Shinseiki Evangelion

Since so many people have requested this over the years and as there's a new system in place I'm adding my 2009 review for this series which was originally posted on my blog here on MAL. The 2007 one was written in response to the obtuse fans that were here at the time, and it will remain after the review as removing it completely would serve no purpose. It's also a reminder to me of something important. ---------------------------------------------------------------------------------------------------------------------------------- Neon Genesis Evangelion is one of the most debated animes in history. Some would argue that there are numerous hidden messages in the show, while others argue that it simply plays up to a certain puerile idealogy of the world. Whatever the case may be, NGE established itself as the hot topic in anime for well over a decade. NGE first saw the light of day as a manga by Yoshiyuki Sadamoto, and was published in Shonen Ace magazine from February 1994. It's purpose was to raise awareness and public interest in the anime version that was to be released in October of the following year. The anime was directed by the famous Hideaki Anno, and is hailed by many fans as his masterpiece (although there are numerous people who disagree with this point of view). Animation The animation in NGE is actually very well done considering the time it was made (and the fact that Gainax was running out of cash). The colour palette used for the show was decidely bright in many ways, and at the time it contrasted well with the serious tone of the story. The characters were well designed for the most part, but the real breakthrough in terms of design were the EVA units and the Angels. NGE pushed the boundaries of mecha design in anime to a new level, something which no other show of the time could achieve. It also wasn't afraid to show an enemy who had no visible relation to humans - something that was a rarity in those days (although Anno had used a similar technique in Top wo Nerae). The animation in the show is generally very fluid, and although there are some notable flaws, they don't actually impede on the enjoyment of the show. Sound The sound in NGE is very good in general. The VAs in the japanese version are very good, and are able to deliver a greater depth of emotion than their american counterparts. The effects used are also quite good but never really stood out as much, partly because of the overwhelming visuals, and partly because they were generally stock effects. The music is generally good throughout the show, with a mixture of classical and other styles scattered here and there. One of the most memorable things about the music in NGE is the theme tune. Anno had originally wanted to use Borodin's Polovetsian Dances as the theme music for each episode, but was overruled by TV Tokyo, who felt that this would confuse and alienate the audience. Instead he settled on what has become one of the most played anime theme tunes in history - A Cruel Angel's Thesis, which was performed by Takahashi Yoko. Characters This is the area where NGE failed as an anime. Prior to making NGE, Hideaki Anno had suffered from depression for a while, and the characters in NGE were created in such a manner as to reflect his struggle against mental illness. Each of the characters is flawed in different ways, something that was unusual in anime at the time. Given Anno's talent as a director, this should have led to some interesting, and highly original, character development. Unfortunately the show failed in this area because of one key factor - Ikari Shinji. For many people like myself, the main issue we have with the show isn't the story, or the animation, or the sound. It's the characters, and in particular, Ikari Shinji. In creating him, Anno and the rest of the production team lost focus on the other characters. Shinji is not your typical hero in that he isn't, courageous, or handsome, or intelligent. In fact, Shinji consider's himself to be worthless. The issue I have is that the show focuses far too much on Shinji, almost to the extent where the other characters were simply plot devices for his devlopment, and not enough on the characters around him. That's not to say Shinji is a bad character. He's not. The problem is that one can only stomach so much unjustified self pity (which unfortunately most of it was in his case), before wanting to slap some sense into the person in question. It's been pointed out to me that Shinji wanted to kill himself because he thought he was worthless, and that he should be pitied because of the bad hand he was dealt. I'm sorry but that argument doesn't wash with me. If someone truly wants to kill themselves then they will, so Shinji didn't really want to die. In addition to that, I know quite a few people who have been dealt the worst hands possible, yet they do not whine and complain about it (and many of these people did consider themselves to be useless/worthless at one time or another - yet they suffered in silence for the most part). What Shinji wanted was for people to pity him and tell him he wasn't worthless, and while this is not necessarily a bad thing, it was over-used in NGE (to the point where I wanted to put him out of his misery - and not because I pitied him). The fact that Shinji's character has a tendency to ram his sense of worthlessness into the faces of the other characters is what put me off, as that type of behaviour is usually for attention rather than a cry for help, and because of the show's focus on Shinji, you can imagine how much I wanted to hit him afterwards. It wasn't that I didn't understand, it was just that they failed to depict him as an object of pity, and instead he came across as a whining, self pitying, attention seeking, and generally loathesome person. As for the other characters, in particular Rei and Asuka, they did get a certain amount of development throughout the series. Unfortunately though, their characters, as well as the rest of the cast, were overshadowed by the mammoth amount of development given to Shinji. Story I actually quite enjoyed the concept behind NGE, as it made a nice change of pace. I did, however, have some issues with the convenient deus ex machina of Unit 01, as well as a number of other "coincidences" that were scattered throughout the series. The story itself isn't all that original, and it has clearly borrowed elements from other sci-fi stories. What made the story seem to be original was the inclusion of psuedo-religious and psuedo-philosophical concepts, as well as the inclusion of "Fruedian" psychology. These formed core elements of the story, so what would have been a standard "save the earth" scenario became a dive into the psyche of the characters. The basic plot is borrowed directly from Space Battleship Yamamoto, and the idea of "young" people protecting the earth was used by Anno himself in Top wo Nerae. Unfortunately the story breaks down in several places. Anno tried to make a show that merged all perspectives into one single view, and while he managed to achieve this in some measure, he failed because he focused too much on Shinji, to the extent that no other options were ever considered. Here's what I mean. NERV is a quasi militaristic outfit, and as such, would generally have backup options available to them. The convenient deus ex machina I mentioned earlier effectively removes all chance for anyone else to come to the fore - except for Shinji that is. If the viewer is to believe that an organisation such as NERV was supposed to protect the earth, then they would at the very least, look for other options, especially considering Shinji's character flaws. This would effectively mean that they would have at least some combat veterans or trained soldiers who could handle the EVA units. The use of teenagers as the leads in the show was simply so that it would appeal to the teenage audience. Another area where the story …

Note: this review is spoiler free. Hugely experimental and wonderfully unique, Evangelion is a roaring success. The basic, initial, plot goes thus: a 14-year-old boy named Shinji is called to NERV (an organization charged with defending mankind from extinction, no less) by his estranged, seemingly cold and calculating father. There, his fathers' first words are an order to pilot an immense robotic machine, the titular Evangelion, and fight against the monster that's attacking Tokyo-3, the city under which NERV has it's headquarters. These illusory 'monsters' are called Angels and are seemingly invincible - traditional weaponry, even in the year 2015, has minimal effect upon them. Only the Eva 'biomechs', which can be piloted solely by certain selected 14-year-olds can stop them. This [i]is[/i] merely the basic, initial premise of the series. As it goes on, everything gets a lot more complicated; There's a metric ton of mystery, suspense, twists and turns in Evangelion's plot, all routinely thought-provoking and intensely interesting. The characters are excellent. This is an important point as the series is more about them than about the Angels or NERV. Shinji Ikari is one the most believable and genuinely sympathetic character ever conceived in anime. Though some would complain that Shinji is overtly emotional and annoyingly so. But, really, no one wants Shinji to become the 'Hollywood hero' and save the day with a smile on his face - no such human could ever really exist, and studio Gainax understand this and apply it perfectly to the series. Shinji's mental struggle is dealt with effectively by Hideki Anno, through the use of complex monologues and largely successful experimental cinematic techniques. Asuka and Rei, the other chosen children, are both polar opposites and ingenious characters. Both develop a great deal in a very interesting way throughout the series, and this character exploration and growth is at the heart of Evangelion. The design aspects are wonderfully unique - the Evas themselves are strikingly colourful and the Angels are attention grabbing and memorable with many towering over Tokyo-3's skyscraper. The Angels appear in many different forms (one Angel takes the form of a gargantuan, blue diamond while another is too small to be seen with the naked eye and acts as an organic virus, crippling NERV's computer system) which helps Eva avoid the repetitve "Monster of the Week" format and keeps the action aspect of the series consistently fresh and enjoyable. Judeo-Christian references are famous (or rather, infamous) in Evangelion and despite widespread condemnation, I am of the firm belief that the symbolism is never obnoxious, and always evocative and visually shocking. It must be noted these references are usually fairly shallow, but they make you sit up and take notice of the deeper meaning in the series as a whole. Animation is crisp and clear for the platinum re-mastering that I watched, and I hasten to add that this re-mastering is only version of Eva worth buying. Visuals are regularly stunning and scenes from this series will surely stay with you forever. The regular provocative imagery is often times shocking and sometimes awe-inspiring. The image of a crippled Rei, bleeding and covered in bandages in the first episode provides the first real shock of the series. Such imagery contrasts with the visual gags present throughout - a toothpick container obscuring Shinji's nether regions in episode 2 being one of the most memorable. The music is, much like the rest of Eva, superbly memorable. It excels at setting the right mood and tone, using inspirational trumpets to highlight Asuka and Shinji's success in battle, and nuanced reflective tunes to convey the character of Rei. The OP is among my favourites of all time and you'll not tire of hearing it throughout the 26 episodes of the series. The final two episodes are controversial (more controversial than the rest of the series at least!) because they are both the peak of experimental Eva. While I certainly wouldn't call them "bad", they are frustratingly unsatisfying as an ending. Thankfully, the subsequent movie release titled 'End of Evangelion' rectifies this with bombastic aplomb. EoE - which essentially tells the story of what happens in eps. 25 and 26, but this time outside of Shinji's mind - is truly magnificent, and definitely lives up to the sky high standards set in the series, and perhaps even exceeds them. As well as being one of the greatest anime movies ever made, EoE gives the series an extraordinary conclusion. I haven't even mentioned the dub, the pacing or the sound effects, but rest assured that they are all of a fantastic standard. Overall, I think this series deserves it's iconic status - it's easily one of the absolute best TV series (anime or otherwise) that I've ever seen. Every single episode is nothing less than a masterpiece and an utter joy to watch. I whole heartedly recommend Neon Genesis Evangelion. It is imperative that you watch this anime!

Mod Edit: This review may contain spoilers. ------- People have been fighting over the merits of Neon Genesis Evangelion since its conception, engaging in an endless bloody war to decide whether or not the series is a masterpiece or overly-pretentious filth. Writing a review for Evangelion is pretty much just adding fuel to the fire, giving one side or another some extra ammo with which to demolish the opinions of the opposition. For that reason, I've decided to do something different with my Evangelion review. I'm actually going to write two reviews, one heralding Evangelion as a masterpiece and the other condemning it as mediocre bilge. I've put my full effort into both of them, trying to make each compelling. I believe that both reviews get down to the essence of why people either love or hate the show, and the goal is to let anyone pondering whether they should pick up this giant of the medium to really understand what they're getting into and whether or not it sounds appealing to them. Without further ado, I present Neon Genesis Evangelion: Critic & Fanboy. **The following review will explain why Neon Genesis Evangelion is overrated garbage.** Neon Genesis Evangelion is one of the most popular anime of all time. It's shaped the entire medium for decades, inspiring countless other shows through its characters, story, and ideas. Many people have called it the "greatest anime ever made" and a "triumph". Its protagonist, Shiji Ikari, has been on the top of many character lists, and its ending is infamous. Most times when someone starts criticizing Evangelion they are promptly told that they just "don't understand what it's trying to achieve". Well, let me begin by saying this: I understand exactly what Evangelion was trying to achieve, I just think that it executes this attempt very poorly. Evangelion is a mecha show, yes, but it's really about the internal struggles of the characters: most noticeably depression, fear of rejection, and sense of self. It's attempting to criticize the anime crowd by telling them that they're filling their lives with hollow escapism as a substitute for meaningful human interaction, but it's also just trying to tell people in general that they have value as an individual and whatnot. But before we get into how it fails in this regard, let's talk about the more superficial stuff. Let's talk about the plot. See, Evangelion seems to have the idea that if it's "meaningful" enough it doesn't matter if it doesn't have a well put-together story. If it discusses important ideas, its story can be a mess. Well, half of this is true: the story IS a mess. The premise assumes that only 14-year-old children can pilot giant robots. Why? Never touched on. Okay, so any 14-year-old in the world will do, right? Nope, it has to be the guy who's spearheading the whole project's son, who is also conveniently unwilling to do it. Why not find someone more willing and trained? Well, because his synchronization rates are off the charts, of course. Sounds like an awful lot of insanely contrived nonsense to me. To top it off, Shinji's dad hates him to make sure he has issues with opening up, although this is never explained either. It seems like if the fate of the world was going to be entrusted to my son, I would want to, you know, make sure he was emotionally stable even if I didn't like him. After setting off this ridiculous premise the show devolves into bland monster-of-the-week with minimal development for about half of its run, throws in some totally meaningless religious symbolism, bends the world around Shinji's problems more than SAO bends around Kirito, and then proceeds to turn all of its characters into tools for its single-minded purpose before ending with a slideshow of photographs of lamps and concept art with dialogue over top. See, here's the thing. If I wanted someone to explain to me the philosophy behind the hedgehog's dilemma or to tell me that I needed to open up to other human beings, I could just consult wikepedia or go see a therapist. The reason I'm watching a TV show instead is because by using a story with elements that get me invested and characters that I can relate to it allows me to understand what I could have learned at face-value anywhere. I learn because I care. Evangelion, however, forgets this. It seems to think that if it just spews enough philosophy at the viewer that that will do the trick. Why should I care what the show is telling me? Because here's the thing: the ending isn't gibberish. It does mean something, it means something very specific. But it still fails completely because it fails to convey that in a way that engages the audience or demonstrates it through the use of a story. It abandons the story and gets all up in your face instead, and this ruins the impact and renders everything its saying unimportant. Well then, what does the show accomplish? Sure, it has some nice action sequences, but these come at the expense of a lack of budget later in the show. The soundtrack is pretty standard, with some of the pieces even being pretty blatant ripoffs from other places (one person once showed me how one of the battle themes is nigh identical to a 007 song), and all we're really left with to convey what the show is trying to convey is the characters. The characters from Evangelion get a lot of praise. Many consider them to be the greatest cast of all time. Shinji Ikari, wonder boy, has been tugged around as the epitome of male protagonists, and others like Asuka and Rei laid down the foundations for their archetypes. Let's talk about all three, one at a time. Rei - Rei is a failed experiment. She was originally created by Anno (the director) as a way to demonstrate to the Otaku fanbase that their best girls and waifus were actually just emotionless unresponsive dolls that would never provide them with anything real. The sentiment is one thing, but the fact of the matter is it doesn't matter what Anno wanted to convey, what matters is the result of what he created. Rei actually became the very thing she was created to destroy, and was one of the most popular waifus ever made. She reinforced the idea she was meant to take down. Rei is an absolute disaster. Asuka - Asuka is very nearly the origin of the tsundere. The trope may have existed before her, but she defined it and made it popular. The problem is, Asuka really isn't that well-written. It doesn't matter what ideas she was used to expressed, the fact of the matter is that the consistency of her character is weak and by the end she, along with many other characters, has been converted into a tool to be used by Anno to make his points. She ceases to feel like a person of her own, and exists only to reinforce the ideas conveyed by Shinji. Shinji - The man himself, attacking Shinji's character is considered pretty taboo. However, in truth, Shinji is simply pretty mediocre. His character exists to repeat the same few ideas over and over ad naseum, and he receives very little characterization outside of this. By the end of the show almost everything we know about Shinji can be boiled down to "he's afraid of rejection", "he has daddy issues" and "he struggles with self-value and sense of self". While this is great and all, there's more to people than just their deep-seated issues and Shinji fails to display that. So with all this in mind, what on earth sets Evangelion apart? What has kept the fanbase so alive and vocal for these twenty years while nearly everything else made around the same time has fallen into obscurity? I believe the answer is pretty simple: intensity. The ideas in Evangelion aren't unique. They're in plenty of other anime, portrayed in more well-developed and creative ways, but Evangelion drowns all of those out by being really goddamn loud about what it's saying. Its characters are screaming, crazed people. Its production is a wildly fluctuating mess. Its emotional intensity is unmatched, and it uses this to grab peopl…

Evangelion is widely considered one of the most influential anime created in the 1990's, if not of all time. It is extremely well known for it's brave attempts to turn the mecha genre on it's head, it's deep character development, and it's unorthodox storyline. Created by acclaimed studio Gainax, and written by both praised (and sometimes hated) writer Hideaki Anno, Evangelion has been called a masterpiece by anime fans. Does it deserve this praise. Simply, yes. Story: One of the most well known aspects of Evangelion is it's story; it is simply unorthodox, as it does the process of not feeding all of the story the viewer; it drip-feeds it, giving the viewer only half the story, or sometimes giving scenes without any context. For some anime, this would be a disaster waiting to happen, but in the case of Evangelion, this is done almost consistently masterfully, holding back information on such subjects such as SELEE or The Angels. Many have critisized the holding of frames later in the series, but taken into the context of the fact they were running out of money to make the show, is is understandable. For many fans, their major criticism of the anime is the handling of the ending, which many consider far too 'out there' and simply crap. I too, am not a huge fan of the ending, but taking the ending to the TV series, inside the context of the 'true' ending movie, The End of Evangelion, the ending can make a lot more sense, and thus I enjoy it far, far more. To stop me from ranting on for ages, Evangelion's story is a master stroke in writing, one which has been a hard feat to replicate. Art and Sound: I was introduced to Evangelion through the in-progress tetraology of films, The Rebuild of Evangelion; due to this, I became used to the cutting edge graphics employed for the higher-budget films. And to be honest, yes, the TV series art is beginning to show it's age 20 years on; however, this does not detract from the series in any major capcity, as the art compliments the anime extremely well. The sound is also fantastic, and a very high-point for the show. Excellent music is employed to showcase the fights against the Angels, and for darker moments such as the internal struggles of the main cast of the show. Some of Beethoven's music is featured later in the series, which coupled with the emotional impact of the scene, produces one of the most excellent scenes in anime history. Characters: By a massive leap, the highlight of the series. Evangelion features in it's story the struggles of the main characters, to devastatingly wonderful effect. Weak, timid, daddy-issues Shinji, to powerful, arrogant, egotistical Asuka, to the quiet, mysterious Rei, and the dark, apparently agnostical Gendo, Evangelion develes into the mind and motivations of these characters, showcasing exactly what makes them tick, and this is what gives us some animes most regonisable and wonderful characters. I am certain entire essays have been written on why certain charcters tick, and that's another reason so many of these characters are so wonderful. Fans are so devoted to their favorite characters (personally I am partial to Rei and Gendo), and this creates a wonderful feeling when learning about these characters and then discussing this with other fans. Generally, Evangelion employs some of the most human characters in anime, showing us that the heroes of anime aren't always strong, both mentally and physically, or not even in control of their lives. In closing, Evangelion is one of the strongest anime ever produced. It employs powerful characters, a deep, deep story, and art that has only just began to show it's age. What makes the show's longevity even more powerful is that even now on sites such as EvaGeeks people are still analysing this series, trying to know everything about it. I hope Evangelion will live on in the hearts of it's fans, who'll continue to appreciate it's deep, metaphorical story. I hope that Evangelion will always remain an anime that will be treasured, for all the ages.

Neon Genesis Evangelion is probably familiar to most of you. It's a well-known series from Gainax written by Anno Hideaki. It's also an anime I never got all the way through before this point. I tried several years before I wrote my first review when I was watching a bunch of anime because they had Hayashibara Megumi. I got through Nuku Nuku, Blue Seed, Saber Marionette, the Slayers, Love Hina, Bakuretsu Hunters and some others. Evangelion was the only series I couldn't get through. The characters annoyed me more than any cast I'd ever seen and the story was pants. In the end I got to that episode where Shinji and Asuka have to time their attacks using DDR, and no I don't know which episode that is numerically, and the sheer stupidity of that plot point resulted in my looking up the plot summaries for the remaining episodes to see if it was ever going to improve and promptly dropping it. My ignoring the franchise ended last year when I was asked to review the film, End of Evangelion, which was one of the worst movies I've ever seen. In fact, I would rather watch one of Michael Bay's films than re-watch that. Now, I've been asked to go back and watch the series in its entirety and give it a chance. Honestly, I'm not looking forward to it. That being said, some of the series and films I've re-watched from that time period have turned out to be much better or worse than I remember. So, Evangelion could end up being better than my memory indicates. I certainly hope so because otherwise this is going to be painful. Let's take a look and see. Story: In the far off year of 2015, fifteen years after the second impact cataclysm, mankind finds itself under siege by beings called “Angels.” Our protagonist, Shinji, is assigned to pilot a giant robot called an Eva and fight against the angels. Otherwise, a third impact could come and destroy everything. Unbeknownst to him, the organisation he's working for is keeping secrets that could be more destructive than the angels. Now, you might think setting the initial event that kicks off your story a scant five years in the future, the series started running in 1995, is absolutely moronic and just serves to make it horribly dated very quickly, but it has to be set in 2000. You see, Anno was making a satirical statement about the fact that government agencies used to lie. I know, shocking. Some might also call the writing weak for minor details like the angels having no real motivation, the NERV organisation being more transparently evil than a Captain Planet villain, the narrative grinding to a halt halfway through and never reaching any kind of real resolution or the ending in general. The people who say this just don't get the deeper meaning behind all of these factors. The angels have to be depicted as having no motivation because giving them motivations would make NERV's transparent evil too obvious. NERV has to be transparently evil because government agencies used to lie. The story has to grind to a halt to illustrate that life doesn't always have neat resolutions. You might argue that a narrative needs a sensical resolution but that's just nitpicking. Characters: In a world where most media tries to have characters who are endearing, complex, realistic or some combination thereof, Evangelion makes the bold decision of having characters who are none of those things. These are characters who are all of a quarter-dimensional. Sure, in a series like Highschool of the Dead or Crime Edge having characters that basic would hurt the narrative, but Evangelion pulls it off ingeniously. You see, Anno adds depth by giving virtually every character severe parent issues. You might think that sounds absolutely horrendous and annoying, but it's not. It's ingenious. Art: I will grant that the art is not great, even by the standards of its time. That being said, there are some very clever artistic choices. Like making most of the angels look like rejected super sentai villains. There's also the daring decision to show fourteen year old girls naked. It might sound pervy, but it is very essential to the underlying themes. Sound: Hayashibara Megumi and Ogata Megumi are two of the greatest actresses ever to grace the industry. Hayashibara Megumi might even be the best voice actress in any language ever. In addition to these powerhouses, Evangelion has Miyamura Yuko, Mitsuishi Kotono, Ishida Akira and several other talented people. With such a talented cast, Evangelion made the intrepid decision to have none of them act. It might sound like inexcusably bad direction, but it's very important to the themes that each actor only gets allocated one or two emotions. The music is pretty good. Ho-Yay: The ho-yay factor is a 2/10. There's a little bit between Shinji and Kaworu. Final Thoughts: For the one person out there who didn't pick up on the sarcasm in the preceding paragraphs, I'll say it clearly. This is one of the worst anime I've ever seen. The writing is horrid, using several elements that could be good if very well written but with all of them being handled completely incompetently. The characters are less than one-dimensional, thoroughly unlikable, and downright obnoxious. They neither act nor talk like anything remotely resembling a real person. I apologise to everyone, myself included, who has an actual depressive disorder since so many people offensively excuse the terribly written Shinji as just “being depressed.” The art would be middling, even with the ridiculous looking enemies, except for the gratuitous teenage nudity because the artists are pervy assholes. They got a stellar cast, which went entirely to waste. About the only positive element is that the music is actually pretty good. Now, I know someone is going to tell me I didn't get the “deeper meaning” behind the pretentious twaddle, so I looked up what Anno had to say about it. Which is that there is no deeper meaning in Evangelion. So, why exactly do people think there's a deeper meaning here? Allow me to explain. Finding meaning in something like Evangelion is a type of Apophenia, or seeing patterns and connections where none exist. The fact is, a lot of people see things like random religious symbols or the moments inside what passes for a “mind” in Whiny, Blank Slate or Anger Issues, as proof that there's a hidden meaning. So, they look for what it could be and they find something that satisfies them. If you're looking for a deep meaning, you will find it, regardless of whether or not there actually is one. It doesn't matter if a series is meaningless, simple and straight-forward, random or downright stupid. As an exercise, Let's revisit Kill La Kill, assuming that it has a deeper meaning instead of just being a dumb action series. The series is actually a cautionary tale about the misuse of, and over-reliance on technology. It makes the brilliant move of using clothing, one of the most basic elements of our modern society, for this endeavour. It presents a nuanced approach, having clothing used both for good and ill. I could point to scenes like Mako and her family being corrupted by opulence only to discard their clothing and emerge as a noble poor family again. Sure, you could probably poke holes in this idea if you've seen the actual show, but the point is that it's ridiculously easy to construct your own meaning, especially if you're convinced that there is one. The final rating, 1/10. To paraphrase a writer with actual talent, if the word “hate” was engraved on every atom of my body, it would not be a billionth of the hate I have for this series. It's downright atrocious and it was painful to sit through to the extent that you could force people to watch it as a method of torture. Next week, All Purpose Cultural Cat Girl Nuku Nuku. I need to read some Alan Moore to try and fix the damage the idiocy inherent to this pile of rancid fecal matter did to my brain cells.

Hugely experimental and thankfully unique, Evangelion is a roaring failure. Yeah, there might be spoilers but I'll try to stay away from them. After watching several series, I finally ran across something that I actively disliked. Maybe if you are a (shudder) person who enjoys a nice bit of Camus to go along with your nightshade cocktail, you will really dig this series. Otherwise this one is going to be painful. STORY: Evan starts off moderately interesting. For some convoluted reason a teenager is the only one who can pilot a super-mega-awesome-gigantor-robot for some convoluted reason. We've seen it before -- it allows the target shounen audience to have characters they can identify (i.e. lazy kid) get to play the hero instead of someone more realistic -- say a 30-year-old ace captain with years of conflict experience and (more importantly) some emotional maturity. But hey, not like this is the first time. So we get the normal mecha-on-mecha action sequences, which are kinda cool, and the expected teen drama stuff. Oh, and some daddy issues, because what is anime without a justified hatred of one's parents? AND THEN THE SERIES LOSES IT'S FREAKING MIND There is no better way to put it. I read on wikipedia that the person responsible for this travesty of philosophic trite had a bad batch of depression, and it shows. Anytime sci-fi has to double back to religious fantasy, it fails. I "got" the story but I hated it. Around this time the series shifts to adult themes over shounen, which is kinda cool. But since everyone was afraid of losing their jobs at the time (per Wikipedia "but also partly because by this point, production had begun running out of funding and failing to meet the schedule; this collapse has been identified by at least one Gainax employee as the impetus for Evangelion's turn into metafiction...") they decide to spew out a bunch of woe-is-me-the-world-sucks garbage. ART: Art here is decent. Not great, but decent. Since this was a 90's anime, this is very excusable. At the time, the art had to be fantastic. Thank god I started watching anime now than back in the day. Sound: Passable. Nothing great, nothing too easy to beat up on. Character: Anyone who tells you that they liked the characters is lying (a) to themselves and/or (b) to you. All of them, especially the protagonist, have extremely annoying qualities (whinny, self-absorbed, withdrawn) that begin to drag on one's nerves. The protagonist particularly sucks -- 4 weeks of basic bootcamp as Gomer Pile would have given him something to really cry about. Enjoyment: There is a reason why this series almost bankrupted the company. This is not what all anime should be, entertaining. Overall: I was really looking forward to this anime after hearing such great things about it. For the life of me, I cannot figure out why this is so well-regarded. I think it's because if you are the type of person that thinks the same as as some of the characters, this anime will sing to your soul or something. Sometimes classics are deserving, sometimes they are not. This anime is the latter.

I realize that I'm likely painting a target on my face with this one, but here goes. Please read to the end, as my recommendation may surprise. The biggest sin of NGE, in my opinion, is wasted potential. Be warned, I'll be touching on spoilers here, though I'll try to avoid any actual plot developments. Story: 5 The story of NGE actually starts off rather strong. Eldritch abominations are attacking the world (primarily Japan), and only might mechs known as Eva-Units can defeat them. The only catch, only certain children can pilot these mechs, and doing so requires mental synchronization with the machines (in other words, if the robot's arm gets ripped off, the pilot gets to feel it). I love this premise, and it proves a great deconstruction of the genre. The problem is that eventually the story devolves into a pity party so full of skin-deep symbolism that there's no real... victory involved. There's bad ends, and then there's spiraling into a whirlpool of depression that aims to take the world with it. Art: 5 The art direction is actually rather solid. Character designs are unique, for the time (really everyone else began copying this), and when the show does an action scene, they do a wonderful job of it. Sadly, the limited budget of the show leaves us with several scenes that consist of stills. Still, props for doing a great job with what they had. Sound: 7 A true high point of the show, this is where a great chunk of effort came it. Even the dub is quality, and it's a 90's dub. I came in expecting a few laughs, but I was pleasantly surprised. The music is well-done, but not varied. I mean, I love fly me to the moon, but pick another song, Hideaki. Characters: 3 Hoo-boy. This is the hardest part for me. It's not that the characters are bad, per se; it's that they had wonderful potential for growth, and then stagnate AT BEST. Shinji is a whiny wimp who looks like he'd fit in well in a coming of age story. Sadly, he stays in the whole "Somebody love me!" stage pretty much the whole way through, and the few times he does grow, some event comes along to destroy it. Rei is an... acceptable excuse, but that's going into spoiler territory. Clever naming though. I can approve. The other likable characters all have something come along to ruin the growth they've had (again, heading into spoilers, so I have to be a little vague). Gendo's a prick. I am accepting of this fact. Moving on. Asuka................ she could have been great. She could have been one of the best characters in the show. She starts off selfish, and abusive, and arrogant. It's shown later that she came from a damaged family. But rather than realizing that there are people who care about her, that she doesn't need to prove anything, she just spirals into depression worse than any other character. Enjoyment: 1 I know this will vary heavily from person to person, but what I love most in a story is character growth. As detailed above, I didn't get that AT ALL, and it really hampered my enjoyment of the show. Overall, should you watch this? Yes. At least once. The show has some virtues, but I felt those virtues were heavily overshadowed by the themes of depression that began to permeate the show. It can be done right, but I don't think NGE was the show for it. Just be sure you're in a stable frame of mind when you do watch it. I've met those who actually fell into bouts of depression after watching this show's conclusion. Oh, and thanks for reading to the end.

One of my absolute favorite things about this anime is how they have implemented lots of references to old religious symbols and characters; and how it's all done. They make the series into something more by doing this; it gives it a unique feel that I still haven't seen in other series. The story itself is made up of pure awesomeness. It has a mix of mecha (which of course includes action), slight romance, and psychological elements, and especially the latter. It progresses nicely as the episodes pass, and we get to see more back stories, more psychological struggles, and lots of neat fighting. The thing that drags the story down is the two final episodes - they're very confusing. Though I'm able to understand many elements of the end now, when I watched this series half a year ago, I didn't get it at all.. Also, it had some strange moments toward the end, mainly the scenes where nothing at all happens for a minute (example: Asuka and Rei are standing in an elevator for nearly a minute, and the only thing that happens is a cough from one of them). The characters of this show... well, to quote Hideaki Anno - "It's strange that Evangelion has become such a hit - all the characters are so sick!" That's true, very true. But they are sick in a way which makes me like them, because they are portrayed in such an excellent way. The characters have really deep emotional struggles, and the way the series portray this makes them seem to me like actual human beings; I end up sympathizing with them and their tragic pasts. It also portrays their relationships and interactions with each other very well, and everything going on inside their minds. The animation of NGE is really, really cool. The show is, like, what, 12 years old by now? That is something I wouldn't entirely believe by watching this show, as the animation style is, even today, very good - it's flawless, and the effects are really good, and not to mention that they have done the battles very well. It was amazing when it was new, and I dare to say that it's amazing even today. I really like the music in this series too - there's some really great themes, especially the OP and ED themes. The OP is simply the best song ever, and the ED theme is a really great song named Fly Me to the Moon, or to be more specific, a version of it. That song is fantastic, and it has a place in my heart thanks to NGE. To be honest, if you haven't watched the show yet, go watch it this instant. You've definitely missed something. To 'Not Helpful' voters (and you 'Helpful' voters too): Feedback greatly appreciated =)

Neon Genesis Evangelion has been known to divide audiences. And despite its love for giant robot battles and generous use of fan service, Neon Genesis Evangelion is unarguably one... of the most influential sagas in modern anime. In the history of anime no series has sparked more debate than Evangelion. For every viewer who's enthralled by its mix of classic anime action, convoluted philosophy, psychological angst, and religious imagery, there's another who finds it pretentious and ponderous. If you are unfamiliar with Neon Genesis Evangelion and have yet to watch it for the first time, you're in for a real treat it truly is an emotional roller coaster. On the surface, Neon Genesis Evangelion is a basic mecha series with a host of teenage pilots controlling monstrous beasts called Eva’s. The lead character is a reluctant hero trying to live up to his father's expectations while saving humanity at the same time. Story: The story of Evangelion primarily begins in 2000 with the "Second Impact", a global cataclysm which almost completely destroyed Antarctica and led to the deaths of half the human population of Earth. The Impact is believed by the public at large and even most of Nerv to have been the impact of a meteorite landing in Antarctica, causing devastating tsunamis and a change in the Earth's axial tilt (leading to global climate change) and subsequent geopolitical unrest, nuclear war (such as the nuking of Tokyo), and general economic distress. Later, Second Impact is revealed to be the result of contact with and experimentation on the first of what are collectively dubbed the Angels: Adam. The experiments were sponsored by the mysterious organization Seele, and carried out by the research organization Gehirn. In the year 2010, Gehirn had accomplished a number of its scientific and engineering goals and corporately changed into the paramilitary organization Nerv which is headquartered in Tokyo-3, a militarized civilian city located on one of the last dry sections of Japan; Nerv's central mission is to locate the remaining Angels predicted by Seele, and to destroy them. However, Nerv has its own secret agenda, as directed by its Machiavellian commander Gendo Ikari: the Human Instrumentality Project, which, according to Gendo in episode 25, is the task of uniting all human minds into one global spiritual entity. Associated with Nerv is the Marduk Institute, which has the task of selecting the pilots for the Evas, the most capable being children conceived after the Second Impact (14 year olds). The institute consists of Commander Ikari, and Nerv's chief scientist Ritsuko Akagi; supporting the two are 108 companies which are all revealed to be ghost companies. Story does start off quick with a bit action in the beginning. It then becomes quite dull with how the main character acts. But by the time Asuka makes her first appearance, the show has kicked into high gear for a stunning run of near-perfect episodes. Characters: The cast of Characters in NGE are varied, and through the course of the series the majority of them are emotionally ripped apart and left for dead. NGE holds back nothing. For most animes, a flaw of a character is usually ironed out before the end. But NGE is different. Weak characters show moments of strength, but ultimately remain weak. Arrogant characters show moments of humility but ultimately remain egotistical. Such is the nature of the series - the characters definitely go through challenging experiences that test their flaws, but they do not seem to overcome them. One reason for this may be that the challenges the characters go through in NGE are treated as though they were realistic stressful conditions that mentally damage the characters since there is always bad collateral damage even with success. Art & Animation: While the animation looks a bit dated by today's standards, NGE is still a powerful cerebral onslaught and an audiovisual force that won't soon be forgotten. There are just so many things Evangelion does right that elevate it beyond pedestrian anime. The world is so alive and well-developed, right down to the smallest details (like the way cars run on batteries instead of gasoline, as one would expect in a future following global disaster that would limit access to fossil fuels). Even the minor characters, like classmates Toji and Kensuke, are remarkably fleshed out. The way Misato's mature (but dysfunctional) relationship with Kaji contrasts with the teens' awkward, tentative steps towards romance is brilliant. In other words, Evangelion pulls off the remarkable trick of feeling tantalizingly real, an exceedingly rare accomplishment in anime (and animation in general). Sound: NGE is a show of extremes. Ranging from scenes of palpable, visceral power that inspire shock and awe, to the most quietly serene, surreal, and beautifully touching moments. These scenes are woven together as fine and eloquently as the Beethoven Symphony they play in episode 24 itself. And like that symphony, even though the parts are outstanding, the whole is much greater than the sum. Enjoyment: Without spoiling the show for those of you new to join, the replay/enjoyment value on this one is off the charts if you enjoy complex dramas and well written anime shows. Further, in the thirteen years this one has been out, you can trace almost every anime show using giant robots, psychological thrillers, and hidden cabals within society running things from behind the scenes back to this one. Sure, it builds on shows that came before it but it was more of a revolutionary step in terms of overall complexity and quality than it was a smaller evolutionary step; leading fans to discuss its nuances over and over. Overall: Evangelion is definitely in a class by itself, and it is required viewing for any anime fan. Not just another giant robot/sexy teenager anime, Evangelion is a trendsetter and a pillar of creative achievement. While it won't answer many of those lingering questions you might have in the end, it does set up the finale, End of Evangelion, a movie that presents a more coherent ending which makes a lot more sense than the last two episodes did. Make it a priority to watch this and see for yourself what NGE means to you. After you do, make sure you watch the movie, End of Evangelion.

Overhype, thy name is Evangelion. Since I started watching anime, it seemed that all anybody could do was talk about how amazing this show is. In a sense, they're right. When one watches this show, they must see it through a lens of how revolutionary Evangelion was at the time, and how largely it influenced anime. However, this review isn't about that. This review is about how enjoyable this anime is to watch. Evangelion is well-written, full of symbols, and smartly deconstructs the mecha genre; however, it is pretentious, at its best underwhelming, and at its worst a complete waste of time to watch. Let me preface this by saying that I am not a fan of the mecha genre. However, I was assured repeatedly by fans who swear by this show that this show is a psychological thriller at heart, and that the mecha aspect isn't very important. This is incorrect. Between the lack of cliffhangers, the episodic plot structure, and the fairly predictable mecha fights, I was at times forcing myself to watch the next episode as I so dearly hoped that the next one would become more captivating and finally begin to shed light on why this show is so revered. Unsurprisingly, I was disappointed. Some would argue that the plot predictability comes from how much this show influenced future shows that I've probably already seen. Even if this were true, it doesn't fix the problem; it only shifts the blame around. Moreover, the episodic plots, predicable or not, still were not compelling in the slightest. This is the real issue, and regardless of what causes these issues, it doesn't change the fact that it makes the show far less entertaining. Ironically, I liked the last two episodes more than the rest of the show combined. Perhaps it was because the writers couldn't use mecha battles and instead had to write some actually interesting and compelling character or philosophy-driven content. I won't get into detail as to what happens in them, but they were a breath of fresh air and a remarkable improvement to the series (even if their budget was nearly nonexistent at that point). Evangelion is a tricky case. Yes, the show is filled with symbolism and motifs and other such nonsense, but packing an otherwise mediocre series with symbolic imagery doesn't inexplicably improve the enjoyment of the show. Fans of this show berate others who didn't like it for not "getting" it, and that people who truly understood the show would love it. This variant of the No True Scotsman fallacy is the exact same thing that similar fans use to dismiss those who didn't like FLCL, and it's just as wrong. If you enjoy the mecha genre enough to see a deconstruction of it, and don't mind some predictability, Evangelion will be right up your alley. Otherwise, you are only wasting your time.

Neon Genesis Evangelion is perhaps the most popular anime of all time, trumping the majority of anime franchises, and is often considered to be the best anime of all time. Needless to say, it isn't. Not even close. Although it certainly had the potential to be, it just didn't live up to it. Which isn't to say Evangelion is bad, no. Evangelion is actually very good in many, many ways. The problem is, it counteracts this by having some horrible problem in another way. The premise of Evangelion is set in 2015, set 15 years after the apocolypse, or "2nd Impact" wiped out half of humanity. I do love when a show claims Judgement Day will happen in the near-future, and gets ultimately proven wrong. At any rate, humanity is 15 years later being attacked by these things called "Angels", for some reason, and must kill them in giant robots called "Evangelion", to prevent 3rd Impact from happening. And so beings our vague story of vague vagueness. And what a vague story it is. Evangelion loves suspense like a fat kid loves twinkies, and will throw in 5 plot twists and/or questions per episode, without answering any of the present ones. It kicks off being something of a Monster-of-the-week thing, and does stick to the formula over the course of the next 26 episodes, but at the same time doing it, and pretty much everything else, completely different to anything and everything that has come before or since. Our normal plot is cut inbeetween with bizzare symbolism and obscure Biblical references, as well as the occassional Navel-gazing episode, which are usually a mental and visual mindfuck, and often very, very disturbing. Horror is a genre that isn't used very much in anime, and while Evangelion is very much a Sci-Fi show, it becomes more horrific than anything i've seen in any horror movie. Nothing regularly associated with the genre comes close to being as sickening and disturbing as some of the thing you'll see in Evangelion, which I will avoid stating for the sake of massive spoilers. But all of these add to what Gainax does best: Immersion. I don't think i'd be overstating it to say that Evangelion is the most emmersive, involving anime there has ever been, and you genuinely feel an attachment to this world and its inhabitants. Except Asuka. I could rant for a loooooong time about why I hate Asuka, but let's just say she's an irritating bitch who has a large amount of reverse character development. Speaking of the characters, the characterization falls into a weird void wherein I can't honestly decide if they were lazily written or perfectly formed. While some of them become unbearably whiny, uninteresting, bitchy, or downright twisted, don't real people often fall to the same pitfalls? I've known plenty of people like Asuka in my time, although none of them quite so fucked up, and I can honestly see a lot of realism in that. Although there is one character I will say was undeniably fantastic, which makes the fact that he appears for all of one episode all the more tragic - Kaworu. Whether or not he is a good character (a question very much up for debate for every single character in this show), every moment he is on screen is a joy, providing a strange kind of relief much akin to what he actually does in-story. And probably moreso to fangirls... I can imagine a million of them squeeing over that one particular scene in the shower. You know the one. Production-wise, the show is a very large up-and-down case. Artistically, the style is likeable and unique, and really brings something to the show. However, the animation is full of enormous and blatant corner-cutting. I am willing to forgive this to some extent, though, in that it was used to interesting artistic merit. The soundtrack is a strong, memorable affair, with several vivid tracks that remain easy to associate with the series. The English dub is a strange mix of realism and annoyance, but it has to be credited in that you really can't imagine them sounding any different, something the Rebuild movies have very much proven. But here's the show's enourmous downfall. You remember those aformentioned plot threads? The ones they introduced in bulk per episode? None of them are resolved. None. Not even a single one. The movie "End of Evangelion" makes a passable attempt at fixing that, but there's no fixing the unbridled fury that thing that calls itself an ending will doubtlessly induce. But truly, any complaint I have is somewhat irrelevant, because you HAVE to see Evangelion. There is no other series like it, and it will always be a cult thing, but there's no way to know if you'll like it until you watch it, with Evangelion being one of the most polarizing shows there has ever been. Final Words: A must see, regardless of its many faults. Animation/Graphics: 4/10 Story/Plot: 7/10 Music/Background: 8/10 English Dub: 5/10 Overall: 5/10 (make it 7/10 for the first 24 episodes, but those last two bring the score down HARD.) For Fans Of: RahXephon, Serial Experiments Lain.

Neon Genesis Evangelion is the worst anime I've ever watched, and let me tell you why. First of all, the character development. Shinji remains stagnant throughout the entirety of the show as a scared little boy, with no balls. He never comes to realize the responsibility he has, and instead simply acts immature for the sake of seeming realistic. Asuka is an arrogant bully suffering under a depression after having a messed up childhood; and Rei is more of a robot than a character. Other side characters like Gendo and Misato do receive some nice backstories however, that doesn't help the weak main cast. The story is average at best, consisting of episodic monster of the week battles against angels. Later it is revealed why this is so, all being a lead-up to Gendo's plan of human instrumentality, but it doesn't change how weak and un-engaging the story is, and human instrumentality is just an excuse for the last episodes to exist. The art isn't very good, the aspect ratio is small, and the animation quality is really inconsistent. The music is nothing special either. Thankfully the action scenes are very intense and help make the series very addicting (I marathoned it in two days). The big things that absolutely ruin this show for me are the horrible characters, the Gainax ending, and an uninteresting story. In some areas, like action, this show was pretty good. After watching this, I felt disgusted for having wasted my time with this series, it truly deserves a 1/10 from me.

This was a rather tricky programme to review. Great pains were taken to avoid spoilers so if you're a fan of Eva, please don't take umbrage with me for not going in-depth with certain areas. If you happen to dislike Eva or feel that it's overrated, I'd still encourage you to read through this entire review. Feedback is greatly appreciated, as always. On another note, this review will NOT cover Evangelion's religious symbolism at all. I tried to in earlier drafts of this review, but they just made the review much longer and more tedious than they needed to be. The last thing I want to talk about before I go into the review is the current state of Evangelion's licensing. Unfortunately, Neon Genesis Evangelion is currently unlicensed. It was originally licensed to ADV Films before its inevitable collapse and then the license was transferred over to Section23 Films. Unfortunately, the license expired in mid-2012 and the show has since gone out-of-print with the official DVD releases of the programme priced as high as $300 on Amazon. I am aware that Evangelion was also licensed by Madmen Entertainment in Australia, however I'm not too sure if Madmen Entertainment still holds the license. The best we can hope for is Funimation to pick up the show and give it a Blu-ray release in honour of Evangelion's upcoming 20th birthday in November of 2015. If you wish to watch Evangelion, you'll either have to settle for bankruptcy and buy the DVDs for an absurdly high price, torrent it, or watch it on a site like KissAnime or what have you. Sorry, that's just the way it is. ;-; *** "Evangelion" is a name that you've either heard of in the past or have just read about now since you're reading this review. Arguably one of the most influential and yet most controversial anime series of all time, this is a show that you'll either love the hell out of, viscerally hate, or just watch once and then go on to cut your wrists and black your eyes so you can fall asleep tonight and die (please tell me you get the reference). Okay, that's not really fair but it's still something to be said that virtually EVERYONE who goes into Evangelion comes out with something different. Now, a lot of people say that this show is nothing more than pretentious garbage and that interpretation certainly is a valid one, given that there are some moments where this show feels like it gets up its own ass. BUT, that's not entirely the case. I don't really care how much of a pretentious fanboy I sound like when I say this, but in order for you to "properly" appreciate Evangelion, you'll have to understand the mindset of Hideaki Anno when he went on to create this programme. Now, I'm not completely filled in on his back-story, but this is how I understand things went down around the time Eva was being produced: Anno fell into depression for four years, he became disillusioned with the otaku lifestyle, among other such things. He was angry and he needed an outlet to vent out his frustrations. Seeing as how he was an animator, he decided to come up with an anime series that would basically just be one big "FUCK YOU" to whomever he pleased (which at the time were the otakus whom he's grown to despise) and would just ruin the very things that specific group loves. The concepts behind this programme were simple: what would happen if we took real people and forced them into similar situations that happened in any Gundam and/or any harem show? Not only that, but what would people realistically be like if a post-apocalyptic situation occurred? What would happen to the son of a man who lost his wife and was appointed to be head of an organisation which deploys giant robots to fight some unknown threat? How would common anime archetypes translate into the real world? Combine these ideas with a frustrated animator with a lot of pent-up rage against a community of people whose lifestyle he became disillusioned with plus extremely stressful work conditions and what you'll get is Neon Genesis Evangelion. Neon Genesis Evangelion was a project that was seemingly destined to do two things: tank horribly and either worsen Hideaki Anno's depression or drive him to suicide. Gainax's poor accounting practices at the time basically meant that Evangelion was given a very small budget to work with (which was almost completely exhausted before the final two episodes were made; more on that later) and the general consensus at the time was that Evangelion would get cancelled within 5-10 episodes. However, their assumptions couldn't have been further from the truth. Evangelion was a huge success, and what probably kept Gainax from going out of business at that point in time. Why was it such a huge success? I don't know, but I'm guessing because it effectively took all of the mecha and harem tropes and then completely subverted them. Have you ever wished that the world you lived in was more like the anime(s) that you love so dearly? Let's say for example you're an avid fan of mech shows, would you wish that your life would be similar to the main character's life in your favourite mech show? I mean... YOU GET TO PILOT A GIANT FUCKING ROBOT. Instant respect from the common bystander, girls with low self-esteem and questionable morals may very well end up dropping their panties at the sight of you, and once again: YOU GET TO PILOT A GIANT FUCKING ROBOT. Remember the MEGAS XLR theme? “You dig giant robots, I dig giant robots, we dig giant robots, chicks dig giant robots.” Well... sometimes it's not always like that. You see, MEGAS XLR takes the optimistic route. However, Evangelion is thoroughly entrenched in pessimism. Every single character in the show has some deep-seated psychological trauma, and I do mean EVERY character. From the Eva pilots to the commanders at NERV and even the random bystander who had no dialogue, every single person in Evangelion is fucked up in the head. Why is everyone like that? Because of the eminent threat of death. The entire world as people once knew it was completely destroyed, leaving many places to be desolate wastelands. Half of humanity's population was eradicated with the only traces of their existence being grave markers. Whole cities are wiped off the map and the survivors ended up being forced to relocate. 15 years of relative peace then gets interrupted when the mysterious Angels start attacking, seemingly for no apparent reason. One rather bizarre thing to note is that you can't really tell that since the first 15 or so episodes of Evangelion do follow a rather typical mech show formula... albeit with a special twist thrown in here and there. Jovial and upbeat music is a rather frequent sight, we get to see common harem tropes at work, etc. Hell, Evangelion actually kind of felt like a feel-good mecha/harem show (in a vein similar to Full Metal Panic!). BUT... then came along Episode 16, and then you got to see how fucked up and morbid EVERYTHING about this show is. We get to see that Shinji's lifestyle isn't a real sex fantasy, and the women in Evangelion are actual women with real problems who DON'T need a penis to feel like they're worth something. We also learn how thankless being an Eva pilot really is. EVERYONE'S livelihoods are directly linked to the success of the giant robot pilot. Under such conditions, you wouldn't receive the praise and the respect of the people for being a pilot. If you fuck up, you're directly responsible for the deaths of hundreds upon thousands. If you succeed, you get nothing because that's what you're supposed to do. Let's not forget the fact that this EXTREMELY heavy responsibility is being placed on the shoulders of teenagers. Why? Well, it's never properly explained why but truth be told, there's no need for any explanation. Hideaki Anno wanted to create a show that would subvert common mecha/harem tropes, and one thing that a lot of mech shows at the time had in common was the fact that the pilots were very young OR had deceptively youthful…

Neon Genesis Evangelion. Just by saying that name, almost any anime fan will go into an extremely cautious silence. The weight of that series, among fans and haters alike, cannot be underestimated, as it's influence on the anime industry and anime fans is enormous; chances are that even if you hate the series, you can't deny it's positive influence on the anime industry, considering that chances are that you may even have something that was influenced by this series on your favorites, even if you immensely dislike the series in question. Now, my opinion is a fairly different one from the vast majority of people who watch this series. I'm already seeing a plethora of "Not Helpful" votes just by giving Evangelion the score I did, considering Evangelion is often referred to as a series that is either considered well above average among the greatest achievements in the history of anime (which it is, in a certain sense) or a complete pile of pretentious garbage that a pack of elitist wannabes hype to drill into the heavens that is unworthy of being compared to the series it influenced. In any case, enough of me talking about that and onto the review: Story (5/10): I'm already seeing eyebrows being raised. But let me clarify something before I give my opinion: I am aware that Evangelion is meant to be a deconstruction of the mech genre. I am aware of the various themes it was trying to handle, ranging from Freudian psychology to Christian symbolism to the Hedgehog's dilemma to Social Darwinism (to some extent, anyway). Everything I said sounds good, right? The series however, assumes instantly that you know all of these themes and will make sense of it if jumbled together, which leads to an extremely flawed and contradictory form of storytelling. Allow me to explain what I mean. Series should know how to show a story, while providing minimal, but necessary information in telling a story. This series assumes that instead of telling a story, the viewers will make up the story for it, ruining most of the credibility the series had going for it. And onto the show aspect; the series loves placing irrelevant symbolism at the wrong times. Such as when the angels get defeated, a giant cross (or multiple giant crosses) with no meaning whatsoever appears. Or making characters act completely out of character and unrealistically (I'm looking at you, Asuka) just to emphasize it's themes, forgetting that if the viewer doesn't connect with the character in question, any point in it's themes are deemed irrelevant to the casual viewer. Seriously, this series could have done so much more with it's themes, but instead resorted to randomly tossing in big words and jumbling it's themes together in the hope something would make sense to the viewer, leaving a mildly interesting story with interesting ideas (with absolutely no idea how to execute them) and a miserable excuse for an ending that in my opinion doesn't make any sense whatsoever, although I'm not entirely sure how anyone can make sense of that ending personally even after watching End of Evangelion. But that's a review for another time. Art/Animation (6/10) The artwork looks quite interesting and well-done for it's time, and the mech designs as well as the detailed Lovecraft-styled Angels look pretty damn good too. Unfortunately, the same cannot be said for the animation during most of the series, as it randomly fluctuates between looking absolutely gorgeous during action scenes to looking absolutely terrible most of the time. This lead to some rather...questionable scenes to say the least, including the ending, the infamous train scene and the countless times (No, for those who haven't seen it, I am not joking) character's mouths were covered and the frame would stay completely still for around 2 minutes. The exceptional artwork is therefore put down by the extremely low quality, inconsistent animation, hence the low score. Sound (7/10) Decent voice acting and soundtrack and an amazing opening. All right! Everything is perfect! Until we get to the classical music. No seriously, the classical music ruins the atmosphere so badly it's not even funny (OK, I jest, I find it bloody hilarious, especially in completely still scenes). Who's idea was it to randomly insert classical music in the hope people would make sense of it? It loses what would've been a perfect or near-perfect score thanks to this problem I encountered. Character (4/10) Where do I start? The three children are all annoying, angst-ridden, irritating and serve later in the series as tools to advance the themes and plot of the story. The character that falls victim to this the most is Asuka, who has (mild spoilers) feelings for Shinji yet changes personality to be jealous of him off the drop of a hat, which emphasizes the theme in question in all the wrong ways. We never discover the motives for some of the characters for acting as they did, which for several of these characters is a huge mistake considering how important they are to the advancement of the plot. A huge shout out however, to Misato Katsuragi, who was easily my favorite character and the most consistent and most lovable character of the show. Sure she has...problems, to say the least, but she is the only character who stops me from giving this section a lower score. If only all the characters were as well-written as her... Enjoyment (4/10): Ultimately, I feel Evangelion is a completely average mech anime with interesting ideas but one of the poorest executions to those ideas, due to underdeveloped characters, ill-fitting music at times, low quality animation and lackluster storytelling, which I found greatly hampered the show's great moments and throw it off from what it could have been to complete mediocrity. Overall, I give this series a 5 out of 10. Lord have mercy on me. Thank you for reading my review! Feedback is greatly appreciated!

Neon Genesis Evangelion is one of the most well known anime of the 1990s. Whether someone recommended it to you or you happened to read the name in passing, Evangelion is a name that’s impossible to escape if you’re a part of the anime community. However, with its fame also comes controversy. The show has got to be one of the most divisive anime ever made. Many love it and consider it to be one of the greatest anime to come out of the 1990s and others consider it to be a pretentious mess with irritating characters. Well based on the score I’m pretty sure you can see which category I fall under. So without further ado let’s dig in. The show is basically set 15 years after a global cataclysm and revolves around a secret organization called NERV which combats mysterious creatures known as Angels using things called Evangelions which are essentially mechas that are piloted by 14 year olds. Sounds simple enough right? The show starts off with a “monster of the week” narrative as Angels arrive in Tokyo 3 to fuck shit up and our three heroes use their Evas to combat them while employing different strategies each episode depending on what the Angel can do. These early episodes give us a basic albeit solid understanding of the setting as exposition is given through older characters as well as TV news reports, newspapers and the like. The early episodes also give us a solid understanding of a lot of major characters as some episodes don’t even feature any Angel battles and are just there to flesh out characters and their relationships with other characters. This is also done through fantastic character interactions that are, a lot of the time, filled with subtext. And speaking of subtext, there is a lot of foreshadowing in the show’s first half. It can be quite apparent when you eventually get to what it was foreshadowing later on or it can be oh so very subtle and thus the show is something that should be viewed more than once. It’ll set you up for a different experience each time knowing what is revealed to you later in the show. The tone of the first half can be very tense during its battle scenes considering what’s at stake and certain variables can get thrown in that make it all the more tense. Couple this with top-notch fight choreography and entertaining strategies and tactics and you have yourself a hell of an entertaining viewing experience. In contrast to this the moments off the battlefield are highly entertaining as well with well timed and very amusing comedic relief as well as the occasional dosage of fanservice (yummy). The show’s second half however is where shit gets real and the tone gets darker. The tense and entertaining battle scenes are still there, but they’re a lot darker and have more psychological implications than those of the first half. The encounters with the Angels start to reveal the personal flaws and mental states of the characters as well as force characters to make tough decisions and witness traumatizing things. The comedic scenes are still there, but used a lot more sparingly and the fanservice virtually disappears from the show altogether. The show begins to get inside the heads of the characters and peels back their layers, revealing them as more complex than we were initially led to believe. The second half of the show also contains a lot of revelations, many of which were foreshadowed during the first half so as not to feel contrived. The conspiracy subplot involving NERV’s true purpose that was very briefly touched upon in the first half is now a lot more prevalent, character motivations are revealed, key plot points and mysteries are explained and tragic backstories are revealed. The show is rather vague with certain story details and those looking for straightforward answers might be disappointed but it dangles the carrot close enough for the viewer to reach without it being too confusing. It goes for visual rather than verbal exposition at times and this is yet another reason the show should be watched more than once. The show’s ending is…perhaps the most controversial thing about the show aside from the characters. The original TV ending for the show was made due to Gainax running out of funds and thus having to scrap the original ending for a more minimalistic one. While this ending does provide fantastic insight into the characters’ motivations, goals, emotions, wishes and fears it does leave quite a bit to be desired with regards to the story. Key plot points are left unexplained and this does leave the viewer feeling somewhat confused and maybe even a tad pissed off. However there is of course the film ending that is just as if not more controversial than the TV ending. That film is The End of Evangelion. It ties up the loose ends left by the series and provides us with fantastic and much needed closure for the character arcs. It also provides a context for the ending of the TV series, and the two surprisingly go hand in hand very well. Now lets talk about one of the most divisive aspects of the show; its cast of characters. In my opinion, this is where the show shines brighter than most others as it has one of the most complex and fleshed out character casts I have ever encountered in any story. The protagonist Shinji Ikari gets a lot of shit from both fans and haters of the show for being a “pussy” and an “irritating brat”. Well I’ll let you in on a nasty little fact about me; Shinji is one of my favourite anime protagonists of all time. Granted he’s angsty and whiny but he has good reasons for being the way he is. His mother died under dreadful circumstances when he was very young, his father had been absent for most of his childhood and when he’s reunited with him he chucks him into a situation he knows fuck all about and makes him carry the heavy burden of the fate of the city by making him pilot a mecha he initially knows fuck all about in order to fight a gigantic monster he knows fuck all about. Yeah, I don’t think I’d be a happy chappy either. In spite of this he’s thankfully given more depth than simply “being a pussy”. He’s given moments of levity in order to make him feel more human and said moments of levity make a lot of the things that happen to him throughout the show feel all the more poignant. Another character who gets a lot of flack is Asuka Langley Soryu. She’s another pilot and serves as Shinji’s foil. While Shinji is shy, quiet and introverted, she’s loud, egotistical and energetic. A lot of people hate her because they see her as annoying, vain and bitchy. Quite frankly I find her obnoxious too and fail to see what all the lonely weeaboos see in her but I digress as that’s beside the point. She is an incredibly well written character and I find her intriguing in spite of my contempt for her personality. Her chemistry with Shinji is fantastic and she too has reasons for acting the way she does, which I won’t spoil. The third pilot in the series is a girl named Rei Ayanami. She’s a seemingly emotionless girl who is very subservient. Her initial ambiguity is intriguing and she provides us with plenty of foreshadowing throughout the show, including foreshadowing regarding her origin. In spite of her lack of emotion, her interactions with the rest of the cast are interesting to watch and their feelings towards her tell you a lot about them. Much like everyone else, her layers are revealed later on as we get to see what her true motivations and emotions are and the show does an excellent job at making this feel natural and this is tricky to do as suddenly giving an emotionless character emotions can feel very contrived but the show avoids this through foreshadowing and hints. The cast of this show is incredibly complex as all the major characters have backstories which make the way they act and think believable and realistic. All of the characters have motivations that are more complex than what they initially appear to be and their chemistry and interactions with the other …

STORY: Neon Genesis Evangelion... one of the most controvercial animes of all times, with legions of determined fans and legions of convinced haters this is one anime that hasn't gone by without leaving some feelings behind and so how can we not recognize it's value. There are a lot of guys that say Evangelion was a great mecha/action anime for it's time but the confusing and boring ending and the fact that Sinji is a very weak character pulled down the anime... in my opinion they just didn't get the show at all... that is the beauty of NGE, the story is to deep for some to appreciate for a reason, I'll give you a hint... it doesn't have anything to do with robots, fighting, love, or heroes... NGE is actually a story that uses action, mecha and pseudo-religious symbolism to advance philosophical and psychological depictions and theories about the concept of freedom, self determination, decision and responsability, about the final stage of human evolution and human nature of the dark side, anxiety, the relation between the individual and society, the relation between humans and divinity... all hidden in an seemingly insane but yet very logic story. It can be compared with a complex spider web, a labyrinth. What is interesting in my opinion is that the story doesn't threat you as a fool by throwing the clues in your face, it just shows you a glimpse of it without focusing, it lets you think and put pieces together, and you slowly start to discover new things and form new theories and you soon realize how really extraordinary the anime really is and how much thought, planning and calculation was put into it to make it so complex and mysterious.. and in the end the anime makes you form your own conclusion, your own ending using your own free will. It incorporates many of Freud's ideas (the father of modern psychology) such as "hedgehog dilemma","oedipus complex","separation anxiety","thanatos","oral stage" which can be seen in the characters actions, especially Sinji, Asuka, Rei, Misato and Ritsuko. From the philosophic point it deals with the question posed by many great minds over the centuries, what is the human, what is freedom and what is the final stage of evolution, confronting the SEELE's plans (which have clearly an idealist Friedrich Hegel philosophy) against the existentialist view os J.P. Sartre and Kierkegaard... for those who don't know Hegel, Sartre and Kierkegaard are all famous philosophers... the ideea of Human Instrumentality Project is also inspired from Arthur C. Clarke's novel "Childhood's End". For more just check Evangelion of Wikipedia and you'll be amazed how interesting this anime really is if you have some culture and brains to actually see it's real meanings. Animation: The animation still is decent even after almost 10 years and the Eva fights can still impress you, and i really wouldn't imagine characters like Sinji, Asuka, Rei or Misato in any other form. Sound: Voice acting is one of it's strong points, the script has some very hard to play out lines and emotions, but as all the seyuus are some of the most experienced ones out there, we get as a result one of the best and most emotional voice acting ever, Oscar worthy for shure.. a great example of that are Sinji and Misato. The music containing mostly classic music also fits every scene and every emotion, and if you have the surround version you couldn't ask for more than this. Charactes: The characters are just great, none are perfect, none are good or bad, this isn't a black and white story, all characters have good points and bad points, complex feelings and personalities, most have a tragic past that still haunts them, that has a huge toll on their present, emotional wounds that would never heal. So much lonliness, so much despair, dissapointment, hate and passion. Some are like the storm some like a leaf in a storm but they are all going fast on the one way road to destruction... Trully memorable characters... And for all those who claim to hate Sinji cos he's a coward, and prefer an unrealistic Naruto like kid that has unmeasurable courage in impossible situations, I have to remind them that this is a SERIOUS ANIME where chars act like real humans. Value: This is a true classic that any anime fan has to have a real jewel among all SF and psycho animes. We can all accept it's contribution to the anime kind and we know about the copies that appeared after it. Nowbody can remain cold and without feelings after this anime, either you'll love it or hate it, you'll consider it a masterpiece of a genious or the dangerous work of an insane person, you'll still remember it and you'll have to respect it.

People who watch NGE usually feel 3 reactions afterwords: They loved it, they hated it, or they didn't understand it. Before I talk about why I love this series I have to list the flaws. 1) Due to budget issues some episodes were... not exactly episodes. Watch the show and you'll know what I mean. 2) The main character comes off as a whiny coward. 3) Repetition. With that being said, I love this series with a passion. Philosophy, violence, themes of growing up, puberty, the conflict, the (extremely) well developed characters, overcoming low self-esteem, etc., etc., etc. They are all the things I love and they are the things that make Evangelion stand out as a series. Now I'm not going to lie, if you can't look past the flaws and if you are a happy person who considers everyone with emotion issues 'emo' then you'll probably hate this series. However whether NGE is hated or loved, nobody can deny that it is a classic and every anime fan should give it a shot.

WARNING: This is going to be a very long review, as there's a lot of content to cover. Bear with me, please. Also, note that I watched the remastered version of the series, and the Revival of Evangelion (which contained only the Death segment of Death and Rebirth, combined with the End of Evangelion). Also, this review may contain some SPOILERS. Title: Neon Genesis Evangelion Manga, Anime: Neon Genesis Evangelion has, at this point, three manga incarnations. The first, which shares the same title as the anime, was released to drum up interest for the anime TV series, though originally publishers thought that it was too out-of-date to actually earn money. It was authored by Yoshiyuki Sadamoto (famous for his character designs for the .hack series and The Girl Who Leapt Through Time), and began serialization in Kadokawa Shoten's Shonen Ace in the February 1995 issue (actually released on December 26th, 1994), and is still running at this point in time. Viz has licensed it Stateside, and it stands at 10 volumes of the 11 currently published volumes, with a total of 12 volumes planned. The second, Neon Genesis Evangelion: Angelic Days, is an alternate retelling of Evangelion, using the high school romantic comedy scenario shown briefly in Episode 25 and expanded upon in the video game Neon Genesis Evangelion: Girlfriend of Steel 2. It was authored by Fumino Hayashi (who is also working on a Terra E spinoff called Aoki Kobo no Kiss for Square Enix), and was serialized in Kadokawa Shoten's Monthly Asuka from the November 2003 issue to the November 2005 issue. It has been licensed Stateside by ADV Manga, and ran in Newtype USA from the August 2005 issue to the January 2006 issue, and the sixth and final volume was released on August 31st of 2007. The newest incarnation, Neon Genesis Evangelion: Gakuen Datenroku, focuses on Shinji's attending NERV Academy, and being roped into helping the Samash Guardians (Rei, Kaoru, and Asuka) find and protect Cores, which are gems that, if they fall into the hands of Angels (which are only consciousnesses, not actual physical beings) will end up in humanity's destruction. It's authored by Min Min, and began serialization in Kadokawa Shoten's Monthly Asuka in the October 2007 issue, and is still ongoing. It also has yet to be licensed Stateside. At this point in time, Neon Genesis Evangelion has four anime incarnations, three of which are movies and will be covered later in this review. Neon Genesis Evangelion's original anime incarnation was a twenty-six episode series that ran on Japanese TV from October 4th, 1995 to March 27th, 1996. It was produced by Gainax (famous for their work on His and Her Circumstances and FLCL), and directed by Hideaki Anno (famous for his work on the original Gunbuster OVA and His and Her Circumstances). It has been licensed Stateside by ADV films, and the latest remastered box set was released on November 22nd, 2005. Story: After not seeing or hearing from his father for several years, Shinji Ikari is summoned to Tokyo-3, Japan's new capital after the original capital was nuked in the chaos after the Second Impact, which was caused by a meteorite slamming into Antartica, killing off about half of the world's population, submerging a good deal of the continents, and tilting the Earth's axis, which caused major climate change. He is then ordered by his father to reluctantly pilot a robot known as the Evangelion Unit 01 in order to defeat a strange invaders known as Angels. So, yeah. Sounds fairly generic, right? And for about the first half of the show, Evangelion is not really anything new in the post-apocalyptic mecha genre. Episodes are, for the most part, either Shinji angsting about piloting the Eva or a monster of the week episode, and you can start to predict what's going to happen after a few rinse and repeats. The characters that are introduced are all fairly messed up, and you might form attachments to them, but it's not enough to really keep you interested. I was seriously considering dropping it at about the halfway point. And then the second half of the show hit, and it hit hard. The second half starts to focus more on the psychological aspects of the characters, and the truth behind NERV and its goals. You knew before that these characters were messed up, but now you get to find out just how messed up they are. And the unfolding mysteries behind NERV and the Evas are nothing short of amazing. It also gets a lot more violent and sexual. The reason that this change happened was partially because it was already in mind, but had to do a lot with what was going on behind the scenes. At this point in time, Anno was suffering from severe depression, and you can see it reflected in the show and its characters. Also, right around this time, funding for the show was starting to run out, and they were failing to meet deadlines. And, then, of course, there's the infamous Episodes 25 and 26. Oddly enough, the original ending, while it didn't address any of the issues and mysteries that had built up over the last half of the show, was actually kind of satisfying to me. It shows the actual process of Instrumentality, even though it doesn't really explain what it is, and it ends up being a kind of cracked-out therapy session for the major characters of the show as they take part in Instrumentality. Also, know going into this that there's a lot of psychology and philosophy and religious symbolism in here, that, if you know it, will definitely help with your understanding of the show. On the other hand, if you don't, be sure to keep Google up, or see if you can find a version of the show with the equivalent of footnotes. Overall, the story's a bit dense, a bit generic for the first half or so, and doesn't really resolve its issues, but, once it gets to the second half, it kicks into high gear and doesn't look back. WARNING: As you get into the second half of the show, there's a lot of graphic violence and gore, and offscreen sexual happenings. Be aware of this going in. Art: Compared to other shows that were airing roughly around this time (Fushigi Yuugi and Sailor Moon SuperS and StarS), the animation, for most of the show, is pretty good. The designs for the Evas and Angels are amazingly varied and just amazing to look at in general, as are the character designs and the way the battles are done. There's a fairly obvious dip in quality towards the end of the show, but, again, that has to do with the fact that they were unable to meet deadlines and were running out of funding for the project in general. Though I have to admit that they did come up with fairly creative ways to work around the lack of budget, even if some of them could probably cause seizures. Music: The music for Evangelion is done by Shiro Sagisu and is one of those soundtracks that sticks in your head and one that you actively notice throughout the show, like I did with Gankutsuou, Bokurano, and Code Geass. I'd say some of these themes are probably some of the most recognizable from any anime. And there are some classical themes that end up being used for background music in some of the more EPIC moments of the show, which only helps the moment. The OP, "Cruel Angel's Thesis", is amazingly catchy. And the ED, a cover of "Fly Me To The Moon", has several different variations that are used, depending on which episode it is. All in all, awesome music. Seiyuu: There are some fairly well-known seiyuu in here. Misato's seiyuu, Kotono Mitsuishi (aka the voice of Sailor Moon and Juri Arisugawa in Revolutionary Girl Utena), Shinji's seiyuu, Megumi Ogata (aka the voice of Sailor Uranus), Rei's seiyuu, Megumi Hayashibara (aka the voice of Atsuko Chiba and the title character in Paprika and Lina Inverse in the Slayers series), and Aoba's seiyuu, Takehito Koyasu (aka the voice of Touga in Revolutionary Girl Utena and Hotohori in Fushigi Yuugi) all do excellent jobs for thier characters, and it's nice to see them in this pr…

"Endeth mine life, f'r I hast committ'd the sineth of watching Neon Genesis Evangelion." - karlstein12 2k15. You ought to be living under a stone all this time if you are reading this review in order to understand or what is Neon Genesis Evangelion. It's a show every anime fan knows of. Although I've known this show for quite a while I needed the help of the Internet and some dank ironic meme pages to go an actually give it a shot. NGE starts off like almost any other typical Mecha anime you see these days but soon transcends all the barriers any anime at the time had the audacity to. We get into the show with a 14-year old teenager named Shinji Ikari, who is called over to a mysterious organization "NERV" who is fighting beings known as the "Angels" who are trying to invade the city of Tokyo. While the storyline doesn't seem to be legendary in any way, it's the characters that are one of the strongest points of success for Neon Genesis Evangelion. Below is the list of four of the main characters in the show. Rei Ayanami: The first child to pilot the Eva Unit 00, Rei seems to be a cold and a character with little emotions and doesn't get along with people at first. She is seen for the first time in the starting episode of Evangelion as she is rescued by Shinji following a shake when an Angel attacks. Shinji Ikari: The main protagonist of the show, Shinji is a 14-year old kid who is summoned to pilot Eva Unit 01 and is the third child to do so. Throughout the entire show, Shinji is depicted as a very isolated person who fears being alone and who believes he has no sense of self-worth whatsoever. If I do say so myself, Shinji is one of the most relatable characters in the entire anime history. Misato Katsuragi: FANSERVICE. The one thing Misato's character is for for almost the entire show. Although quite cheerful and enigmatic, Misato's backstory is quite similar to that of Shinji's. As a young kid, she was saved from her Father from the Angels, and whom she hated for not spending and caring for his family. She then joins NERV in order to take her revenge and defeat the Angels for good. Oh and she's also the guardian of Shinji while they both work for NERV. Asuka Langley Soryu: Asuka is mostly like Misato, enigmatic, cheerful and quite arrogant. She's the second child and the pilot of the Eva Unit 02. Asuka is the exact opposite of Shinji. Confident in herself and the things she does, but also gets along quite well with Shinji. Both have a pretty good relationship in the series before Asuka moves into a depressive state because of losing the lead spot to Shinji as Eva's pilot. Asuka's childhood is pretty dark, where she lost her mother at a very young age and since has taken an oath to herself as to never cry and depend on others. She's the type of character either you love the most or hate to the core. Much like the anime itself. Considering Neon Genesis Evangelion came out in 1994, the art is pretty nice and packs a punch. Although at times it gets really underwhelming, a good example is the last two episodes of the show. Other than that, the art done by Gainax is fine and watchable to say the least. "A Cruel Angel's Thesis" is a true classic and stands out throughout the show. You'll never get tired of hearing it and it's still one of the greatest opening theme songs ever made to date. The soundtrack of Neon Genesis Evangelion is really good. The battle themes, slow paced scenes and almost in any other part of the show it's well done. The ending, "Fly Me To The Moon" is a classic ending as well. It has multiple versions, even for the characters like Asuka and Rei, which perfectly suits the personality of the characters and also that certain episode. All in all, Neon Genesis Evangelion is a classic and a joy to watch. Although a deconstruction of the Mecha genre, which is the first of its kind and not suitable for everyone, this still stands out as one of the most influential anime's to this day. As of now writing this review, I'd like to mention that I have yet to watch The End of Evangelion, which is the true conclusion of the controversial episodes 25 and 26, the show still did enough for me. Even if I don't watch EoE(Which I will of course) the ending was satisfying although it did not completely tell some of the plotholes left in the series such as "What is the Dead Sea scrolls?", "What are the Angels actually?", "What's the human instrumentality project?". And since I'm a good guy I'd like to give the people who have yet to watch the series a piece of advice: Go into watching Neon Genesis Evangelion in a positive way and don't overhype it. If you do that you might actually enjoy the series for what it is.

This is the anime that made me fall in love with anime and rejected everything else-movies, friends, TV, family etc. This is the anime that launched millions of dedicated fanboys and countless obsessions. And this is the anime that has an unbeatable level of character depth and symbolism. So lets get down to the basics: Story-10: There's nothing I can say to prepare you for the level of depth in the story, although giant mechs being piloted by anxty teenagers who are fighting against giant monsters has been done over and over again, no over anime can even compare to the deepness of the symbolism in the series and more importantly the psychological struggles of the characters. Though the first 15 episodes are action focused and like I said earlier, have been done before, from episode 16 onwards the plot shifts its focus onto the psychological side of the characters, with some episodes taking place entirely inside the character's mind. Art-8: Although its dated now, at the time the animation of the series was truly spectacular and raised the bar for what was expected of anime art. But it still continues to look great, this is mostly due to the stunning lighting effects of the animation where the art's only real downside is in the character designs, which, apart from a few, are rather boring despite the fact that rei, asuka and misato have millions of people of all ages obsessing over them, myself included. Sound-10: Not only is the soundtrack truly spectacular, with my personal favourite being "hedgehog's dilemma", but the sound effects are also triumphant especially in the amazingly detailed effects of the physical damages, every bone that cracks and snaps, every vain that gets sliced open, every organ that oozes out-all of it can be heard perfectly. Character-10: The depth of these characters is truly remarkable, and even though the series's main character is famously a giant pussy, the level of depth in how he is evaluated truly explains his lack of manliness fully. If I say any more I fear I might ruin the mystery of these characters so lets just skip ahead. Overall-10: Interesting, mysterious, powerful, emotional, intense, visceral, haunting and overall: Fucking amazing.