful soundtrack composed by Akira Senju, known for his exceptional work on Fullmetal Alchemist: Brotherhood. Princess Arete presents a mature storyline with a strong female lead, offering a refreshing and introspective take on the fairy tale genre. Arete shines as a character who defies the traditional princess archetype, showcasing her strength, resilience, and independence. It's a welcome departure from the conventional narratives and provides a compelling and empowering experience for viewers. The movie's exploration of these themes adds depth and substance to the fairy tale genre, making it a noteworthy and enjoyable watch.

Our story follows Princess Arete, who is confined in the castle tower under the instruction of her her father, the king. He demands that Arete should never have contact with the outside world until she meets a potential suitor for her to marry, and uses these suitors to bring him jewels and powerful magical items from a race of long-dead sorcerers in an attempt to win his admiration and the permission to betroth his daughter. Because of this Princess Arete spends her days watching the world outside of her window. Arete sneaks outside to watch the common people live out their normal lives. One day, a sorcerer named Boax arrives in a fantastic flying machine and offers to take Arete as his wife, trying to transform her into a proper princess. As Arete sit locked in Boax’s dungeon, she soon realizes that there will be no rescue. If she wants to get free, she must discover how to break his spell and escape on her own. Princess Arete is a lot more progressive than a lot of traditional animated princess movies, such as some of Disney’s filmography. There is no traditional prince coming to save the day, and no real heroics. Arete is the one saving herself, trying hard to figure out how to get out of the situation she is stuck in. It feels like a mix of the traditional Disney princess film and a lot of Studio Ghibli’s films, where our main female character can hold her own, but just on a smaller more minimalist scale. The whole movie is beautifully put together. The art style, while more muted, looks fantastic, with it’s older European influence. The one thing that really stands out is the gorgeous soundtrack done by Oonuki Taeko and the late Origa. My only real complaint about Princess Arete is the lull in the middle of the film. After all of the plot points and characters are set up, the middle of the movie spends it’s time not doing much, and it feels like both me and the characters in the movie are just waiting for the inevitable things to happen near the ending of the movie. While it’s slower paced, I can easily see a younger audience maybe getting bored with it depending on their sensibilities. There isn’t much to say about this film with outright spoiling it, so I’m just going to use this last little bit to tell you that you should check out Princess Arete.

_Princess Arete_ is, in many ways, an odd duck. While the ending is a good ending by many standards and educates me in some respects, it still leaves me unsatisfied - and I think that may be the mark of how it is a peculiarly *feminist* film as opposed to a regular film, in the sense of showing an empowered competent female protagonist of the kind you have to watch patiently for a Ghibli film to see usually.

The art is simple, but the story is enjoyable and the music is also very nice. The princess is compassionate and thoughtful. No one in her castle cares about her, but she cares about others. My complaint is that too much time was spent on the part where she is imprisoned, and too little time is spent on the part after she escapes. A whole series could have been made out of this story. Since it's only a movie, it was condensed. But I just think the part that should have been condensed more is her time of imprisonment, not the time after she escapes.

Deviating from the princess story schematic is dictated by the conclusion and more overtly, the final message. It allows an arbitrary creative process given the central focus remains on the princess to some extent, and Katabuchi exploits this imaginatively. His supremely specific control over the film's fundamental pace is remarkable, but more impressively, the narrative mimics a standstill at the forefront of its momentum. I'm sure most viewers would agree that Arete Hime is generally slow, although whether or not that's advantageous is also at their discretion. I find it immensely necessary as a counterpart to the sequence of events that suddenly transpire in Arete's life, much of which is uncharacteristic of her dull routine of being trapped in a tower. The intermittent excitement shouldn't make us lose sight of her uneventful childhood, subjected to merely dreaming about the outside, and the measured rhythm forces the audience into a subconscious frustration akin to Arete's youth withering away, thus questioning the film's chronological development through accepted indifference. The framing of Arete Hime is candidly built around independence, and its freeform feminism prioritizes the freedom to choose rather than externally imposing supremacy. Adapted from Diana Coles's 1983 fantasy novella The Clever Princess, Katabuchi alters a great deal of the insinuated perspectives to wholly target Arete's individualism, an appropriate approach for a display of equal standards and respect for intelligence. He uses an intriguing method of circumstantial cause and effect, much of which rightfully has no sense of allotted runtime. This complements the historical period, an era very different from our own, and significantly more culture-centric. Arete as a character is largely subdued, possessing no defining traits that would make her presence the storytelling's driving factor. Contrarily, often the plot is influencing her to lengths she could never imagine, mostly through subtle changes in her attitude. The quiet loneliness present in the screenplay is uncharacteristic for children's films, and as a viewer, I must commend Katabuchi's sheer skill in traversing demographics by capitalizing on what's usually considered low-budget. In theory, panning a camera is arguably the least dynamic technique that exists, partially because of its massively common usage, but also due to the obvious limitation in consistently engaging the audience. This idea is entirely reversed here, and I'd go further to say it benefits from long-winded movements lingering on a specific moment in different intervals, seamlessly maneuvering around certain scenes in enclosed spaces. Experimenting with angles atop a height and composing a shot through blocking create numerous point-of-view variants in a fixed location. The muted colors amongst picturesque visual design are gorgeous for the painterly artistic choices, paired with a light classical score or silence is the inherent antidramatic effect Arete Hime aims for. A reflective outlook that unhurriedly allows daily life to occur, naturally blossoming symbolism in a less-than-glamorous form of heroism. It implores us to never take freedom for granted, not only empowering women but all those who dare to dream.