MAL 23083

Happiness Charge Precure! Movie: Ningyou no Kuni no Ballerina

映画ハピネスチャージプリキュア!人形の国のバレリーナ

Firechick12012

7.00 · 3 Okt 2015

I'll admit, I'm not the biggest fan of Happiness Charge Precure. Despite the fact that it has my all time favorite character in it (Hime), out of all the Precure series I've seen, HapiCha is the worst for me. I don't hate it, but its story was extremely flawed from the start. It left many subplots and plot threads completely unresolved, chucked previous ones in favor of new things that come right out of nowhere, and it had pretty much no sense of focus, especially during its filler episodes. I liked the plot related episodes, especially the Iona/Hime grudge arc, but other than that, HapiCha never seemed to know what it wanted to do or be. It didn't help that other than Hime, it had bland, static, or utterly annoying characters that came off more like mouthpieces than actual people. Is it a bad thing that I like the movie for HapiCha way more than the TV series? Honestly, in my opinion, this is what Happiness Charge Precure should have been like! The plot on the surface looks pretty simple. A girl named Tsumugi is coerced by an evil villain into taking the Pretty Cure into her imaginary world called the Doll Kingdom, and its residents are all sentient versions of all the dolls she has in her room. She's convinced the Pretty Cure want to destroy her perfect world and her happiness, but the girls know that the villain, Black Fang, is the one responsible for making her suffer. Seriously, I laud this movie for actually wanting to know what it wants to do and running with this premise to the end, because the show's lack of focus really turned me off. In fact, the story itself is simple in theory, but considering it's about a girl who wants nothing more than to stay in her own world, far away from reality and the people around her and the fact that it doesn't make her or others happy, it could symbolize a lot of things. For all I know the whole thing could be a gigantic metaphor/allegory on autism and what it's like, or it's deconstructing the concept of closing oneself away to the point of wanting to stay inside yourself forever. It gives off a really good message that people can relate to: closing yourself off from reality and running away won't make you or others happy, even if you think it will. Let people in. Let people help you. And don't listen to people who claim they'll give you happiness or make your dreams come true, because its a scam or a trick. The animation is just sumptuous. I know HapiCha had a lot of animation problems in the series, and I didn't like how blurry the artstyle looked, but the animators really pulled out the stops on this one. Everything is flashy, colorful, fluid, and knows how to stimulate the senses in the best way possible. The music...yay! HapiCha has its own soundtrack and isn't ripping off DokiDoki for once! I liked the songs (except the OP and ED. Ugh! Too squeaky!) and the BGMs, but they're not particularly memorable. But that doesn't mean I hate it. Let's talk about the movie characters first...and seriously, I LOVE the movie characters! Tsumugi, Dark Fang, Zeke, good God they're awesome! Especially the main villain, Black Fang! He is pretty much everything that Red isn't: an intimidating, kick-butt, monstrous, heartless demon who will do anything to achieve his goals, doesn't mess around, completely ruins a young girl's life and happiness for his own ends, uses her the whole time, wants to trap her in a fake utopia, and pretty much tries to destroy the world. This is how you make a good villain, writers! A good villain is intimidating, gets what he wants, will do anything to get it even if it means hurting innocent people, actually does something, and doesn't give a flying rat's hat about anything else! Seriously, I'll take him over whiny, pathetic, annoying Red any day of the week! Better yet, WHY CAN'T HE BE THE MAIN SERIES VILLAIN?! Sure, his motivation is kinda weak, but I can totally forgive it since Red's motivation was pathetic, incompetent, poorly executed, and terrible from the very start. Unfortunately...the main girls suffer in the character department. Yuuko and Iona are just there to be suspicious, Hime falls head over heels over Zeke, and Megumi is her usual annoyingly sweet "shiawase happiness"-spouting main character who tries to help Tsumugi by being nosy and acting like she's an angel that can save Tsumugi from her suffering. Yeah, they're easily the worst part of the movie. Also, Deus Ex Machina power-up that never appears in the show, miracle lights save the day (though points for putting them in the movie in a way that actually makes sense!), everyone's all peppy happy blah blah blah. I don't think I need to go on here. Not a great movie, but not a bad one either. But if you're looking for good characters, give it a miss, because it doesn't handle the main characters well one bit.

MetaThPr4h

7.00 · 22 Apr 2019

It's time for the HappinessCharge girls to have a new adventure in a movie pretty similar to the Smile Precure one if you have watched it. The story is focused on a girl called Tsugumi, who lost her ability to walk and therefore can't dance, the thing she loves the most. This makes her despair as wanted for the villain of this movie, Black Fang. Once the girls go to the Kingdom of Dolls after being invited by her, it's the start of a mix of wanting to have fun there and doubts about the current situation the place is in. This movie handles pretty nicely the drama of the story, and especially gives quite a lot of love to Megumi and Hime, with emotional protagonism to the first and lots of funny moments for the second, Iona and Yuuko sadly got the short end of the stick on that regard, and I don't even want to talk about poor Seiji and Blue. Together with Tsumugi there is also Prince Zeke, a character that cares a lot about her and that I liked quite a lot, which is nice especially considering the relatively short duration of this movie. The animation and art quality of this movie was very good, with nice action scenes and well executed reactions from the characters to the events, definitely nothing to complain on that regard. I'm satisfied with what I watched and I can recommend if you enjoyed the series or you just want to see more of Megumi and Hime.

Animelover875

10.00 · 15 Jul 2026

Happiness Charge Precure! Movie: Ningyou no Kuni no Ballerina is, in my opinion, one of the definitive must-watch movies of the Precure franchise. While most of the movies in this series are generally held to a very high quality, I particularly like this film because of the heartfelt message and pathos the movie has. These don't only make for a good and compelling story, they give real investment and stakes to a nuanced and well-developed character, without falling into the trap of making things too idealistic to possibly seem feasible enough to happen. Thus, it should come as no surprise that this movie had an exceptional presentation, plenty of things for the Cures to do, and outstanding battles. Tsumugi is one of the most interesting one-off movie characters I've seen in the Precure franchise, in terms of movies. The way her illness is presented is in a way that both has a lot of subtext worth analyzing, specifically her simple and innocuous dream to be a ballerina, and the way the Doll Kingdom is presented to her. Dolls, in general, are a great lens into how to take a child character seriously; not just because they're commonly used, but because how a person characterizes their belongings can tell you about them. Tsumugi envisions herself as the princess of a flourishing kingdom in order to escape her despair, whilst Black Fang only sees people as tools, being brooding and manipulative. The Doll Kingdom's fantastical nature is shown in great detailed, the textured and vibrant landscapes being visual eye candy for much of the film, while Hime also has a strong side-plot with Zeke, as do Yuuko and Iona. The increasing disconcertment Yuuko and Iona have nuances them as characters within the film and adds a layer of much-needed grounding to the actions of those around them, especially their interactions with the dolls. One of the most important scenes in the movie is with Megumi, which cements my prior perception that she is far different from past pink-coded Pretty Cure. While it is well-known that Megumi is very determined, energetic, and filled with boundless optimism, she always had a very "serious" grounding underneath, which made her seem very level-headed, but also too deep into her own emotions at the same time. This is exemplified in no better a scene than the midpoint of the movie, where Megumi overcommits to helping Tsumugi and realizes that, as it seems, not every person can actually be helped or "saved;" the film makes it clear this isn't from lack of effort, but that some situations are not able to change easily. What's telling is that this actually affects Megumi, who for a very rare moment, has a moment of genuine depression and anguish, reduced to tears. This scene is extremely powerful given the pathos the movie builds, and the way it's framed as a "real" moment and not played safe. The movie also comes full circle with this low at the end with the antithesis of the argument: while it is always possible to feel despair, and even be overwhelmed and enveloped in sorrow, it is always possible to hope, and with hope, can come change. This would be poetic enough on its own, but given that it directly ties into the core theme of the Happiness Charge! Precure season, it elevates what would be an incredible scene into something truly uplifting. This movie is a exemplary example of one that does not just have a great standalone plot, but retroactively improves the rest of the series, which can be described as no less than a true joy to sit through. 10/10.

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