Nekomonogatari: Kuro

Nekomonogatari: Kuro is the third adapted installment of the Monogatari series, an array of light novels written by Nisio Isin. It serves as a precursor to Bakemonogatari and features Tsubasa Hanekawa during the events of Golden Week, in which she becomes possessed by a neko (translated as "cat") and indiscriminately attacks people on the street to relieve her built-up stress. Viewers of Bakemonogatari may recall references and flashbacks to this incident particularly in the Tsubasa Cat arc, and here we finally see it divulged in detail. Now coming from the markedly huge success of both Bakemonogatari and the controversial Nisemonogatari, fans may likely enter this third installment with a few qualms. After all, Nisemonogatari occasionally acted like a completely different series than its predecessor Bake, with the most divisive issue being its more prolific fanservice. And now viewers are left wondering whether Nekomonogatari will continue the footsteps of Nise or tread back towards the more "conventional" success from Bake (well, at least more conventional than Nise). The result? A mixed oddity. Structurally, Nekomonogatari is like a bizarre child born from a vile yet oddly alluring incest between Bake and Nisemonogatari. It takes the most successful aspects of both series and tries to mash them into its own masterful direction. But the end result is less a full-on masterpiece than an overall great but not perfect special: Neko thrives and yet occasionally suffers from the very compiled aspects it relies on. On a holistic level, the story follows Bakemonogatari's arc formula quite closely. It starts off—much like a visual novel or eroge—with several cameos of the "see girl then talk to girl" type. Here, it stays light-hearted in its comedy while tossing in some witty dialogue between our sexually frustrated Araragi and one of Nekomonogatari's several supporting characters. The overarching mystery is then introduced, some character development and macrabre-like drama ensues, a solution is finally realized, and the status quo is achieved again. While this formula is nothing new coming from the five alike arcs in Bakemonogatari, it is nonetheless executed in a well-woven and highly enjoyable manner. Really, this alikeness to Bakemonogatari is actually one of Neko's strengths, as it keeps the plot structure fresh and interesting coming from the slower and more casual pace of its predecessor Nisemonogatari. Even the sudden, fast-paced action scenes involving some form of an Araragi massacre continue to be outlandishly eye-gripping and exciting, not only in its sudden change of pace coming from the heavy dialogue, but also in its vivid detail and fluid animation. It is no exaggeration that these extremely gory scenes keep viewers on their toes and high on the suspense, even if these scenes are just part of the arc formula to reach the end conclusion. After all, being the subject of mutilation is Ararararagi-kun's modus operandi, a lose to win scenario, and he certainly doesn't disappoint in being the best loser there is (I'm bad at puns). Now aside from the story structure, what the Monogatari series truly shines in is its engaging, witty dialogue. Nekomonogatari is certainly no sloucher, as it touts some of the best soliloquys in the series and continues to make great use of its art direction in keeping the dialogue-heavy script truly captivating. Regarding the subject of much of the dialogue itself, Nekomonogatari acts more like Nise in employing a raunchier perversion and boning up the sexual tension to the largest tip. This isn't to say in contrast that Bakemonogatari is the Virgin Mary of anime, but the sexual undertones and fanservice in Bake is arguably done in a more playful and "intellectual" manner, though it still has its fair share of ecchi(-ish?) slapstick comedy and deadpan humor. This brings us to the most controversial topic in the series—fanservice. Whether you may be in the "too much" or "too little" category, there is no doubt that the Monogatari series lives by its unique art direction, strong characters, and witty, often sexually charged dialogue. All of these elements, including fanservice, are just as frequent in Neko as they were in Nise, and whether it's discussing porn and fondling breasts with your sister or licking desks and gaping at a scantily clad Hanekawa-nyan, Nekomonogatari does not hold back on its fanservice—for better or worse. However, there is a lot to be said about the source material here. This four-episode series stays pretty true to the light novel it adapts to, and does quite a good job at condensing the entire novel into only 96 minutes. That said, the fanservice could have been a lot more prevalent given the elaborate detail and flamboyant panache of the novel (where's our 2-page rant on Tsukihi's pantsu??). Personally, I find the occasional subtle fanservice more enjoyable than the crude masturbatory imagery done in most fanservice-inducing series or specials; and in this respect, I think Neko does a decent job at providing enough fanservice to stay true to the novel and pander to fans, but not so much that it completely bars one from enjoying the story or characters. Character development-wise, the story explores Araragi's love for Hanekawa in great detail, as he questions whether his newfound love is one based on romance or one based on lust. There is certainly a plethora of great analysis here given Neko's connection to Bake and Nisemonogatari. For one, we have a clear juxtaposition between Araragi's relationship with Hanekawa and his relationship with Senjougahara. In Neko, for instance, Araragi discusses Hanekawa's cat problem with Oshino, and Araragi promptly asserts, "Only she can save herself." And yet in early Bake, Araragi discusses Senjougahara's crab problem with Oshino, and it is not Araragi but Oshino who spouts the very same line. Is Araragi perhaps more willing to save Senjougahara than Hanekawa? More interestingly enough, this becomes ironically subverted: Senjougahara essentially overcomes her crab problem by her conviction alone, while Hanekawa overcomes her cat problem not by her own will, but by direct intervention from Araragi himself (well, technically it was Shinobu but you get the point). Hanekawa's development alone is also quite strong, though little can be said without spoilers. In a very early scene where Hanekawa explains to Araragi why her step-father hit her, she undermines herself in her step-father's defense, saying that she was a "seventeen-year old that speaks like she knows everything," a subversion of her very well-known catchphrase, "I don't know everything, I just know what I know." Ah, what a woman. Other supporting characters get a fair amount of detail as well. While Nekomonogatari features a smaller supporting cast (for continuity's sake), this is actually quite convenient given the limited 96 minutes, as Neko doesn't have to deal with adding short fanservice cameos to every single character in existence. This isn't to say that Nekomonogatari doesn't suffer from this problem however, as Karen makes an awfully short cameo with a small role in the story and a big role in the fanservice. At the very least, however, the rest of the supporting cast get their just deserts. We get some much needed interaction with Tsukihi, who was largely lacking in Nisemonogatari as her sister Karen took up almost all the spotlight—even in Tsukihi's own arc! Oshino also makes a few great cameos in Neko, and it's interesting to see his character again considering the discussion surrounding his philosophy from Nise's finale. And perhaps an even more vital character, Shinobu gets a good deal of much needed air time as well. With her intimidating yet all the more cute capriciousness, she continues to be the looming lolicon vampire guardian that we've all come to love from the past two seasons, possibly the most fleshed-out character of the supporting cast. While she still hasn…

Nekomonogatari: Kuro. What does those two words reminds you of? A cat perhaps? Well, neko (in Japanese) does translate to cat, an ordinary theme in many anime series we see today. Oh but Nekomonogatari is anything but ordinary. In fact, for Shaft fans and those who have experience already with the monogatarai series, you will know the way these type of works go. Once again, the franchise brings forth the latest installation from the monogatari series. So, if you're curious just like a cat/neko, then this series is definitely worth some time to invest on. Nekomonogatari: Kuro is the prequel of Bakemonogatari, an anime series adapted from the light novels written by Nisio Isin. Nekomonogatari: Kuro actually translates to Nekomonogatari: Black which is adapted from the sixth light novel written during the summers of 2010. The series details of the Tsubasa Family Arc with cameos from other characters and of course features our beloved main protagonist, Koyomi Araragi. For anyone new to the monogatari franchaise, there are a few things that you should first familiarize yourself. It's hard to exactly describe what Nekomonogatari is because it's quite an unique series. In fact, many words can describe the monogatari series like strange, bizarre, otherworldly, sexy, clever, enthusiastic, humorous, entertaining, amusing, and maybe...just something like you might never ever forget. To me, Nekomonogatari and most of the other monogatari series is like a reading a textbook with pictures. Only difference is that there seems to be no limits on how many pictures are on each page, or at least ones that convey to the words written. The series Nekomonogatari and like many of its other titles is an actual portmanteau or combination of two words. In this case, the words “neko” and “monogatari” is used. Neko means “cat” when translated in Japanese while “monogatari” means story. At this point, one might assume that this series may be about the story of a cat. Like its other works, the animation studio Shaft (Maria Holic, PMMM, Bakemonogatari) handles this prequel. They are known for its unique gags and references that are used for their ways of conveying their storytelling to the viewers, often with the usage of word plays. The word plays themselves are heavily incorporated into this series as well because a lot of the scenes often comes up heavy dialogue, references, and parody. In fact, the visuals themselves represents a way of presenting to scenes of showing rather than telling. Most of the times, they are humorous, bizarre, amusing, and a way of expressing a particular word or dialogue. The series starts off with Araragi doing what he does best and who am I kidding, it's already blasts off with humorous quotes with his beloved sisters. He talks about various subjects although his interest seems to be focused on “love” that he portrays in his peculiar way. From there on though, we later meet the other main character who represents the title: Tsubasa Hanekawa. She is seen as the class president at school and nicknamed “Class Rep-chan”. To me, that title fits her well. I mean, just look at her! Hanekawa's hair is braided, wears glasses, and has a mature personality just like how a class president ought to be. In fact, the way she is has made Aragai call her the “class president of all class presidents”. Besides that part though, there are other characters who makes their cameos and return to this series. For vampire fans out there, our beloved vampire Shinobu Oshino makes her cameo in her amusing way. Her love of donuts remains strong as ever during her brief reunion with Aragai. Her personality changes somewhat according to Aragai but let's another story. On the other hand, there's also Karen Araragi who also makes her short yet very entertaining cameo. Unlike Shinobu, she is every talkative and hot headed with an equally hot body that she boasts about. Unfortunately, her dialogues are limited in this series but the moments she presented were entertaining. Speaking of moments, there were quite a bit that some of us may never forget... In fact, despite the many humorous scenes presented in Nekomonogatari, there is also some violence with blood being shed by a vengeful cat. Blood getting spilled is often depicted as violent in anime or real world culture, but in this series, I found it to be near comical. In fact, I found many of the scenes in this series to be comical. Whether it's the various parodies, dialogues, violence, or fan service, Nekomonogatari presents these type of scenes as almost classical. Its abstract and absurdity is so often set up that it becomes a work of art; even the fan service. Oh and speaking of the fan service, there are quite a bunch of them especially involving our neko and those delicious scenes during the classroom. The way she talks, dresses, and uses parody of the “nya” that are incorporated into her speech patterns is absurd yet amusing to watch. She's pretty much nude wearing those skimpy clothing in the way of a cat with those ears and suggestive positions. It's no surprise though especially for fans who got a taste of the original series. In fact, the fan service expands beyond just the bare skin. The violence is also over exaggerated to the point of “gore” and blood. Although it's an overused trope in todays' anime cultures, I found it visually appealing by the way Shaft uses it to present the monogatari series. It's like a work of art rather than to show off. In the meantime, there is a darker scene of the series as the episodes progresses especially later on. It's hard to tell the exact direction due to the way most of the dialogues are used as well as the visuals presented. Therefore, it's just best if you go with the flow and to follow what you see rather than analyze the series to its finest details. Like I said before, the details in the series is portrayed in that way which is Shaft's way of doing their works. It is artistically unique and presented in a way in which...*gasp* done right with the fan service. Whether you agree or not is up to you but I personally found it quite entertaining. The artwork of the series remains generally the same as its other works from the franchise. Many of the series' visuals are presented with geometric designs in simple shapes and sizes. It's not complex and easy to watch. If you want some spectacular artwork, go watch some Shinkai Mikoto's films or something. However, the way it approaches its visuals is quite unique. It's like going to an art museum for the first time in a room where you see the walls and walls of abstract works. The soundtrack, music, and voices of the series is imperative for this to flow well. Because there is a lot of dialogues, the voice actors have to step it up to the plate (unless of course if you're playing a vampire). Luckily, it works quite well and most if not all the mannerisms fits well. In particular, Tsubasa Hanekawa's voice actress Yui Horie (Higurashi, School Rumble, Little Busters!) perfects her skills with her voice by using her speeches similar to a cat during her scenes. In fact, the OP song, "perfect slumbers" by Tsubasa Hanekawa even has her involvement. It is quite a purrfect match that fur her roles well. Similarly, many of the OST played during the word plays scenes are orchestrated in that way of the monogatari style. All in all, Nekomonogatari was a fun experience for me. It's clever, entertaining, fun, sexy, and an unique watch similar to its other title works. I do admit though that it occasionally tries too much especially in the fan service and dialogue department. In fact, some of the presented word plays are a bit repetitive and hard to adapt. If you're new to the series, you will likely get one of those “what the fuck did I just watch?” moments. But if you're already familiarized yourself with Shaft's works, then this could definitely be an enjoyable experience for you. Whether you enjoy Nekomonogatari: Kuro in the end …

Being a huge monogatari series fan, I decided to write my first review about it and I chose Nekomonogatari: Kuro. Even before it was subbed, I already watched it out of excitement and it did not disappointment. Story: The story is great. It is one of the main strength of the series. This part is before the start of the first series and we learned the past of Hanekawa and how she met oddity. The story is great because it made us realize that Hanekawa is not perfect and also susceptible to emotions. Art: The art is the other main strength. I watched this series because of the way they show the art. It is not the normal one and it fits perfectly with the settings of the story. It uses the same style of art from bakemonogatari and nisemonogatari. Sound: The sound is awesome. It really gives the viewer the right feel for the scenes that gives a very good viewing experience. The opening and ending themes are also great. Character: The story is mostly about Hanekawa. Koyomi showing different emotions and reactions to different situation but in the end, he's the same common protagonist that saves the girl in the end. Enjoyment: I watched this during the season that is usually joyful. Even though the story is far from that, i find the episodes enjoyable. Overall: This is a must watch for Bakemonogatari series fan as it gives back story of Hanekawa and I'm sure you will find this enjoyable and worthwhile.

~ Let's have a discussion about love. ~ As a chronological prequel to the events of "Bakemonogatari": Nekomogatari (as I will slightly abbreviate), is the first short, fast-paced, single arc installation of the "Monogatari" series. Some may be skeptical at first about the franchise's storytelling prowess, following the fanservice ridden antics of "Nisemonogatari" (that tilted many heads to say the least). But fans following the series up until now will be pleased to know that Nekomonogatari very much reverts back to its highly praised, "Bakemonogatari" inspired roots. Taking on the task of presenting the "Curse Cat" arc alone, Nekomonogatari brandishes a relatively simplistic, and more so romance-oriented story line than in previous seasons. As usual, we are plunged into the very "Monogatari", occult-influenced world, riddled with hidden dangers, and home to our main protagonist: Araragi. Nekomonogatari is clearly oriented about the relationship between Araragi and the heroine elaborated upon in "Bakemonogatari"'s 5th arc: Hanekawa. An arc, a plight, and a problem-solving protagonist. It's become a somewhat consistent and charming formula throughout the series, but Nekomonogatari proves that each time: It works, and is always appreciable in a slightly differing manor. To an extent, disregarding "Nisemonogatari"'s tangent of documenting "Evil and Justice", these 4 episodes bear an uncanny resemblance to our masterfully crafted "Bakemonogatari" (aka: Ghostory). Nekomonogatari IS a nostalgic taste of that memorable concept we had previously kept referring back to: "Overcoming personal demons". It's an inherently engaging plot line that emphasizes a familiar sense of struggle. It's another hurdle for us to watch Araragi overcome, which means that from the start... Nekomonogatari outlines the context, introduces the problem, introduces the goal, trials some methods, and we get a result. It's direct, trialed and tested, and here we see ample "(Bake)Monogatari" elements shining through. So while staying away from confusion tactics, the story line itself: about Araragi's perception of love and overcoming obstacles to perhaps develop his first romantic experience... is debatably the most simple, and simultaneously the most complex conceivable plot line. This is dependent ironically on YOUR perception of love, but I found the story aspect pretty easy to follow. While slower to begin with and set the scene, Nekomonogatari follows in the footsteps of its predecessors, by continuing to incorporate a lot of substance into the show's dialogue. It plays a big part in the Monogatari series' signature presentation style, and allows us to gain an intimate insight into the thought processes of the main characters. It gives the viewer an omnipresent eye, and diversifies the dialogue: making it expressive, highly descriptive, somewhat poetic, metaphorical, and even humorous. Above all, it's more than just speech. It is the epitome of well-crafted expression. It has meaning, doesn't become dry, and strays from being conclusive, which means that viewer interpretation becomes an increasingly important factor. Introducing the context, and returning us to Araragi's POV (nearing 2013) is done rather casually. The beginning of this short season is above all: fresh, charming, and enticing. It certainly doesn't hint at the rapid, and imminent escalation of severity and situational struggle that is to come. This adds impact and a strong sense of development from "situation A to situation B", and really does introduce the viewer quite thoroughly, to this new state of affairs. Being a mere 4 episode season, is obviously a cap on potential development. But in spite of this fact, Nekomonogatari "does do" what it sets out to in the way of character development, on top of this rather familiar plot development "stance". Now to start off, there aren't any new faces to note within Nekomonogatari. Again... 4 episodes: A wise move, don't you think? The "Character front" of the show is simply an extension to our prior knowledge of the Monogatari series' characters. Suprise suprise, it's Hanekawa who (besides our obvious primary character: Araragi), steals the spotlight. Hanekawa's "evolution" adds to our understanding of her stresses. Her perspective (as opposed to Araragi's) is given more attention, and therefore she blossoms to life rather well as characters go. It's far from an epiphany of understanding and sympathy, but Nekomonogatari will at the very least, suffice as a season to reveal more personal traits, of our beloved "class rep". Besides that, Shinobu is actually fairly involved, but only in terms of the plot. She's merely used, but doesn't even speak properly until the last episode. Following her considerable development in "Nisemonogatari", we got a lot more of her (arguably too much), and gained quite a satisfying insight into her life. Here however, nothing is added. With the themes of "Bakemonogatari", and a similar balance of development: this time spread fairly equally between plot and character, there's not really much new substance that Nekomonogatari has to offer. Animation-wise: we are once again subjected to Monogatari's masterful and unique visual representation style. Highly stylized Patterns, vibrant, simplistic, and yet vivid art is abundant. Visual metaphors, and text: they are again used boldly to maximize the show's expressive potential. It's a familiar art style that should've already grown on you if you made it to this 3rd Monogatari installment. And while it's not new anymore, it's always going to remain, as one of the series' immortalized strong suits. Sound-wise: A notable lovely opening sequence in particular. More highly fitting and appropriate BGM to set the tone of any scene. As part of a series that prides itself on audiovisual prowess, it's undoubtedly a pleasant sensory experience to say the least. There's nothing that I would change in this department. Nekomonogatari ultimately takes a strangely simplified approach. The complexity and extent of the plot and character aspects, are unavoidably limited by this season's duration, and its subject. It covers one arc quite comprehensively, and adds some more contextual information to the last story we witnessed in "Bakemonogatari". While this is the reason for the story making sense in the first place, it's safe to say that we pretty much knew, of could quite easily have guessed everything that these 4 episodes attempt to "add" to Hanekawa's plight. On a strictly technical front, besides duration limitation of development: Nekomonogatari doesn't exactly do anything wrong, but it is simply far too much of a simple iteration of the "Curse Cat" arc we experienced in "Bakemonogatari". There's just not much of a purpose in this season. We've experienced the story (or a variant at least) before, and so it becomes predictable, not particularly intense, or great at adding new substance. There is the appreciable novelty of an elevated contextual understanding, and with 4 episodes, it's worth watching for this reason alone. Just don't expect Nekomonogatari to be that big-a landmark within the series' timeline. ~ Is it love, or lust? ~

Meow, meow......Rawr! Grrrrrrrooooooooooooowwwwwl, I'm screeching like a cat. Ok, I've just finished watching this 4 episode anime and I must say that studio SHAFT did an amazing one. So, this 4 episode prequel is all about Koyomi Araragi and a Tsubasa Hanekawa arc, only this time it dwells on detail before Hitagi Senjōgahara came into the picture, Rawr!!!!! It is safe to say that this part is the Tsubasa Cat part of the Bakemonogatari franchise. Thought this anime's genre is comedy and supernatural, I would probably drop the comedy part, since only the supernatural part is what best describe this anime, let's face the comedy part where it involves Koyomi and his fire sisters are just minimal and down right cheesy and so as Shinbou's donut desire part. However, aside from the symbolism that goes around the anime, I guess everyone will agree that the cuties part of this anime was seeing Hanekawa ( in a cat form) in her lingerie, sometimes I'am starting to think that the "Kuro" part of this anime's title refers to the color of Hanekawa's lingerie which is always black. But I must say that she does provides a good fanservice for this anime and she kinda like reflects man's sexual fantasy for a sadistic woman in a form of a cat, just as exhibited from one of Batman's villainess "Catwoman," HISSSSSSSS!" Koyomi on the other hand, did played his part well as the protagonist who would leave no one behind even if it kills him (since he's one part vampire he can do so), though a bit on the perverted side, his loyalty and dedications to the ones he cares compensates for his bad side. So how did I ranked each category of this anime? Here's how: Story: Good 7. "Meow" The plot maybe complicated, but as one watches this anime one will get the idea behind it. Art: Good 7. "Meow" The score is for Hanekawa's fanservice. Sound: Mediocre 5."Purrrr" No Comment. Character, Enjoyment, Overall: Good 7. "Meow" The Hanekawa X Koyomi arc is something that we audience desired for and everyone will agree with me that the 2 would be a purrrrrrrfect match, but it cannot be establish if Koyomi does have any feeling for Hanekawa, enjoyment, pretty good for the fanservice and Koyomi's sacrifice for Hanekawa was cool, but in the end it was Shinbou who did the finishing touch in which we were hoping that it would be Koyomi would used the very long katana thingy on Hanekawa to release her from the cat's curse, so overall the ending was good but not good enough to be given a score higher than 7. HISSSSSSSSSSS!!!!!!!!!!

Reading almost all Monogatari series that is done to this point, I was really anxious to watch Nekomonogatari - kuro. And I wasn't disappointed by all means. If you watched at least Bakemonogatari and liked it I think you won't be disappointed too. Nekomonogatari - kuro is the last installment in the 'first' Monogatari series 'season' as Nisio Isin calls it. And with shiro part they are about development Hanekawa Tsubasa as a character. Stories of books are paired - first one marks Hanekawa's problems and second makes an attempt to fix them in some ways. In my opinion, Bakemonogatari - kuro is not as good in story department as second series books, so I rated it 8, but it is definitely better than Nisemonogatari. You still would see a lot of bras and pantsu, but they are part of main character of this story. Art style, direction, and sound are just awesome. SHAFT studio knows its job and know it very well. tl;dr If you liked Bakemonogatari this is a must, otherwise YMMV.

"Golden Week." "The golden glittering nine days that I will forever remember with lingering affection" The light novel series of Monogatari has always been unique in the sense of narrating a deep and serious story in a rather light mood. Nekomonogatari, the 6th volume of the novel and 4th season of the animated series, in this case was no different. This 4 episodes describe the events that led to Araragi Koyomi's first encounter with the oddity that became a part of Hanekawa Tsubasa. If you have already seen Bakemonogatari, then you would be familiar with the event. Monogatari series has always been a series with more non-story content than actual story, and Nekomonogatari has well lived up to that reputation. The contents of the episodes were mainly talks, perverted in many cases, short action scenes, mostly Araragi get beaten up, and of course, fanservice. But in case of original story, there is not much to mention. A gist of it was shown in the last arc of Bakemonogatari, and it was merely an expansion. Still it retained its fast paced, somewhat unpredictable course of events, and twists. So even after knowing most of the story, it's worth a watch. The art style of Nekomonogatari, like always, is unique with its dynamic change and detailed backgrounds. However, in case of Nekomonogatari, the art has been much more regular and steady. Although some may see it as a good point, I'd say it lost a charm. The season depicts only 6 characters - Araragi, Oshino, Hanekawa, Karen, Tsukihi, Shinobu - who hasn't been named yet and a flash of Sejougahara. If you've seen the first seasons - which you should, before seeing this - there isn't much to tell about the characters. Being an anime mostly driven by it's characters, it has retained every aspect of the characters form the series. Overall I've been a big fan of the Monogatari series from the start. I've enjoyed this new addition as much as the older ones. Seeing how even an already narrated story was made into it so finely, the hopefully upcoming seasons of the series should definitely be worth watching.

HIIIIIIISSSSSSSSSSS! Meow, sorry about that my pet cat was just trying to mess with me, so this is another one of studio SHAFT's monogatari series, only this one is a prequel of "Bakemonogatari." Set in what is called the "Golden Week"- why do them Japs call it that way instead calling it a "School Holiday?" Eeeeh, who cares, ok so we don't get to see how the chico Koyomi became a vampire and that's probably reserve for "Kizumonogatari," so here is probably where the so called sub plot "Tsubasa Cat" begins and it tells the story of Hanekawa Tsubasa being posses by a cat spirit, becomes this catwoman running amok in the streets to cause mayhem of sorts. Now, since there is a talk of stress as to why Hanekawa allowed herself to be posses and act wildly was too exaggerated for a shrink given as to what Hanekawa's lifestyle is. Though, this 4 episode anime has a comedy genre in it, such genre can be describe as minimal, since it was the supernatural genre that's more pronounce. If I was to say which the most enjoyable part of this anime that'll be Hanekawa's lingerie fanservice, since part of this anime's title is "Kuro" I could only surmise that either it has something with the darkness that Hanekawa was going through or it has something to do with the color of her lingerie which btw is always black, I guess this anime's director Shinbou Akiyuki way of adding something naughty in this thing. As for Koyomi, well nothing much has change about him, he still does as to what was expected of him being the main protagonist, however he was a bit of a dichotomy which at one point you'll admire him for being a knight in shining armor, unfortunately when it comes to fighting he's always on the losing side and in another point you'll hate him for being a prev. Then again I kinda like the Hanekawa X Koyomi arc that the Hitagi X Koyomi thing, ehhh, who am I kidding. My category ratings: Story, sound, character, enjoyment, overall: Fair 6, Purrrrr The whole anime itself may not be much, but still worth watching. Art: Good 7. Hiiissssssss. For Hanekawa's lingerie fanservice.

For anyone who enjoys the monogatari series, including myself, will enjoy Nekomonogatari: Kuro. The story is a prequel to the Hanekawa arc of Bakemonogatari describing how Hanekawa becomes possessed by a cat demon. As always the script and characters, the best parts of the Monogatari series, are sharp and witty and there is a sense the voice actors have really got into the characters. The story itself is well paced and enjoyable. Once again the anime manages to justify the fan service for which as always is plenty mostly involving Hanewara who spends most of her time looking like a schoolboy's dream. Sadly the artwork has taken a step backwards. You can see they have tried to improve it but it just didn't work. Luckily being only 4 episode long it the artwork doesn't detract the series too much. Nekomonogatari is a huge improvement on Nisemonogatari as far as taste and story is concerned yet it doesn't reach the heights of Bakemonogatari but is more than a useful addition to the Monogatari fold.

Story Nekomonogatari is a four episode arc focusing on the events leading up to Bakemonogatari. It follows Araragi’s search for the meaning of love and his quest to save his “love” interest, Hanekawa, from a cat spirit. This isn’t a particularly necessary arc to enjoy the first two seasons and I’m assuming that Monogatari: Season Two doesn’t reference the events of this arc too often, but it is still an entertaining piece that develops Hanekawa a little more and explains the weird relationship between Araragi and the class rep. Neko is, of course, chock full of dialogue and comedy, though the focus on an inclusive few means character development is much better for those being focused on. Once again, it shoehorns Shinobu in for no apparent reason, not adding to her character so much as leaving her as a stagnant member of the cast. I want to like her, but she’s not presented well in the series. At the very end, I can understand her involvement but the donut scene was sort of pointless except for unneeded explanation. Nonetheless, the script is still solid, the gore is great, and the ecchi is still there (though by no means on the level of Nisemonogatari). Animation Once again, the animation and style is where the series shines. Visual metaphors and sight gags abound. Cue cards are used much more here than they were in Nise. Sound A pretty good opening song, a decent ending song, and the great voice cast along with some hilarious sound effects makes for easy listening. Characters I’m not going to go out of my way to write a best girl for this measly season. Hanekawa is developed pretty well, giving us a better glimpse at her stress and how she’s dealing with it. The romance between her and Araragi is also developed enough to give us an idea of why he picked Senjougahara over a girl who’s obviously a lot easier to get along with. Meme makes a triumphant return, and, as usual, is brilliant and completely awesome. Shinobu is just…there, wishing to be a larger and less plot-device-y part of the series. And Araragi’s sisters are around, though don’t do too much. Character-wise, I felt it was lacking quite a bit of the charm of the other seasons, though this could come from the smaller cast rather than bad characters. I like Hanekawa and think she’s interesting to see develop, but she’s about the only one worth watching flower. Araragi’s development is okay, but he’s still really bland to me. And Meme doesn’t develop because he’s already a total badass. Overall It’s not at all a bad arc by any stretch; it’s just not at all one of the better arcs and doesn’t add much to the overall story that we didn’t already know. Despite that, Nekomonogatari is entertaining and does provide enough of what makes the Monogatari series great to keep fans sated for the short runtime.

And for the next installment in the Monogatari series, we have Nekomonogatari: Kuro. While it follows the standard Shaft fanfare of its predecessors, we have a couple notable differences from what we have seen so far: (1) we already know all the characters from the previous chapters and (2) this season has only one arc. To me, these are important. A lot of time in the previous chapters is devoted to exploring Araragi's relationship with these new characters, which is something that NekoK gets to skip past. Moreover, while the Bake and Nise have obvious chapters within their series, it is very difficult for the audience to separate the tone of each narrative and have them exists as singular entities, something that NekoK makes very easy. That being said, a lot of the Monogatari community likes this entry the least. I assume that this is because it does not offer a good amount of insight into the later installments. I'm a first-time watcher and offer much of an opinion on this matter, but I think that this entry is 'easier' to watch than the others (since we have so much background coming in and the narrative is focused and compact) and that it has some truly great, hilarious moments. Beyond this, it's Monogatari. There's nothing quite like it, and if you liked the others then you'll like this. I've written a lot about Monogatari art and music, and not much has changed, so I am omitting for now. [Rating] Story: 8 Art: 9 Sound: 8 Character: 9 Enjoyment: 10 Overall: 9 [Story: 8] Simple and elegant. Adolescence. We've all been there. Your first love isn't really a girl, but a girl's boobs. However, even recognizing that fact does not negate the crushing magnitude of the emotion that you feel. You would undergo any torture just to make sure that those boobs live on. That's the type of struggle Araragi has to deal with in this entry. I'm sure there is some more meat to his relationship with Hanekawa, but I haven't watched Kizu yet so I can't say. Something I'd like to point out is the how the audience's removal from the chronology of the series can positively impact certain plot points in the story. For instance, when Shinobu gives Araragi that thing, I assumed it was something that I missed in Kizu or something like that. In a normally-chronological series, I would have been extremely put-off by how 'random' and 'powerful' this object is and that it was just used to solve a writing problem. It serves the same purpose in this show, but my unfamiliarity with the timeline had caused me to quickly accept this object as fact. Still, the story has good momentum. It's compact and focused. It's short and sweet, but it works well. [Art: 9] [Sound: 8] [Character: 9] Well, spoiler (sort of?), there's no Senjougahara. That's a bummer. But there's Hanekawa! Well... kind of? Most of the series she isn't really herself, but she get's definitely developed a bit. This entry is really mostly about Shinobu and Araragi, which is totally great! Araragi's portrayal is divine in this. It is just a perfect interpretation of someone looking back on their perversions and emotions that were present in their youth, but as if they are still living with and embracing those perversions despite how reductive they might seem. It is just a really neat study that leads to some fantastically perverse and entertaining moments. Like, this character facet alone can act as a plot point. Not something you get to say too often. To be perverse and be aware, what a great thing. We also get to see more of Araragi's relationship with Shinobu developing. Shinobu has some heart-stopping moments. Regretfully, Hanekawa's development suffers a bit due to her condition for most of the series. It is hard to relate to a character when the character... isn't really their character. Still, she rocks and rolls and is great in this. [Enjoyment: 10] SPOILERS I always enjoy Monogatari, but I feel like this entry just had so many nice moments. Karen revealing her definition of love, Shinobu's introduction to donuts, Shinobu spitting up the sword, Araragi running from Hanekawa's place, Araragi recognizing Hanekawa Black by her tits, Araragi licking Hanekawa's desk, Araragi implanting the sword in his body, Tsukihi and Karen sleeping with Araragi's tree stump during the daytime, Tsukihi's murderous rampage in the beginning, Shinobu ripping her arm off, and even more I am sure to have forgotten. There are so many hilarious and intense moments. Also, every episode in this starts with a bang, which I like a lot because it really gets me in the mood to watch. [Overall: 9] Yeah, it may not be important to the meat of the series, but it's a blast and good study for such a short entry into the series. It's a role player and it plays the role exceptionally.

Nekomonogatari: Kuro (Nekomonogatari Black: Tsubasa Family) is a very interesting anime to watch, with its good use of comedy, romance and supernatural elements. Nekomonogatari: Kuro is a romance, comedy, supernatural anime based on the novel; Monogatari Series: First Season, which was created by Isin Nisio and Vofan. Shaft produced the anime. The anime has four episodes and aired on December 31th, 2012. Storyline (9/10) Nekomonogatari: Kuro’s story follows Koyomi Araragi, a student who recently survived the attack of a vampire together with his friend Tsubasa Hanekawa. Koyomi finds out about the Oddity phenomenon, which unities all creatures such as: gods, ghosts, myths, and spirits. The cursed cat, living inside of Tsubasa’s body, becomes a real problem as she starts to attack people, therefore Araragi decides to save his precious friend. The story is very well-written and always finds a way to get the viewer to find out what happens with its twists and turns in the storyline. Art (9/10) Nekomonogatari: Kuro uses a mix of different art styles, from a quick sketch to a beautifully drawn artwork and a very colourful blend of colors to bring it to life for the viewer, to create a very creative animation. All locations are easy to recognize and all character have a unique look to them, making it easy for the viewer to recognize the anime’s characters. Sound (9/10) Nekomonogatari: Kuro’s background music has been well-made, as each musical piece fits the anime very well. The opening theme at the start of the first episode is “Perfect Slumber” sung by Yui Hoire and the ending theme at the end of fourth episode is “Kieru Daydream” sung by Marina Kawano. Both of these songs are well-sung. The opening theme’s vocals are soft and have slow beats, while the ending theme has fast pace and a more powerful feeling, which was made thanks to the singer. The voice of each character sounds great and is able bring each of them to life to the viewer. Characters (10/10) Nekomonogatari: Kuro focuses on Koyomi Araragi and Tsubasa Hanekawa. Koyomi Araragi was voiced by Hiroshi Kamiya. He is a third year high school student that was attacked by a vampire during the spring break and was turned into a vampire. He was able to turn back to being a human; however, he still has some of his abilities from the past. In Nekomonogatari: Kuro he struggles to understand if he loves Tsubasa after she helps him out over the spring break. Tsubasa Hanekawa was voiced by Yui Horie. She is Koyomi’s classmate and the class representative. She is an oddity specialist. She knows what they want and how to avoid them. In Nekomonogatari: Kuro she suffers from stress and falls in danger when the cursed cat appears. Enjoyment (9/10) Nekomonogatari: Kuro is an anime that while being only 4 episodes long is very interesting. With its balance of comedy scenes, supernatural elements and with a grain of romantic scenes, the show is very thrilling. Its unique art style is a nice thing; it mixes different types of art together making it impressive. While the most of the music isn’t something to write home about, there are some songs like the OP and the ED, which are great to listen to, as they help to understand the show better. The voice actors did a very good job, as they were able to make their characters look alive. The characters themselves are very interesting, as they attract viewer’s attention, making them want to know more about them. The message that Nekomonogatari: Kuro gives is following: people are unable to understand what they can’t see. Overall (9/10) Nekomonogatari: Kuro is a very good start to the Monogatari series, as it introduces some new characters and gives the viewers a quick glance at what the rest of the series will look like. While it is a very short anime, only four episodes long, it does a good job explaining things to the public that is new to the series. So if you are a veteran, or a newcomer, Nekomonogatari: Kuro is a great anime to watch.

Nekomonogotari (Kuro) - 6/10 Considering this is a special, It's done incredibly good. There's blood, gore, cute girls, weird mythology things, lewd comedy and more. Just what you'd expect from Monogatari. If put in contrast with Bakemonogatari this uses the art direction, the "slides" with text and the animation thing a lot less spountaneosly which also leads on to the whole mood and tone of the episodes looking a lot more structured. There is also a heavier lean towards the "lewd comedy" part of the show rather than the mythological aspects. The character relations are brought to a whole new level with Araragi finding out what are his actual feelings towards Hanekawa, we also get a bit more of Vampire-chan. Basically, if you liked the last arc of Bakemonogotari and you want to know more about what happened prior to to Bakemonogoatari then this will be a good watch. What i really dislike about it is the inclusion of the worst girl and how much screentime she got. Not recommended for people not familliar with Monogatari Series.

Just by looking at the cover of Nekomonogatari: Kuro, I thought there were going to be more fanservice than Nise and I also thought the show was going to be worse than Nise. Since Neko is canon, I decided to watch it. After finishing this little arc, I'm not entirely disappointed. [Story]: (7/10) Nekomonogatari: Kuro is an adaptation of the 6th book in the Monogatari series, containing the Tsubasa Family Arc and featuring Hanekawa Tsubasa. Nekomonogatari was made after Nisemonogatari but chronologically, it takes place a month before the events of Bakemonogatari. I could have skipped this anime and went straight to Monogatari Series: Second Season but something inside me...more specifically, my conscience told me that I will regret skipping this anime. If you remember from Bakemonogatari, Araragi mentioned something about rescuing Hanekawa during Golden Week from a cat aberration but it only showed us some brief flashbacks and did not go in-depth about what really happened with Hanekawa during the Golden Week. Well, that's where Nekomonogatari: Kuro comes in. Nekomonogatari: Kuro is only 4 episodes so don't expect much from this arc. To tell you the truth though, Neko's real plot actually begins at episode 2. Episode 1 is just Araragi asking for some love advice from his sister Tsukihi because Araragi was in love with Hanekawa and a conversation between Araragi and Hanekawa on the second half. Unlike Nisemonogatari's excessive fanservice, Neko's fanservice was reduced and they went back to their good storytelling -- almost but not very similar to Bakemonogatari storytelling. Don't think that the fanservice scenes don't happen anymore because they're still there. They're just not that excessive when compared to Nise. Some of you might say "Then why is your story rating 7 if the show went back to its good storytelling?". That's because nothing major happened. All the arc did is flesh out Hanekawa's character and give you a more in-depth look as to why Hanekawa is acting the way she is and understanding her past better. Neko did a good job with its storytelling but not enough to bump the rating to 8 or higher. --------------------------------------------------------------------------------------------- [Art/Animation]: (9/10) I don't even know why I still have to talk about the Monogatari series' animation. I mean, this the 3rd in the series and you guys should already know how it looks. I don't want to but I have to just so I can make this review a bit longer. The animation and visuals are almost exactly the same as Bake and Nise. The character designs looks a little bit better and the lighting of the show is the only part of the animation that's highly improved. --------------------------------------------------------------------------------------------- [Sound]: (7/10) Nekomonogatari's soundtrack fell flat compared to Bake and Nise. None of the soundtrack and the background themes were catchy nor was it worth listening to. I'm not saying Nise's soundtrack is bad but when comparing it to the previous shows, it just didn't meet my expectations. The OP theme song is "perfect slumbers" by Hanekawa and the ED theme song is "Kieru daydream" by Marina Kawano. In my opinion, none of them were great. The OP theme song had a nice tune and melody for the first 35-40 sec but the singer didn't hit that spot and the it was too slow. The ED theme song is just crap compared to Bake and Nise. --------------------------------------------------------------------------------------------- [Character]: (8/10) Nekomonogatari: Kuro focused heavily on Hanekawa so don't expect your other best girl like Senjougahara or whoever your best girl is to appear here and no new characters either. It's just good ol' Araragi and Hanekawa...with a little bit of Shinobu. This section won't be long; seeing as Neko is only 5 episodes long. If you like Hanekawa or you're a fan of Hanekawa then you're in for a treat as Nekomonogatari: Kuro did a good job presenting Hanekawa's story. The show went a lot more in-depth with what happened to Hanekawa during the Golden Week that Araragi was talking about in Bakemonogatari. It also answered some questions regarding Hanekawa's relationship with Araragi and why they're not dating even though Araragi loves her. I died a little inside when they showed Araragi explaining why he's not in a relationship with Hanekawa. In short, a big ass character development for my best girl: Hanekawa Tsubasa Nekomonogatari also explained why and how Shinobu got the helmet and why she is in love with Mr Donuts. If you're a fan of Shinobu; like me, then I think you'd be happy to see the events too. --------------------------------------------------------------------------------------------- [Enjoyment]: (7.7/10) I definitely enjoyed Nekomonogatari: Kuro more than Nise even though it was only 5 episodes. However, Bakemonogatari is still a lot better. Is there ever going to be Monogatari sequel out there that will blow Bake out of the water? Of course, there is and that will be on my next review. --------------------------------------------------------------------------------------------- [VERDICT] Overall, Nekomonogatari: Kuro was a good sequel to the Monogatari series but I wouldn't say that it's better than Bakemonogatari because it's not. I would, however, say that the show is a bit better than Nisemonogatari because it actually focused on the story and characters instead of half hour mindless fanservice. You have to watch Nekomonogatari: Kuro sooner or later in order to understand Hanekawa's character better. [OVERALL]: (7.4/10) Pros: +Good story for a 4 episode arc +Shaft's unique animation +Neko went more in-depth with Hanekawa's character +Fanservice is reduced +Good pacing for a 4 episode show Cons: -Soundtrack fell flat when compared to 2 previous Monogatari shows -First half of episode 1 felt slow (If you see mistakes or stuff that doesn't make sense then my apologies as I don't spend and will never spend over a day writing a 4 episode review.)

Nekomonogatari: Kuro is simply a prequel to Bakemonogatari. It is exactly like every other arc in Bakemonogatari, but it goes through the story of ‘The Golden Week’ that's referenced in Bakemonogatari. It might as well have been the first arc of Bakemonogatari. It looks, feels, and sounds exactly like Bakemonogatari. I don't know if I need to mention how much I like the directing, art style, and shot composition in the Monogatari Series as I've talked about it at length in my previous reviews. To keep it short, I love it, 10/10, read my Bakemonogatari review for details. If you're here, you should already know how Monogatari executes. Hanekawa’s story is similar to that of Senjougahara, which was the darkest/most serious arc in Bakemonogatari; that is, it takes root in interpersonal interactions instead of being strictly about aberrations. In fewer words, it's not Ghost Busters like other Monogatari Series’ arcs. It's also remarkably similar to the other Hanekawa arc in Bakemonogatari, except Nekomonogatari delves a little deeper into Hanekawa's issues. Another way in which Nekomonogatari is similar to Bakemonogatari is in how it also develops Araragi, Shinobu, and Oshino as well as their relationships to one another. ‘Develop’ might not be the correct word here as it's a prequel. ‘Explains’ would be more adequate. I don't understand why this was a prequel. At least not from a narrative perspective. Like I mentioned already, I feel like it could've simply been the first arc of Bakemonogatari. Watching Nekomonogatari after Bakemonogatari didn't have any dramatic effect on me. It felt cool to experience this story as it was referenced heavily in the Hanekawa arc of Bakemonogatari, but other than that, nothing. I'll have to admit that I didn't really understand the ending, so there may be something that I'm missing here. I guess that Nekomonogatari’s timing was due to production reasons, but I don't know squat about the production of the Monogatari Series, I'm just watching it in release order. Edit: The reason this was released as a sequel was that Nekomonogatari: Shiro comes next being the first arc for the Monogatari Series Second Season. Recommendation: Yes. I mean, if you're here you've already seen a bit of Monogatari. This is just more Monogatari. If you're this far, I don't know why you need to read a review. I guess you might be afraid that the Monogatari series will take a dump at some point. If that's the case, let me put you at ease by saying that it doesn't take a dump here. It's still going strong!

This is somewhat to get my thoughts out on the season after a second watch, but nonetheless still a review. STORY: Pretty much the synopsis. But to go further in depth, this season focuses on Hanekawa and her as a person. Showing her fragile side but also how she's somewhat conceited against her parents. In the end, she is flawed in the way she acted when getting hit, but her parents are wrong for hitting her. No one "wins" in that scenario. Without spoiling much, the story progresses with araragi helping Hanekawa get rid of the sawari neko which then turns to a new apparition, black Hanekawa. In the end araragi finds out that he doesn't love Hanekawa but has tought him to care for others to the extent where he's willing to give up his life for them. Art: Not much to say, it's good. It has that shaft flare and overall not bad. I just don't know what more to say, one thing to note is that they definitely express the scenes with emotions well, that i did notice when watching a second time. Sound: OP is something i would listen to when just relaxing. END too is good. The VA by all characters is great as expected by the monogatari series and each VA doing a stunning job. Characters: This season is focused on Hanekawa so that's what I'll do as well. Since araragi does get some development towards the end and oshino meme is just there for the most part to look like a badass and help somewhat in defeating the sawari neko. HANEKAWA: This season definitely shows how flawed she can be. From not directly telling araragi for help with her abusive family and telling others about her house situation. But she definitely does grow and get developed well to her realizing that doing all that meaningless things as black Hanekawa won't make her problems go away or her stress which araragi helps her realize. ARARGI KOYOMI: He realizes that what he felt for Hanekawa may have been love or maybe just lust toward her it is uncertain to him. But what he does know is that she has taught him to care for others to the point of giving up his own life even though it was selfish to an extent. Enjoyment: You get to see a neko girl in black lingerie that's pretty good lol. But besides that you get to see some pretty good story telling and character development and change by both araragi and Hanekawa. And donut loving waifu shinobu who talks near ep 3. In conclusion, definitely worth a watch. Good season, not my favorite, but nonetheless a good season and made an assumption on the second watch

When I was a kid, I always wanted a cat. Now I want a cat again. If you know what I mean, wink wink. Yeah, guess I’ll…just go over there and…stand in the corner. Story: Nekomonogatari is basically like one of the arcs of Bakemonogatari, not only in length but also in terms of how it plays out. One could assume that it’s very similar to the Tsubasa Cat arc of the first season, but it’s actually a prequel. In Bake we already heard that this wasn’t the first time Araragi has met the Demon Cat and now we get to see their first encounter. The tough part of being a prequel is the fact, that the viewer already knows how it’s going to end and to make it a coherent story that does not clash with the other installments. Neko manages that very well, like when Araragi finds about about Hanekawas family situation (which he of course knew about in Bake) and making a big deal out of it (rightfully so). The whole family situation thing is the trigger behind the events unfolding and gets discussed a lot. This is done in a very interesting way, as while it is clearly portrayed as horrible, the possible reasons behind it are also explored, with Araragi and Oshino apparently coming to different conclusions. At least that is what it looks like at first, though Oshinos words can also be seen as pure provocation towards Araragi, which I think is the more likely of the two possibilities. I was also very relieved to see that the incestuous subtext between Koyomi and his sisters was toned down a lot, which was something I disliked about Nisemonogatari. On the other hand, the fanservice is more blatant than before, but in a way that feels like mockery, which was pretty funny. It’s almost as if Shaft was thinking: “So Monogatari is just pseudo-philophical fanservice with no substance? Well, how about THAT?” I don’t mind though, it’s not like I hate staring at good-looking, scantily-clad teenage girls. Uhm, where was I again? 7/10 Art: Well, Monogatari is still Monogatari in this department. Like they did storywise, they went back more into Bake territory in terms of trippyness with Neko, but it’s essentially the same as the other seasons. I talked about the fanservice already, so let’s keep things short here, shall we? I mean, if you made it this far into the franchise, you know what it looks like. 9/10 Sound: Again, there’s no big difference to the other entries of the series, obvious exception are opening and ending. They were both not that bad, but they can’t quite keep up with what Bake and Nise had to offer, though in all fairness, they had more time to sink in. 8/10 Characters: Ah, now there’s something to talk about again. Since this is a prequel to Bake, it misses many of the characters introduced there, like Senjougahara, Sengoku or Kanbaru. On the other hand, good ol Oshino Meme is back in action. But the purpose of exploring this whole story is to give Araragi and Hanekawa more character development. Much needed in case of the latter, as I found her to be the least interesting of the “problem girls” of Bakemonogatari. We knew her background already, but here it is explained in more detail and presented in a much more severe light. We also find out why Araragi does not pursue her, even though it’s obvious that he is interested in her. Interestingly, Shinobu also gets her moments, despite being the (mostly) silent pile of self-pity she was in Bake. She discovers donuts and we also find out why she was wearing a helmet in the first installment. Little things like that are what makes a prequel worth watching. Everybody else is basically the same. 8/10 Enjoyment: Technically speaking, Nekomonogatari didn’t give me anything I hadn’t seen before. Fleshing out Hanekawa a bit more was a good idea, though I still am not a big fan of hers. I missed the quirky characters like Kanbaru or Hachikuji to lighten up this show a little. As far as I understood, Nekomonogatari was merely a teaser for the Second Season (shouldn’t it be like…the Fourth?), so I shouldn’t be too hard on it. It was entertaining, partially very funny and visually pleasing, just like the other seasons were. The fact that it focuses on one of the girls I’m less interested in only slightly lowers the overall enjoyment. After all, it was simply a quick snack to make it easier to wait for dinner. If Monogatari continues like this (by that I mean more Bake, less Nise), I will greatly enjoy the Second Season (maybe 3rd½th?). And as I said already, if you made it to Nekomonogatari, you most likely enjoy the franchise anyway, so there’s no need for me to tell you that this is indeed at least worth watching. 8/10 Overall: 8.0/10

Note From the Author: I've changed the rating from 5 to 6 and edited a few sentences ever so slightly as, even though I do still do generally stand by the opinions expressed here, I do think I was initially a bit harsh on NekoKuro. I’ll just come right out and say that Nekomonogatari: Kuro, also known as the Tsubasa Family arc, is my least favourite Monogatari instalment. Not because it’s bad or damaging to the series in any way. Frankly, it’s neither of those, it’s perfectly harmless and inoffensive. It’s just predictable and well...almost kind of pointless. NekoKuro is effectively the extended version of the Golden Week flashback from Bakemonogatari Episode 11 (Tsubasa Cat, Part 1). It tells the story of Koyomi Araragi and Tsubasa Hanekawa’s first encounter with the sawarineko oddity, and the original emergence of Black Hanekawa. As I mentioned before, NekoKuro does not do anything to the overall series' detriment. Koyomi and Tsubasa’s characterization in this arc is on point. We learn some very interesting new things about Tsubasa and her relationship with her family, and Koyomi’s development into the mindset that he is in in Bake is handled well, as are their very well-written and enjoyable interactions. In that sense, NekoKuro does its job. The problem is the fact that we already know like 85% of this story. We know what’s going to happen, we know how it will end, we…just know. It was all told to us in like ten minutes back in Bake. Why are we spending almost two hours on this now? The additional info that we get does not break the general feeling of predictability plaguing this arc, nor does it do much to justify its existence. Once again, it is interesting and adds depth to both of the leads, but it could have easily been delivered elsewhere. Instead, it is surrounded by an entire arc of which way too much feels like borderline hot air. All that said, from the technical stand-point, NekoKuro is solid throughout. Admittedly, I don’t think it stands out too much when compared to some of the other instalments, but it’s still Monogatari, so there is still plenty of charm to be found in its art style and directing, and the music is as good as always. Monogatari has an excellent track record with openings, and this arc is no exception. Perfect Slumbers is a very, for lack of a better word, elegant song. Slow, melancholic, and calm, it has a certain magic to it, which makes it one of my personal favourite Monogatari OPs. Voice acting-wise, I have already praised all of NekoKuro’s cast’s performances in their respective roles in my reviews of Bake and Nise, and here they are just as good. I don’t know how the Tsubasa Family arc was handled in the original light novel. Here however, it mostly feels like a placeholder. Something mainly released just to keep the audience thinking about Monogatari in between Nise and Second Season, while giving them some new information about the characters to not make it too obvious. It most likely was not the actual intent, but that is what it felt like to me as I was watching it. Still, it is certainly not bad, and it has paved the way for something genuinely amazing, in the form of the, in my opinion, far superior Nekomonogatari: Shiro. As for Nekomomongatari: Kuro, it is far from some sort of a horrific disappointment. It’s just a relatively average chapter of an amazing story.

Nekomonogatari: Kuro is the third adjusted portion of the Monogatari arrangement, a variety of light books composed by Nisio Isin. It fills in as an antecedent to Bakemonogatari and highlights Tsubasa Hanekawa during the occasions of Golden Week, in which she gets controlled by a neko (deciphered as "feline") and unpredictably assaults individuals in the city to mitigate her developed pressure. Watchers of Bakemonogatari may review references and flashbacks to this episode especially in the Tsubasa Cat curve, and here we at last observe it uncovered in detail. Presently coming from the especially immense accomplishment of both Bakemonogatari and the dubious Nisemonogatari, fans may probably enter this third portion with a couple of misgivings. All things considered, Nisemonogatari sometimes acted like a totally unexpected arrangement in comparison to its archetype Bake, with the most troublesome issue being its more productive fanservice. What's more, presently watchers are left contemplating whether Nekomonogatari will proceed with the strides of Nise or track back towards the more "regular" accomplishment from Bake (all things considered, at any rate more traditional than Nise). The outcome? A blended peculiarity. Primarily, Nekomonogatari resembles a peculiar youngster conceived from an awful yet strangely appealing interbreeding among Bake and Nisemonogatari. It takes the best parts of both arrangement and attempts to crush them into its own marvelous heading. Be that as it may, the outcome is less an all out show-stopper than a general extraordinary however not amazing unique: Neko flourishes but at times experiences the extremely incorporated perspectives it depends on. On an all encompassing level, the story follows Bakemonogatari's circular segment recipe intently. It begins—much like a visual novel or eroge—with a few appearances of the "see young lady at that point converse with young lady" type. Here, it remains happy in its parody while throwing in some clever exchange between our explicitly disappointed Araragi and one of Nekomonogatari's few supporting characters. The general secret is then presented, some character improvement and macrabre-like dramatization results, an answer is at last acknowledged, and the norm is accomplished once more. While this recipe is the same old thing coming from the five the same circular segments in Bakemonogatari, it is in any case executed in an all around woven and profoundly agreeable way. Truly, this similarity to Bakemonogatari is really one of Neko's qualities, as it keeps the plot structure new and fascinating coming from the increasingly slow easygoing speed of its archetype Nisemonogatari. Indeed, even the abrupt, quick moving activity scenes including some type of an Araragi slaughter keep on being stunningly eye-holding and energizing, not just in its unexpected difference in speed coming from the weighty discourse, yet in addition in its striking subtlety and liquid liveliness. It is no misrepresentation that these very bloody scenes cause watchers to remain alert and high on the anticipation, regardless of whether these scenes are simply essential for the curve equation to arrive at the end resolution. All things considered, being the subject of mutilation is Ararararagi-kun's usual methodology, a lose to win situation, and he positively doesn't baffle in being the best washout there is (I'm awful at plays on words). Presently beside the story structure, what the Monogatari arrangement genuinely sparkles in is its drawing in, clever exchange. Nekomonogatari is surely no sloucher, as it promotes the absolute best soliloquys in the arrangement and keeps on utilizing its craft heading in keeping the exchange hefty content really enamoring. With respect to subject of a significant part of the exchange itself, Nekomonogatari acts more like Nise in utilizing a raunchier corruption and boning up the sexual pressure to the biggest tip. This isn't to state conversely that Bakemonogatari is the Virgin Mary of anime, yet the sexual hints and fanservice in Bake is apparently done in a more fun loving and "scholarly" way, however it actually has something reasonable of ecchi(- ish?) droll satire and empty humor. This carries us to the most questionable theme in the arrangement—fanservice. Regardless of whether you might be in the "to an extreme" or "excessively little" classification, there is no uncertainty that the Monogatari arrangement lives by its interesting craftsmanship bearing, solid characters, and clever, regularly explicitly charged discourse. These components, including fanservice, are similarly as successive in Neko as they were in Nise, and whether it's talking about pornography and caressing bosoms with your sister or licking work areas and expanding at an insufficiently clad Hanekawa-nyan, Nekomonogatari doesn't keep down on its fanservice—regardless. Notwithstanding, there is a ton to be said about the source material here. This four-scene arrangement remains pretty consistent with the light novel it adjusts to, and does a significant great job at gathering the whole novel into just 96 minutes. All things considered, the fanservice might have been significantly more common given the exacting craftsmanship and colorful panache of the novel (where's our 2-page bluster on Tsukihi's pantsu??). Actually, I locate an intermittent inconspicuous fanservice more pleasant than the unrefined masturbatory symbolism done in most fanservice-prompting arrangement or specials; and in this regard, I figure Neko makes a nice showing with giving enough fanservice to remain consistent with the novel and pander to fans, yet less that it totally bans one from appreciating the story or characters. Character advancement astute, the story investigates Araragi's affection for Hanekawa in extraordinary detail, as he addresses whether his recently discovered love is one dependent on sentiment or one dependent on desire. There is unquestionably a plenty of extraordinary investigation here given Neko's association with Bake and Nisemonogatari. For one, we have an unmistakable juxtaposition between Araragi's relationship with Hanekawa and his relationship with Senjougahara. In Neko, for example, Araragi examines Hanekawa's feline issue with Oshino, and Araragi expeditiously affirms, "No one but she can save herself." And yet in early Bake, Araragi talks about Senjougahara's crab issue with Oshino, and it isn't Araragi yet Oshino who rambles exactly the same line. Is Araragi maybe more ready to save Senjougahara than Hanekawa? All the more strangely enough, this turns out to be incidentally undermined: Senjougahara basically beats her crab issue by her conviction alone, while Hanekawa conquers her feline issue not by her own will, but rather by direct mediation from Araragi himself (indeed, actually it was Shinobu however you get the point). Hanekawa's improvement alone is additionally very solid, however little can be said without spoilers. In an early scene where Hanekawa discloses to Araragi why her progression father hit her, she sabotages herself in her progression father's guard, saying that she was a "seventeen-year old that talks like she knows it all," a disruption of her very notable expression, "I don't know it all, I simply understand what I know." Ah, what a lady. Other supporting characters get a considerable measure of detail also. While Nekomonogatari highlights a more modest supporting cast (for the wellbeing of congruity), this is entirely advantageous given the restricted 96 minutes, as Neko doesn't need to manage adding short fanservice appearances to each and every character in presence. It is not necessarily the case that Nekomonogatari doesn't experience the ill effects of this issue notwithstanding, as Karen makes an outrageously short appearance with a little job in the story and a major part in the fanservice. In any event, notwithstanding, the remainder of the sup…

Nekomonogatari: Kuro is basically a prequel to Bakemonogatari in terms of story but, for me, it was an extension of the Tsubasa Cat arc. This is another piece of the puzzle for Hanekawa's progression. To put it straight, this is the part where we get to be introduced to the meddlecat for the first time so, for the sake of the story, you need to watch this. There's a bit of Shinobu background story thrown here too. For those who want to know Shinobu better, watch this as well. The art is..... a usual kind. Nothing in particular improves. They still use the same style for the whole series but the colorful art style is reduced here in favor of a dark looking environment. Almost everyone you know here lost their screen time (Except for Shinobu and Koyomi and Hanekawa) since this is way before Bakemonogatari starts. Everyone's favorite character make a comeback here too.... Yeah, that's right! Oshino Meme! The goddamn Oshino MEME! Watch this. Watch THIS. IF YOU SKIP THIS, THEN YOU EITHER LOST OR NEVER INTERESTED IN MONOGATARI SERIES IN THE FIRST PLACE