Kobayashi-san Chi no Maid Dragon

Kyoto Animation has been something of a lost soul, struggling to find its identity in a post-Haruhi and K-ON world. It is through flipping back the dial and returning to their roots that their newest title, Maid Dragon, is able to find its footing. It feels like something that might have been animated once upon a time in 2005, and that is precisely what makes it so special in the modern climate of harem and superpower. And unlike many of their more recent titles, it knows what it wishes to be and never compromises its vision in a futile attempt to appease everyone and anyone. It doesn't play around with drama, and it never centres on action and explosions despite its cast of malevolent dragons. It's silly. It's relaxing. And it can even be a bit heartwarming when it tries, too. Have I also mentioned that Tohru is cute as all hell? Some may immediately wince and groan upon reading the series' synopsis. Maids plus dragons does not make for a very promising setting, nor does it seem like a combination that required much more than two or three seconds of thought. Everything that could possibly exist has, or inevitably will, receive some sort of series with cute girls indiscriminately slapped onto it. Modern anime has trained people to be cynical. But to treat Maid Dragon as just another silly comedy with moe characters wouldn't be entirely fair, as there are a number of things it does quite differently. Kobayashi, the show's title character and languid protagonist, is a working adult rather than the conventional teenager. Whereas most anime of its nature would choose instead to play a teenager as some pseudo-adult ("my parents are conveniently away on a business trip, so, hey, I have this house and this maid lady all to myself"), Maid Dragon chooses instead to portray real adults with real issues. Kobayashi is so bored with the office-lady routine that she will choose to drink herself halfway to death after a long day's work. Such is life in much of Japan. By portraying adult characters, the sense of family between Kobayashi, Tohru, and Kamui feels genuine. Kobayashi is the mother of the household, and she will snap back at her dragon friends whenever they do something unreasonable. She is strict, yet also caring, and tries her best to understand their difficulties with getting used to the human world. Even little things such as peeling oranges for the two on their kotatsu makes it clear that she appreciates their company, even if she may not always be clear and forthright about it. Maid Dragon is true slice-of-life. Kobayashi being female also helps to keep the show away from any unnecessary sexual undertones. If she were male, the show would no doubt be a harem, and it would be all the worse for it. It is hard to care about a cast when the only thing characterising them is accidental breast fondling (yay) and walking in on (and screaming at) each other in the bathroom. Yawn. While Tohru's feelings for Kobayashi are humorously exaggerated as being romantic, that is not Tohru's actual intentions, and indeed, her reactions come more from gratitude and a desire to protect her guardian, rather than anything genuinely romantic or sexual. The one exception is that, yes, there is a compulsory beach scene, although I suppose I can't fault it too much as it was relatively short and harmless (and because Tohru's body is a lovely sight indeed). Maid Dragon can occasionally be funny-- Tohru visiting Kobayashi's workplace and repeatedly tripping her crabby boss, or challenging one of the other dragons to a fight in another dimension only to close it on them-- but it isn't an anime that is particularly defined by laughs. It is meant more to be relaxing, and, undoubtedly thanks to Kamui's presence, cute, at times adorable. I just wish it didn't have to repeat the same joke about Tohru cooking her tail a million and one times over. The anime is at its strongest when it focuses on these main three, which makes the scenes with the other three dragons and Kobayashi's otaku friend, Takiya, significantly less appealing. Takiya's split personality is so jarring and exaggerated that he is often more obnoxious than anything, and Quetzalcoatl is pretty much a non-character whose only defining traits are that her boobs are large and that she likes to dress in scantily-clad clothing. If they were taken out altogether, I don't think anyone would find much reason to complain. More time should instead have been spent developing Kobayashi's cynical worldview, and Tohru's newfound interest in human society, the show's two most compelling themes. It would be nice for Kamui to also have something else to her besides simply being cute and snugly, but then I suppose it would be difficult to develop a character who is essentially the equivalent of a six or seven-year-old child. I sure as heck did not have anything else defining me at that age besides a love for candy and temper tantrums. Kyoto Animation's artwork is generally excellent, but it certainly stands out in Maid Dragon's case. While there are few scenes that draw particular attention for their animation, the cute and humorous expressions the characters make (notably Tohru and Kamui) make the anime a ripe for grabbin' screenshots. Tohru's eyes are especially detailed, and draw attention to her nature as a dragon while never seeming overtly inhuman. Bright colours and soft edges also do well to enhance the fluffy, relaxing atmosphere the anime strives for. Part of the problem I had with some of KyoAni's other titles, such as Hibike Euphonium, is that they just looked so bland and dreary all the time. It's always welcome to see them return to a more traditional style, as traditional, it seems, is the very thing that KyoAni is skilled at. To label Maid Dragon as something stellar or ground-breaking may be giving it a bit too much credit, but there is little doubt that it is at least a return to form for a studio that has been losing its way for many a year. It is as well a fun time in its own right, an almost nostalgic recollection of what slice-of-life anime used to be, and could, can be once more.

~Multilingual review, English & Español: Miss Kobayashi's Dragon Maid~ In the Japanese culture there are two really heartwarming greetings that represent the core of the family bonds: 'Tadaima' (ただいま) and 'Okaeri' (おかえり), respectively meaning 'I'm home' and 'welcome home'. The exchange between these greetings happen when one person arrives home, and there is another one to welcome them back. While not strictly restricted to family members alone, and can be used colloquially between friends and acquaintances, even in workplace and school, these greetings carry a deep and strong meaning behind them, which is no other that 'this is the place I belong to'. Although there are many factors that determine the place we could call 'home', and some of them may, naturally, not include a physical person, in my personal opinion just because there is someone eagerly waiting for your return, and acknowledges that is only natural for you to come back, because this is your place, is nothing less what I would call 'the feeling of getting home'. While it is impossible to chose which family born in, the choice of what to call our 'home' is entirely up to us, and that includes, the circle of people that will come to form part of it. Claiming that 'there are many types of families as there are stars in the sky' might be quite a silly over exaggeration, however it is not entirely wrong to say there are countless combinations and bonds that shape, what we would later call, 'our family'. Moving one step back to the things impossible to chose, and the next one in the list is: Falling in Love. However this might be a completely biased opinion since I am a total, silly, romanticist, but there is a thing I believe we all have to agree: It is a completely unexpected chapter in our lives. After all, while all the other emotions arrives from the front door, this little bastard show itself from the back door while you were standing there like a dumb trying to see if Happiness was also in the group. Falling in love with someone takes you completely by surprise, and so as well, in some cases, is the person fated to mess around your entire existence. Falling in Love + Different race + same gender = Love problems? In this particular case, to scramble our protagonist life, is a certain dragon's unconditional Love. Blind as it is, but really really that blind that gender, age, and even race, represent nothing but just tiny details, Miss Kobayashi's Dragon Maid features a mighty powerful dragon who falls in love with a female human, and although remaining an important lead, the show's gimmick does not spin entirely around it, to the extent that it would not fall under the Romance category, the show has way more to offer than a simple fairytale love story. As previously mentioned, the story follows super mighty dragon Tooru, and her time in the human world after becoming Kobayashi's maid, the person she's completely infatuated in. Kobayashi is a young office lady leading an existence of the prototypical Japanese salaryman. Work until late hours, almost nonexistent private life, (sometimes forced) drinking parties with the boss, and obviously getting home so tired that just opening the home's door is the last action before collapsing to the floor, everyday repeat, repeat and repeat. And so the gray and monotonous everyday life of office lady Kobayashi starts to gain, definitely, more color. Meet the Kobayashi's household - Residents: 1 human + 2 dragons + ♥ = Family Being a Slice of Life series as it is, the anime narrates the everyday life of Tooru, self-proclaimed 'Dragon maid', the somewhat stoic office lady, Kobayashi, and little dragon, Kanna. What I really liked the most about this show is how the three of them, with the progression of the story, started to develop the bonds of a real adoptive family, satisfying the affective desires of each other, and caring deeply for the wellbeing of the members. These developments can be seen throughout the great writing of the dialogues between the characters, I specially adored the interactions between Tooru and Kobayashi, as they were the ones that contained the themes which I expressed in the very beginning of this review, 'the place I belong to'. Tooru's inner turmoil regarding the human world, and her love for Kobayashi, which contradicts the apparently hate and fear for the humanity, are a constant recurring theme for the entire anime's progression. The series explores other themes such as the diversity and integration, something entirely affecting the dragons living in the human world, and their feelings regarding it's inhabitant, because living among them does not necessarily means living with them. Unknown world + Unknown people + Being different = Trust problems Going back a bit to the part when I mentioned that all the family members satisfy the affective desires, we can perfectly observe how the relationship wheel spin, and how much these interactions affected the lives of our three main characters. Kobayashi is a really stoic, passive person, and the difficulties she has maintaining a relationship with the other characters are plenty visible to see, specially towards the affection that comes from Tooru, as she has never been close to anyone before, she does not know how to behave. The exchange is bidirectional towards the dragon maid's inner chaos due to the new life and her love for the female human, that allows her to soon discovering that even though she sees humans as inferiors, she does have indeed desire to understand them. And finally little Kanna, the dragon which embraces the new environment with curiosity and willingness to integrate. Being realised by Kyoto Animation, we can aspect some really cute designs, fluid quality animation, and bright colors, as per the studio's standard procedure. Also the Original Soundtrack was very great too, they accompanied the events perfectly, I could not ask for better. In my personal opinion this is a great Slice of Life, although moving perfectly according to the standard of the genre, bringing nothing original nor unique to the industry, it succeeds wonderfully in developing the main themes the show reached out to us, transmitting the message and the values, that were set as a primary goal for the accomplishment of what I consider, Quality. Wonderful characters + excellent development + Great rhythms = Must watch [Español - Traducción con la ayuda de mi querido amigo OnionSoda] En la cultura japonesa existen dos saludos de verdad reconfortantes los cuales representan el núcleo de los lazos familiares: 'Tadaima' (ただいま) y 'Okaeri' (おかえり), que significan respectivamente 'Estoy en casa' y 'Bienvenido a casa'. El intercambio entre estos saludos se verifica cuando una persona recién llega a casa, y a su vez, es recibido por la otra persona que se encuentra ya en ella. Si bien no es restrictivo al uso familiar, y puede ser utilizado entre amigos y conocidos, incluso en el lugar de trabajo y escuela, estos saludos cargan el peso de un fuerte significado con ellos, el me gustaría describir como no más que 'el lugar a donde pertenezco'. Si bien hayan mucho factores que determinan el lugar que llamaríamos 'hogar', y naturalmente, algunos pueden que no incluyan una persona física, en mi opinión personal sólo por el hecho que haya alguien que espere ansiosamente por tu regreso, y reconozca que es normal para ti el hecho de retornar, porque este es tu lugar, es algo que nada más ni nada menos llamaría 'el genuino regreso al hogar'. Aún siendo imposible la decisión de escoger en que familia nacer, la elección de lo que decidimos llamar nuestro 'hogar' es enteramente al alcance de todos, y con ellos incluye, el círculo de personas que se vendrían a formar alrededor. Exclamar una frase como 'existen tipos de familia cuanto estrellas en el cielo' llegaría a ser una tonta exageración, de todos modos no estaríamos en el error al decir que son incontables las combinaciones y lazos que ve…

Miss Kobayashi’s Dragon Maid- Making Anime Fun Again Remember when anime was pure, unadulterated fun? Racing home as if on a quest to save a dying loved one, plopping your giddy ass on the sofa and turning on your favorite after-school cartoon? Nowadays, myself included, people get ignorantly pretentious and critical when it comes to anime… most likely due to the accessibility of other’s opinions on the internet (you’re guilty MAL!). But what happened to the days when you could share a bond with another over some good, old fashioned Chinese cartoons? God forbid you meet some dragon t-shirted, fedora wearing pleb that only cares for mainstream shounen... whilst peddling Magic Cards out of his mom's basement. Sometimes even I fall into an over-analytical stupor and forget what makes anime so damn entrancing and fun to watch. The undeniably successful Studio KyoAni’s 2017 release of Miss Kobayashi’s Dragon Maid is a breath of fresh air in a barrage of unoriginality and criticality. It’s endearing, cute, charming and hilarious, and most of all is that it doesn’t rely on “2deep4u” plot lines or edgy characters to become a hit. It’s an anime that breathes nostalgia for me, crafting a diverse, likable cast that has one character for everyone to enjoy and although ramps down, never gets stale. Of course Kobayashi isn’t perfect, but moreso perfectly imperfect. Accompanied by an outstanding script and stunning, extravagant visuals, KyoAni smashes the target of a true feel-good anime, leaving self-proclaimed pundits with little ground left to criticize. When it comes to story, sometimes simple is best. Nothing in Dragon Maid seems contrived, but moreso plays out like a situational comedy. The story is straightforward: -A shut-in girl (Kobayashi) gets drunk and accidentally makes a deal with a dragon concealing herself under the masquerade of graciously endowed maid. (Tohru) -Tohru and Kobayashi take in an adorable loli dragon, Kanna. -The three of them (and some of Tohru’s mythical adversaries) live out the seasons in an episodic, heartwarming anime that’ll be sure to make you smile. The writing in Dragon Maid is the pillar of the entire anime. As previously mentioned, the simple structure of everything helps add to the endearing, carefree atmosphere that the show contains. Whether it’s a scene about cooking or a candid beach/Christmas episode, the script is constructed in the most efficient manner possible. There is an array of characters from Tohru’s mysterious homeland deriving from mythology. There’s Quetzalcoatl, the Aztec god of learning and self-reflection, as well as the Norse referenced Fafnir, who was cursed and turned into a dragon. Seeing these fictional personalities personified and placed into ordinary scenarios like playing video games… most specifically the scene where Fafnir was playing the Dark Souls-esque dungeon crawler. The comedy is often slapstick or quick-witted, emphasizing the quirky nature of Tohru and her friends. Jokes are subtly slipped into scenes without being corny or abundant, and there more than a few historical and pop culture references thrown in to liven things up as well. It reminds me of a less overblown version of Nichijou (thank you KyoAni!). Above all other aspects of the writing, Dragon Maid has a unique tendency to make me feel just, comfortable. Whether it was the family bond that Kobayashi, Tohru and Kanna emulated or the cozy scenes where they just wanted to sit around and watch tv, I truly felt at home with these “peculiar” characters. I certainly didn’t expect such a simple show to hit my nostalgia buttons. As with any show, there were some aspects I didn’t care for, or that could’ve been done better. There was a lingering yuri theme present between Kobayashi and Tohru that acrobatically teetered between friendship and something more. I’m not sure if I’m the only one that noticed this, but I can’t say it was entirely necessary. Echoing this opinion was the relationship between Quetzalcoatl and her “master”. Fanservice is one thing, but her intrusive nature and suggestive sexuality was starkly convergent to the atmosphere present in the rest of the show. Lastly, the charm of Dragon Maid can tend to wear off over the length of the show, so I’d recommend watching the anime in stages to prevent this. Kobayashi is a 9-5’er; a twenty-something introvert who takes out her aggressions from her job over a beer or twelve at night. She’s what most of us in that age bracket don’t care to admit that we are. Tohru is a self-proclaimed servant, attempting to erase her past and start a more peaceful life on Earth. Tohru and Kobayashi both developed significantly throughout the series, and played off each other very well. Most importantly is that the writers did this without making it the focus of the anime. Kanna is truly the cutest thing in existence, and everyone knows it… and Fafnir’s deep hatred for the human race slowly dissolved the more time he spent around them. The slow addition of side characters, and their mythological influence was reminiscent of The Devil is a Part Timer, only done significantly better. KyoAni nailed it again when it came to animation. Colors are vibrant and lively, with Tohru’s eyes set ablaze with a mix of red and orange hues. Although not “technically” superior to shows like Hyouka, Dragon Maid’s art style takes on a life of its own. The character models are all so original and inviting, and the action scenes were a joy to watch. More similarities were present with Nichijou, especially Kobayashi’s “dead fish” eyes, and the sporadic expressions on various character’s faces. Beautiful work for sure. The OP is one of the most jolly, alluring OPs I’ve ever come across, both due to the upbeat music and flawless animation. It tells its own story, one of innocent fun and excitement. I definitely put it on my phone already :P The ED is just as good, and acts as the punctuation at the end of each episode. I don’t always listen to the ED all the way through, but I made an exception for this anime. I also enjoyed hearing the variety of tracks in the OST… with its overall cheeky tones and beats. The voice acting is superb, especially considering most of the cast is relatively unknown. Some of the better performances coming from Kobayashi and Tohru themselves. I enjoyed the hell out of this anime. The simplicity, coupled with the characters and overall coziness make a show I won't soon forget. I prefaced my review with a paragraph discounting criticality for a reason. Go into Dragon Maid to relax and have fun, nothing else. It's not intellectually stimulating, there's no abstract symbolism and there's no unnecessary ecchi moments. Enjoy it for what it is. I'd recommend this to fans of other heartwarming shows like Barakamon or Usagi drop, or fellow KyoAni-ites. They really surprised a lot of people with this show, and I'm certainly happy that I watched it. Thanks for reading!

"Ravioli, ravioli, don't lewd the dragon loli." Easier said than done when the anime is basically doing it for you already. I must admit that I have been rather critical of Kyoto Animation in the last few years. Such a talented studio who used to work wonders back in the day with titles such as Clannad, Haruhi, Lucky Star and K-On, but over the course of the last four years or so I have been rather disappointed with their series, with shows such as Kyoukai no Kanata and Musaigen no Phantom World really failing to live up to their previous standards. But Kobayashi-san Chi no Maid Dragon actually feels like KyoAni finally returning to their roots, and for the first time in several years, it made me remember why I used to love this studio so much back in the day. The anime starts with the typical adult office worker Kobayashi suddenly receiving a surprise visit one day... from a dragon. A dragon who then transforms into a human girl in a maid outfit and proclaims that she wants to live with her and work for her as her personal maid. As it turns out, Kobayashi had actually proposed the idea herself during some drunken escapade in the mountains earlier, and thus awkwardly finds herself having to invite the girl in. And thus begins Kobayashi's hectic everyday life of cohabitating with a dragon maid: Tooru. It is a very simple series at heart but it works. It's reminiscent of KyoAni's wacky moe comedies of the past, and most of its success stems from the overblown characters and the stellar production value. Tooru is one big bundle of endless energy, in stark contrast to Kobayashi's deadpan and cool-headed personality. She is largely unfamiliar with how human society works as she came here through a portal from a different world, and as a result she sometimes suggests some ludicrous things such as haphazardly slaughtering people, and it is up to Kobayashi to keep her in check. Tooru is also rather openly affectionate with Kobayashi and repeatedly claims that she loves her, though Kobayashi mostly seems to see it as a child looking for parental affection rather than anything romantic for the most part. If the entire series had solely revolved around Kobayashi and Tooru though, it would likely have become stale and repetitive before long, but fortunately that is not the case. There are numerous other characters, most of them other dragons, who are introduced one at a time as the anime progresses. The first of these, and also the only other one who would have to be considered as one of the show's main characters, is Kanna Kamui: proud owner of the sexiest piece of loli ass in a very long time (not to mention her thicc thighs). In all seriousness though, everything about her just screams moe, and in my mind she is the real star of this anime. Her looks, her personality and behaviour, even her husky and emotionless voice; all of it is unbearably cute. I think she is right up there with the likes of Kafuu Chino and Tsutsukakushi Tsukiko as far as pure moe overdose levels go. Kanna's role in the story is as a young dragon who follows Tooru to the human world and eventually ends up living with Kobayashi as well. She acts like the child of the strange household and also starts attending a local elementary school due to wanting to experience everyday life in human society in a way befitting someone of her age. What her exact age actually is we are never informed of, but she is supposedly still over 600 years old in human years, so she is presumably of legal age enough to do whatever degenerate things you lolicons want to do to her. On top of being irresistibly adorable though, I think Kanna also brings out the best side of Kobayashi. As the story goes on, you can gradually see Kobayashi becoming more and more of a mother figure to Kanna with the way she treats her, through acts such as taking time off work in order to be able to visit Kanna's school's sports festival and trying to sneak in presents in her Christmas stocking just like how she believes Santa would do it. It brings a genuinely heartwarming touch to what is otherwise a relatively non-serious anime, but it all blends together really well. Regarding the supporting cast there is also Kobayashi's fellow coworker and otaku Takiya, as well as three other dragons in the form of the reclusive and mysterious Fafnir, the diligent but naïve Elma, and the easygoing and voluptuous Quetzalcoatl, more commonly known as Lucoa. Takiya and Fafnir have a sort of otaku bromance going on, which serves as a pretty nice contrast from the craziness going on whenever Tooru is around, and Elma functions well as the one dragon who can actually interact with Kobayashi on somewhat normal terms due to her personality and occupation. Lucoa however is the one character in this show which I honestly find rather useless. For one she is a typical fanservice character with gravity-defying breasts bigger than her head, but the way she utilizes them is kind of disturbing too. She does not move in with Kobayashi but rather lives in the house of a local child, and the way she interacts with him is basically through ignorant sexual harassment, which feels rather creepy to watch considering their milf and shota characteristics (the kid's name is literally Shouta I might add). Even outside that household though, the only thing Lucoa ever seems to do is jiggle her enormous knockers and nothing else. Her entire persona can be summarized by her tits. The show would really be better off without her. So Kobayashi-san Chi no Maid Dragon is definitely not without its fair share of fanservice, however discounting Lucoa, the other stuff in that department that the anime has to offer is honestly more of a plus than a hindrance I think. Takiya and Fafnir may have a very close friendship past a certain point in the story, but it feels legitimately believable and honest rather than a pair of boys who just got shipped together for the hell of it or anything put into a sexual context. While I am sure the fujoshi crowd will have no problem overcoming that barrier, at least in the context of the show itself, their relationship only comes across as two people who became close friends due to a common interest of hobbies, in this case anime and video games. There are also numerous segments starring Kanna and her human school friend Riko, where it is made quite clear that the latter has a pretty huge infatuation with her dragon classmate. What exactly the nature of those feelings are is debatable considering Riko's young age, but either way there are many scenes of the two of them snuggling together and Riko being super excited about it as a result. It is kind of like a running gag throughout the show where Riko gets so excited over Kanna that she almost gets an ahegao as a result, which I guess is at least somewhat original instead of the more stereotypical nosebleed reaction. Kanna also does some rather surprising things to Riko in return sometimes such as spontaneously licking her on the cheek, but this feels more like an animalistic behavior caused by her non-human nature as she does not seem to mean it to be anything more than a friendly gesture, though of course Riko probably does not interpret it as such. Some people might find it a bit weird seeing two lolis being so physically affectionate with each other, but considering how clingy girls can be amongst friends combined with the facts that Kanna is a dragon and that Riko is highly exaggerated like most anime characters, it still feels believable to me. And also given how incredibly cute Kanna is as a character, it is not like I can blame Riko if she really does have some deeper feelings for her. In terms of production value, the anime is undeniably top notch. The fact that the art and animation is stellar should be a given since it is KyoAni we are talking about, and there is not a whole lot to say about it other than that it looks like KyoAni shows normally do: in other words fantastic. Since this …

Honestly, I’m not a fan of writing negative reviews since I prefer to use them to recommend series that I enjoyed, but as a fan of both comedy and the “cute girls doing cute things” genre I felt disappointed with Maid Dragon, that was the anime I was looking forward the most for this Winter 2017 season. I know that comedy is a very subjective genre, so I can see why other people would like it, so in this review I will talk about what I liked and what I didn't from this anime, while trying to keep it as a recommendation to give it a try as long as you're fine with what this anime delivers. The story begins when a woman called Kobayashi finds a dragon named Tohru, that looks for a home to live, and after insisting she becomes Kobayashi’s maid, from there other dragons start to appear and they become a part of the daily life of our protagonist. With each introduction we get hints that there is more to know about the dragon world and the conflicts that happen there, something that sadly doesn't get explored in this anime, and while I find that fine since this is just a context for the story and it’s still early on to really need development, I still feel a bit disappointed because the idea is interesting and I wanted to see more. My issues with this series (and in the end what makes me like a comedy or not) is the characters and the comedy itself. While some characters were fine the way they were (Tohru and Fafnir in special were pretty nice and I enjoyed most of their comedy bits), there are some that very early on reached a point where I was annoyed with them, and the constant repetition of their gag (even 4 or 5 times in an episode at times) without them getting any development during the series to make me feel that there was more to them than that, reduced a lot my enjoyment of this anime. First in that list is the duo Kanna-Ahegao girl (she's called Riko, but she really deserves that nickname), Kanna is cute, I get it, everything she does is made to be an overdose of cuteness, but all Ahegao girl did for the whole series was, yeah, doing an ahegao face when near Kanna because she was really cute like always, while some people find that face funny, I found it absolutely annoying right from the first time, and nothing about her character changed at any point to make the gag atleast funnier or different. One thing that really bothered me is how the series used Kanna for fanservice at times, and more considering how she has the attitude of a child. One scene with Ahegao girl in particular was very uncomfortable to watch and made me lose the hopes in ending up warming up to this anime sooner or later. But if we're talking about uncomfortable, Lucoa definitely takes the cake here. I can resume her character in a single word: boobs, all of her comedy comes from them, either via having them bouncing, her wearing dresses that show them a lot (she even gets called as someone that “dresses like a slut” by Kobayashi, I'm dead serious), but definitely the worst part is her constant gag of breast smoothering a kid she lives with using them, I'm fine with some fanservice, but Maid Dragon reaches a point where I think that they went too far, both with how much it uses it, and to which characters the fanservices goes directed to. Finally there is Kobayashi, our protagonist, that while I find her a pretty bland character, I think that this is exactly her purpose since she is there to bring the heartwarming moments of the series, related to her enjoying having all these weirdos around giving colour to the lifeless world around her due to her personality, I find that scenes well executed and I wish that the series revolved more around the family feel they create. In the artistic part, well, it's KyoAni, really well animated moments in the scenes where the series needed them while staying nice from start to end. The series also provides a solid OST, with personal mention to the song that plays in the previously mentioned heartwarming scenes, that improved them a lot in my opinion, and the opening “Aozora no Rhapsody” that is a very catchy song to start the episode in a nice mood. In the end, while I personally didn't enjoy this anime due to not being a fan of the comedy and the fanservice present in the series, it's definitely worth trying out if what I mentioned didn't bother you.

Dragon Maid is a yuri slice of life anime with some...interesting...undertones. I'm going to review this by Story, Art, Sound, Characters, and Enjoyment, like the official review scorer. [SWEARING AND SOME SPOILERS AHEAD] Story: 5/10 It's a great concept if a bit cliche, a magical being comes to the human and doesn't understand shit, the human is stoic and peeved, the magic being is all smiles, and there's a host of weirdos that come along for the ride. It's very good at first, with excellent comedy and touching moments with the title characters, Kobayashi and Tohru the Dragon Maid. Kanna is just generally adorable, and it feels very sweet and nice. Then the middle of the series rolls around and everything goes to absolute shit. This includes meaningless characters, idiotic repetitive jokes, and pedophilic undertones. Actually undertones is a bad way of describing it, as a fucking second grader has an ahegao orgasm every three seconds, a dragon with watermelons for breasts smothers a child with them repeatedly, and at one point Kanna nearly goes full on R. Kelly on ahegao girl. Thankfully it improves by episode 9, which was my favorite episode and single-handedly raised this anime's score from a 2 to a 4. the rest of the show is decent, though the last episode is a bit cheesy. Art: 7/10 Nice art, simple in design and very colorful. I loved the fight scene animation and I wish there had been more. It was fluid, smooth, and very warm and cheery. The character design was good except for a certain ex-goddess of fertility. Sound: 8/10 I loved the Dragon Maid OP, I even added it to my master playlist. It's very happy and fun to listen to, and I never skip it as it is quite frankly the best part of the entire show. The ending is good too, though I frequently skipped it. The actual anime audio is good, the sound effects are on point, although the amount of noises Lucoa's breasts make when they jiggle is a bit excessive. As for the English voice acting (I watched the dub) it's good overall, if pretty typical. Kobayashi is very entertaining to listen to when drunk, but Takiya's otaku voice is grating and annoyed me. The other characters have pretty typical voices and I can't fault them. Character: 2/10 Oh boy, this category is a doozy. Every character in this anime has quality varying from good to downright awful. Let's start with the best. Kobayashi, Tohru, and Fafnir all are entertaining, sweet, and likable. Kobayashi's stoic attitude is a nice contrast to Tohru's cheery ignorance and Fafnir's comical emo hatred is funny and a nice way to balance out the cast. On to the "ok" characters. Elma is not altogether bad, but very underdeveloped, as her late introduction gives her a very one-dimensional personality with a somewhat exasperating indecisiveness. Takiya is an alright character, and his dual personality from normal office worker to Fafnir's crazed otaku roomie is comical but grating. Shota is also alright, though I was too busy pitying his poor slot in life to really analyze his character. Now here's the selection of characters that killed this anime for me: Kanna, Riko, and *shudder* Lucoa. All of these characters are awful, and each for similar reasons. You might be saying, "sPEtZ kaNnA iS ABsOluTeLY pERfeCt kILL yoURseLf" but let me explain. Kanna is indeed adorable, precious, and God's gift to humanity. Thing is, she also attempted to rape a child. Kanna is 600+ years old, and literally forces Riko onto the ground and says she's gonna go "Dragon Style". What. The. Fuck. This was a major turn-off to me as this kind of thing is unacceptable. So that's why I kind of hate Kanna. Riko is up next and her character is pretty simple. She's absolutely infatuated with Kanna in a clearly sexual way despite being a second grader. Whenever Kanna brushes by her she has a goddamn ahegao orgasm. A fucking second grader. Orgasming. Some of you may find this cute but for me that's really fucking creepy. Now, onto the bitch that literally brought this anime's quality down from a 6 to a 2. (episode 9 and the OP brought it up to a 4.) Lucoa is an awful character, not because she's designed for fan service but rather for the fact of how she does it. Her breasts aren't large, they're disproportionately massive, to the point of looking like tumorous watermelons growing off her chest. What does she do with these absolute units of tits you ask? She rubs the face of a nine year old boy with them. Dis-fucking-scusting. She also refuses to look modest, to the point of disgust rather than being turned on. She repeatedly antagonizes Shota with them to the point he thinks she's a succubus. She often acts pedophilic towards him but no one cares, because "hey! It's a chick!" despite the unnerving similarity to Boku No Pico at some points. Also, after analyzing the character, personality, and mythological factors it's safe to assume that Lucoa may be a male dragon. Did anyone else just see Jared from Subway flicker in front of them like Slenderman, or is it just me? Either way it made this character meaningless and intolerable. All in all, the characters are the worst part of this anime and if a good amount were dropped it could have brought this anime to an 8 or even 9. Enjoyment: 4/10 This anime has a fantastic OP, an interesting story, and some likable characters. The art is clean, the audio is good, and Fafnir is hilarious. However, the inclusion of excessive fan service, maid fetishes, lolicon influence, and pedophilic undertones brought this anime down exponentially, and it's a sorry shame that this couldn't have been better. Fuck you Lucoa. In conclusion, Dragon Maid is a failure of an anime that could have gone far. Don't buy into the hype, this anime is only worth watching if you like feeling like a pervert after completion. I would love to see a rewrite of this concept with a higher focus on the ignorance comedy and quasi-dimensional battle concept. However it is instead a pulpy creepfest that left me feeling uncomfortable. And that's my whole review of Dragon Maid, thanks for reading if you got this far!

In the beginning, we see a dragon; how frightening! It flies across the sky as fast as lightning Finally, it arrives at the apartment of a woman Does it plan on eating this helpless human? When the woman goes over and opens the door She beholds the dragon, and stands rooted to the floor But then to the woman’s great surprise The dragon transforms into a girl right before her eyes! The dragon girl calls herself Tohru, and gives her thanks To the woman who had recently pulled a sword out of her flanks And so that her debt to the woman can be repaid Tohru asks to work for her as her maid! The woman, Kobayashi, eventually agrees And the dragon Tohru is visibly pleased This event, I’m sure, Kobayashi will always remember And thus the story begins with them living together Being a lighthearted comedy, the plot isn’t that deep But don’t let this be a cause for you to weep For the anime excels in other areas From the detailed designs to the funny characters The dragon girls are drawn with many vibrant colors Which makes them aesthetically pleasing to see And although Kobayashi isn’t as detailed as the others Her blandness can actually be sort of funny Thanks to the art, we get many attractive females And whatever your fetish, its surely represented You got the tomboy Kobayashi and Tohru with her twintails The loli Kanna and Lucoa who’s large chested Ms. Kobayashi is the protagonist of the story She always seems calm and acts reasonably But if she's drunk, she can rampage crazily Plus she gives the hopeless dragon girls helpful tips Tohru is the first dragon we see She wants to be a successful maid so badly! She seems to be in love with Ms. Kobayashi I wonder if she’ll ever kiss her on the lips? Kanna is a dragon loli Her cuteness levels are too much for me! She basically eats everything she sees And damn, she has some thicc hips! Overall I’d say the characters are rather nice But if I had to give the creator’s some advice I’d say that the characters needed more depth and detail But hey, at least their merchandise can make for a good sale. What can I say, this show was fun And now my poem is nearly done But before I depart, I’ll leave some advice And if you don’t follow it, you’ll pay the price You better not lewd the dragon loli. Ah, who am I kidding, resistance is folly.

I watched this all the way back in 2018 when I was still in middle school, and I really liked it. But Now about 6 years later I can't say the same thing. Lots of sexualization of adults and minors, and a very basic story. I would not be as harsh with it if it was only adult characters being portrayed sexually, but minors is where I draw the line. Otherwise, I probably would have just said "this must just not be my cup of tea" and went on with my life. I felt extremely dirty after revisiting this, I really don't recommend watching.

This is by far the least comfortable watch in existence. When people say they think "anime is weird", they mean anything from this show. Miss Kobayashi's Dragon Maid feels like a scroll through R34 with all tags enabled. People keep mentioning the yuri baiting but the real problem is not really the yuri baiting. It's futa baiting. If you don't know what these terms mean, that means you definitely shouldn't watch this. This is deep into porn addict territory. I think I'm pretty forgiving when it comes to age gap stuff. But this show is definitely a no-no. For example, I usually forgive something like middle-school-child-crush-stuff as long as the characters aren't sexualized. However, Riko's crush on Kanna will often tread into sexual territory. That's very uncomfortable. There's also a dragon woman with massive boobs that regularly flirts with a 9 year old boy. Great stuff. To keep myself sane for a long time, I tried to convince myself that it's just teasing. However, it slowly gets more and more sexual and it becomes apparent that she wants to sleep with a child. Nobody calls her out on this. Apparently they all think it's completely normal. Fafnir is basically a caricature of whoever enjoys this show. It seems they really know their audience because they made the most relatable character for them. My first instinct whenever he's on screen is to dissociate myself with him (in my head). When the show depicts him sitting in his room with magical girl figurines playing video games all day and not doing anything, I feel greasy. This show is a pressure test for how much degeneracy you can tolerate and it only gets worse in later seasons. If people manage to link this review to my real self, I am burning all my identity documents and living as a steppe nomad.

******* Kyoto Animation Studio October 6, 2016 After enduring the taunts, jeers, and sneers that resulted from the underwhelming Myriad Colors Phantom World, Mr. Hideaki Hatta, the president of Kyoto Animation, decided to recommit to the conventional. He guided the studio producers into a months-long effort in crafting a sequel to the massively successful Sound! Euphonium. When the dust settled, KyoAni’s staff, with the utmost confidence, released Sound! Euphonium 2, and then they celebrated. They engaged in several rounds of poker, and they consumed multiple tabs of LSD (One employee in particular swallowed six tabs at once), as well as a large helping of cocaine. 4 hours passed before Mr. Hatta summoned his employees into the meeting room. He stated, “I know that we already took care of the Fall season with Sound! Euphonium 2 but we need something to air in the winter. Any ideas, guys?” The KyoAni employees, still buzzed from the booze, drugs, and other late-night adventures, quietly remained in a state of half-consciousness. Mr. Hatta, visibly exasperated, muttered hopelessly, “Just blurt out the first thing that pops in your head.” It was Jiro Tazaki, a fresh-faced intern on his first day, that spoke up. It remains a mystery if it was the LSD, the alcohol, or God Himself that planted the idea in Tazaki’s mind but on that day, the concept he introduced would be the catalyst behind KyoAni’s latest heavy-hitter project. After Mr. Hideaki Hatta spoke, what Jiro Tazaki responded with was, “Bouncing dragon tits.” ******* With that, Miss Kobayashi’s Maid Dragon was born. If there’s one thing that could turn away potential viewers, it’s the cutesy character designs. From the woefully oversized eyes to the roundness of the character’s frames, and even the rose-tinted cheeks, the character designs are a victim of moé overdose. Then again, realism has always been a foreign concept for Kyoto Animation, so no surprise there. Miss Kobayashi’s Maid Dragon prides itself in its humor but early on, its comedy is a bit too dependent on unnecessary boob grabs for its own good. While that element is minimized yet never erased, the show leans more and more on its Fish out of Water jokes as the runtime progresses, and this is where the show strikes comedy gold. There are more than a few instances in which Miss Kobayashi’s Maid Dragon constructs an exaggerated, fantastical contrast to real-world occurrences. When the characters are shopping for school supplies, a common stapler is interpreted as a torture device. When one character seeks to learn about sports festivals, events like running, ball-tossing, and tug o’ war are processed as medieval tactics in battle. It’s scenes like those that aid Tohru (Miss “Bouncing Dragon Tits” herself), and her other fire-breathing friends in adjusting to a world not their own. It’s right here that you’d be tempted to think, “Slice-of-life/comedy about characters from a different world living on our own? Hey, this is The Devil is a Part-Timer all over again!” While Miss Kobayashi’s Maid Dragon does have a similar premise with that of The Devil is a Part-Timer, that is the extent to which these two titles are identical. While The Devil is a Part-Timer has its characters lead normal lives in a day or two, it requires a month for this show to do the same. While The Devil is a Part-Timer allows its characters to showcase their abilities in broad daylight, there are consequences that occur when this show does the same. While The Devil is a Part-Timer maneuvers its supporting characters to the sidelines, Miss Kobayashi’s Maid Dragon allows its relatively minor characters (like the domineering Riko Saikawa, the perpetually anxious Shouta, or (my personal favorite) the brooding Fafnir) to claim their moments in the spotlight. While The Devil is a Part-Timer briefly mentions the characters’ past lives and never bothers to provide details, Miss Kobayashi’s Maid Dragon reflects on the bygone days and consistently links that to the cast’s arcs. In short, Miss Kobayashi’s Maid Dragon embarks on the same path as The Devil is a Part-Timer yet it contains a more enhanced storyline than the latter, as well as greater character depth. Although, the aforementioned character depth is what distinguishes this series from its peers, the method in which depth is handled as flawed at best. Miss Kobayashi’s Maid Dragon exists on the strained relationship between humans and dragons, as well as attempts to rectify this dynamic. However, the razor-sharp focus on this concept, though admirable, prevents this show from delving into potentially fantastic subplots. Sure, there are a few discussions about familial dynamics and self-exploration, but ultimately the show never truly ponders on these ideas. Though it appears quite underwhelming, the (very) limited range of thematic elements in Miss Kobayashi’s Maid Dragon shouldn’t automatically blacklist this title (After all, Onihei isn’t exactly a paragon of versatility yet there are many, myself included, that consider it to be this season’s hidden gem). However, I must advise you to be prepared for this show’s “serious scenes”. Suffocating beneath the overwhelming weight of the warm, childlike atmosphere of the show, these segments provide a complete contrast to the rest of the series. At first, they carried grace, sophistication, and a unique charm (CGDCT + pathos wasn’t a formula I encountered before) but later on, it felt as though these segments were recycling the same handful of storyline beats over and over. By the fifth episode, I was bored to tears, and apparently so was KyoAni’s brain trust. They ensured that the serious scenes received a mercifully short runtime with each appearance. Ambition is a trait that I absolutely covet when it involves anime. There are few things I adore more than witnessing an anime series journey beyond the conventional. With this series, however, I am satisfied with its exercise in normalcy. Miss Kobayashi’s Maid Dragon doesn’t desire to reinvent the wheel nor to “save anime” in the vein of Studio Trigger. No; what it seeks is to entertain, and on that front, it has more than succeeded. Whether it’s the witty sexual innuendos, Tohru trolling Miss Kobayashi’s short-tempered supervisor, or her utterly breathtaking chasedown of a purse snatcher, Miss Kobayashi’s Maid Dragon guarantees excitement. And that’s just fine with this run-of-the-mill reviewer. For once, the hype is justified. 6 dodgeball-playing dragons out of 10

I love anime, and I have been watching it for years. Meaning that naturally, I have watched a lot and am always on the lookout for new shows. After hearing the hype surrounding this show, I decided to check it out. The show starts off strong with a good art style that I really liked, two likeable lead characters, and a decent enough premise. The first lead character Kobayashi is an office worker who meets a woman named Tooru. Who happens to be a dragon in human form. That for various reasons has come to love and admire Kobayashi. So to show said admiration she becomes her live in maid. Which leads to a few episodes of wholesome slice of life comedy, that genuinely had me laughing. The two leads have a good dynamic and I liked watching their relationship grow. Again its a decent premise that I rather enjoyed, at first. But that's where my praise ends. Because after episode 5, the show takes a nosedive for me. That's because after episode 5 it becomes a thinly veiled loli/shota anime. Which is a category I find to be reprehensible and disgusting. The show for the remainder of the season proceeds to sexualize and fetishize several characters who are clearly children. The most blatant being Kanna, who was initially the two leads sort of adopted daughter. She was funny, adorable, and really helped further the relationship of the two leads. So I found it sickening when the pedophilic undertones started coming into play. Which there was a copious amount of. Ranging from upskirts and questionable poses to Kanna pinning another child on the ground saying she was gonna do her "Dragon Style". All of which made for a very uncomfortable and abrupt change of tone. Now maybe you could overlook that as a one off weird comedic "dark humor?" moment. But it just gets progressively more and more gratuitous after that. Especially after the next character named Shota is introduced. Another child that one of the uh...more voluptuous characters, constantly sexually harasses and borderline assaults. Again, extremely reprehensible and disgusting to me. By the end of it all, I went from enjoying the premise and characters, to genuinely being disgusted with what I had just seen. Which is unfortunate, as I was genuinely looking forward to this one. It may be a small amount of content in the industry. But I hope going forward that the anime community and industry as a whole, can weed out and shun this kind of content. I think it gives the medium a bad name and tarnishes the image of a great form of entertainment.

Miss Kobayashi-san Chi no Maid Dragon, or The Maid Dragon of Miss Kobayashi is complete and utter trash. The only Kyoto Animation production that I hate more than THIS series is Amagi Brilliant Park. I dropped Musaigen no Phantom World after one episode. I am truly of the opinion that Kyo-Ani doesn’t know how to do an explicit, adult-oriented show without it seeming creepy and depraved. • I wanted to like Miss Kobayashi, in fact, I find Tohru incredibly sexy. But realistically, even if you like her design… there’s nothing more to Tohru than her lust for average joe Kobayashi. To make it more of a fetish, she wears a maid outfit and is a beasty because of her horns and tail. • And if you think Tohru is a poorly conceived characterー the others are much worse. I can’t remember anything about Elma, except she’s a business-woman tsundere? Kanna is the loli-bait that is much older than she looks because she’s a dragon, which comes with some creepy implications. • There’s a girl in fucking elementary school who is hardcore trying to get in Kanna’s panties, and they’re like eight? What? And she makes this disturbing rape/“fucked silly” face which I did NOT like at all. And if you follow the technicalities of Kanna’s REAL age, they really shouldn’t be hanging out in her bedroom alone anyway? • Let’s not even begin with gigantic tits and the shota. There’s really creepy, sexual innuendoes between this massive-titted dragon woman and a little boy who happens to be a mage. She constantly walks in on him in the bath and crushes him with her boobs while he’s sleeping, and it’s creepy and too raunchy for me. Because I don’t get sexually aroused by children. • I’m sure people would not be okay with it if it was a little girl and a dragon dude was constantly smacking her in the face with his penis and trying to bed her. Can we not normalize older woman on little boy sex anymore in anime? It’s fine if it’s in hentai… because if you’re watching porn, you’re probably looking for some kind of depraved fetish anyway, but leave it out of a normal, light-hearted series! • The only light in this shit hole of a tunnel is the relationship between Makoto and Fafnir. That was one of the most sweet and endearing portrayals that I’ve seen of a homosexual relationship in an anime… too bad the series had to make all of the other characters walking sex bags. There’s literally a shot of Kanna that looks like she’s giving Kobayashi oral; I felt oversaturated with the massive amounts of sexual innuendo. • Overall, I assume that Kyoto Animation is going through some kind of rebellious teenage phase, like the, “No, Mom, we don’t just make pure-hearted girls with thigh gaps!” But, it just isn’t working. I would never respect or go near someone who liked this abominable trash, I only give it a 3/10 instead of a 1 or 2 because of Fafnir being a boss and the animation quality.

This anime drained me so much, it was the catalyst of my 4 month burnout. I was initially excited to watch a nice cozy slice of life anime, as the description suggested. It was so highly recommended online, plus it has good reviews on here, so I figured it would be a solid watch. The premise is simple, and what follows is a string of cute antics as dragons try to fit into human society. But the problem is the show leans SO HARD into gimmicks and fanservice instead of going into what could’ve been a genuinely warm and character driven story. Every time the anime tries to hint at something deeper, it immediately reverts to awkward boob jokes or dramatized reactions. Plus the random ‘quirkiness’ that does not land. I usually really like light hearted and slice of life shows, but this was just exhausting. It was trying way too hard, and the fan service was so out of place and uncomfortable. It completely ruined what could have been a cozy and feel-good anime. Definitely not for me. Story: 4/10 — Shallow and overpowered by gimmicks Animation: 6/10 — Kyoto Animation delivered decent visuals and smooth motion Characters: 4/10 — Archetypes with wasted potential. A few charming moments, but nothing lasting. Pacing: 4/10 — Starts off fine but quickly becomes repetitive and draining to watch. Overall: 4/10 — Visually okay but extremely hollow and awkwardly sexualized

Once every now and then, we get some strange premise that gets animated on television. Kobayashi-san Chi no Maid Dragon is one such title that is probably more appealing to be quoted than anything else at first. Literally translating to Miss Kobayashi’s Dragon Maid, it’s definitely a title that will raise some eyebrows. I mean really, a dragon as a maid? That’s the probably one of the silliest ideas if you think about it on paper. It also shouldn’t be surprising as it’s one of Cool-kyou Shinga’s works. The author is known for expressing a lot of freedom in ideas. As such, watching this show with an open mind will definitely bring in a lot of enjoyment. Who would have thought that Kyoto Animation would be the studio to adapt this show? Unlike some of the author’s other works (which turned out to be very short shows), this one runs for full length. Make no mistake about it though, the series is exactly what it sounds like. The first episode pretty much establishes the general concept as we meet Kobayashi, a young software programmer living her normal life in Tokyo. Life take a turn for her when she unknowingly saves a dragon named Tooru during one of her drunken scenarios. Fate follows and soon, Kobayashi has her own personal maid. Err, dragon maid. As you can judge from this premise, the show is portrayed more or less a slice of life fantasy. Despite being a dragon, Tooru isn’t entirely violent although she does possesses a disdain for humans. The only human that she seems to care the most is Kobayashi. In fact, she even develops a girly crush on her to the point of being devotion. That’s what really makes this show so entertaining because at its core, Kobayashi-san Chi no Maid Dragon always seeks to have fun by expanding on its ideas into a colorful fashion. The series consists a diverse yet noticeable character cast. I’ll be honest though, main female protagonist Kobayashi is probably the least interesting character. She is the epitome of normal in this show when compared to others. Face it, she looks plain with an average paying job and average personality. However, Tooru finds her very appealing because she is honest to others and herself. Speaking of Tooru, she stands out as the most interesting character in the show. Coming from an entirely different world, it’s no surprise that she lacks common sense about Earth and its people. From the first few episodes, it’s shown that she lacks knowledge about being a maid at all. She also has virtually no experience with technology, cooking, or job skills. However, Tooru adapts well or at least she tries. Kobayashi is her main motivation to improve and she even comes to like Earth as time passes on. Other noticeable characters in the show is a young dragon named Kanna. As one of the youngest characters in the show, she behaves exactly like a child. In the beginning, Kanna has a disdain for Kobayashi and wants Tooru to return with her to their world. However as time progresses, she is more accepting of Kobayashi and even starts treating them like her family. Kobayashi’s life gets even more complicated when Tooru’s other friends Fafnir and Lucoa makes their appearances. Speaking of Kobayashi, we can also see that she is slowly but surely warming up to Tooru. She is more accepting of her presence and the other dragons despite knowing how different they are compared to her. In the meantime, the others learn from Kobayashi about how human behavior works and even begins to adapt with their society. A clever example is Fafnir where he develops an addictive habit of playing video games. Another would be Kanna adapting with school life and making new friends including with schoolmate Riko. In essence, I think the primary successes of this show relies on its character chemistry and humor. Character relationships are important as it establishes personalities and allows the audience to understand them better. It also makes the show much more entertaining as we see how humans and non-humans interact. There’s also change and development too with characters like Kobayashi, Fafnir, and Kanna. The way their roles are played out makes the audience curious about how far they can change. This is shown with characters such as Fafnir through his interaction with Makoto Takiya, Kobayashi’s co-worker. Fafnir begins to accept and even becomes obsessed with video games and culture thanks to his influence. On the other hand, there’s the comedy. It’s freely defined and sells its humor without going over the board. Characters such as Kobayashi, Riko, and Tooru are prime examples of this as they display out-of-character qualities at times. (I mean, just look at Kobayashi when she is drunk!) In retrospect, the show makes an attempt to get the audience’s to laugh and I have to admit, it works. As a manga reader, the show expands parts of its adaptation in certain episodes to give some more vivid details of storytelling. However, not everything is faithful as one particular episode goes entirely on an anime original route. Also because this is airing on television, the adaptation is more tamed compared to the manga. In other words, the original source has much more lascivious scenes and suggestive innuendos. That actually also brings up another point as well. The show portrays itself as a slice of life comedy but if you watch it carefully, there’s also many parts with some adult humor. Whether it’s the cultural references or some suggestive camera angles, it can get controversial at some cases. Kyoto Animation doesn’t let down expectations when it comes to production quality. The show looks very colorful and filled with energy. Almost every character has their own distinctive look especially the dragons. Characters such as Tooru, Kanna, Lucoa, Elma, and Fafnir all display traits of their dragon characteristics. (Example: tail, horns, eyes, etc) In the meantime, director Mikiko Watanabe puts his talent to work and makes a strong impression. The way the camera angles are directed makes certain scenes feel impactful. The colorful action can also be very noticeable with spectacular choreography from early episodes. The series even has a charisma for decorative outfits as seen in certain episodes to make the characters look more fashionable. The only questionable tactic the show uses at times is its fan service. Lucoa is probably the guiltiest of this as she wears skimpy outfits and a running gag of the show even has her being on top of Shouta. If you thought the art presentation was impressive, then soundtrack doesn’t fall far from that level either. While it can be dismissed at times at being dull, the overall delivery is well crafted and fitting for the slice of life genre. OP and ED theme songs are highly decorated with colorful themes. The voice mannerisms of characters defines their personalities especially for characters like Kanna and Fafnir. I also have to give praise to Kanna’s VA praise for portraying her character at an exceptional level. It’s not always easy to voice a child character but Maria Naganawa made her sound very convincing. Ah Kobayashi-san Chi no Maid Dragon, a show with quite a peculiar title. I mean, a dragon maid is the last thing you’ll expect to see in slice of life stories these days. Yet, this show cleverly gives its character cast freedom to be what they want. While this show doesn’t involve any complex storytelling, it makes it up with its very distinctive character cast. It has the ingredients of cooking up good humor and doesn’t hold back to deliver just that. I can’t say this enough but really give this show a try. It looks stupid at first glance but the more you watch it, then more you’ll find it entertaining. Trust me, it earned it.

Dragons are well-known to be fierce creatures of legend, but they can also be regarded as the personifications of good. In cartoons, children's books, and family films, dragons are often depicted as friends of men. In certain cultures, dragons are portrayed as heavenly creatures. While all these representations are interesting, none are as adorable, nor as lovely as that of Miss Kobayashi's Dragon Maid: a whimsical tale about the life of a lonely programmer and her fantastical human-dragon hybrid friends. As a character-driven gag series, Dragon Maid emphasizes its fun using an endearing cast. Protagonist Kobayashi may be your typical introvert, but it's hard not to smile whenever she quarrels with Tooru—the titular dragon maid who pledges herself to the programmer's service after a comical misunderstanding in the previous night. The stoic Kobayashi and cheerful Tooru are polar opposites, making their dynamic one of the most interesting feature of Dragon Maid. Their squabbles play a major part in evoking laughter from the audience, but there are more to them than just being elements of comedy. As the story progresses, their interactions between each other slowly develop their character, transforming them into sympathetic individuals. Dragon Maid is rife with good humor, but it's also filled with heartwarming scenes and strong character progressions that transcend it above the typical comedy. Perhaps the element that will be overlooked most often in Dragon Maid is the desire to be human. The dragons claim to despise humans, but their obvious curiosity in our species says otherwise. The ever-so-adorable Kanna is by far the greatest example of this: although the young dragon is jealous of Kobayashi claiming her beloved Tooru, she nevertheless gains an interest in enrolling to school to learn more about the human world. There, she meets Riko, an equally adorable human girl who helps Kanna learn the meaning of becoming human. Another character who experiences a similar development is Fafnir, a no-nonsense dragon who gradually mellows out of his old facade thanks to the eccentric yet kindhearted Takiya. Like Tooru, Fafnir is initially distrustful of humans but begins to adopt an alternate perspective once Takiya shows him the joy of playing video games and writing doujinshi. Of course, Kanna and Fafnir's antics are mainly played for laughs, but their desire to assimilate with human society is definitely worth noting. No cast is ever perfect, and the same can be said for that of Dragon Maid. The three remaining characters—Elma, Lucoa, Shouta—range from underdeveloped to terrible. Elma is at least funny and cute when paired up with Kobayashi, but Lucoa and Shouta are simply unlikable. While the other characters have some sort of trait that make them endearing, this bizarre pair exists only for the sake of fanservice. Furthermore, the backstory of how they met is a forgettable five-minute scene that's never brought up again. From all the dragons, Lucoa seems to be the only one who does not enter any sort of development phase. True, it’s likely this way because of her kindness to humans since the beginning of the series, but why not make this trait more prominent to the story? It would have been better if she aids the other dragons in getting along with Kobayashi and other humans, but alas, she did not. Some might complain that the intimate relationship between Kanna and Riko is troublesome, but I personally find it very cute in comparison with Lucoa and Shouta’s nauseating bond. As a charming series, Dragon Maid comprises adorable character designs and a colorful palette. Although the series takes place in a city, my personal favorite setting is the gorgeous grassy plains where Kobayashi, Tooru, and Kanna goes to play. The events that transpire there might only be a fleeting moment, but the beauty of the scenery—especially the peculiar shot of the mantis and butterfly—accentuates the natural beauty of the show. On what makes Dragon Maid most amiable, the visuals only lag behind the characters. The OP is ridiculously catchy, but the ED and soundtrack—except for the interlude theme—are forgettable. On the other hand, Dragon Maid boasts some of the best anime voice cast in recent memory. Kobayashi’s stern but motherly voice, Kanna’s cute mumbles, and Tooru’s energetic cheers are the three that deserve special attention—without them, Dragon Maid would undeniably feel less lively. My personal thoughts? I could listen to Tooru’s voice all day long without getting bored. So is Dragon Maid worth watching? Yes, and much more. Not only is this gem of a comedy worth seeing, but it’s also the best series of the Winter 2017 batch. Delightful characters, nice visuals, spot-on voice acting, and an interesting premise makes Dragon Maid a solid top-tier show.

I took a look at this show because it had an interesting premise and seemed to be getting good ratings. Dragons trying to coexist with humans and do slice of life stuff. I was looking to branch out a little and perhaps see if there was something fun going on with a show that a lot of people were talking about as it was airing. The show had started out fairly decent if a little silly, and I was curious what they were going to try to do with the characters that they were assembling. After watching a few shows where the hero gets sucked into the fantasy world, having the fantasy world come to the "real world" seemed like it could be pretty fun to explore. Unfortunately, things didn't stay interesting for very long and I ended up very disappointed with this show to the point where I'm pretty exhausted with it after the conclusion. Before discussing what ultimately made me dislike the show, I will discuss the technicals. The art was slightly below average here. While characters were pretty colorful, there was always something a bit off with the animation and the lines that doesn't quite feel right. It's not an incredibly well drawn show. The sound and voice acting were average. Nothing stood out to me as exceptional, but then, nothing was overly bad either. My main issues were with the story and ultimately the choices made for the characters. What had the potential to be a character study of breaking out of routine and new ways of looking at things quite quickly devolved into lazy writing of repetitive jokes and fan service of questionable taste and appropriateness. While there is nothing wrong with fan service, there is a point where it can't substitute for writing decent characters. The main characters are a salary woman and her dragon maid. They have their quirks and their interaction looked to set the stage for an interesting slice of life, learning a new world dynamic. I was actually pretty intrigued the first few episodes as they were interacting. I actually started liking the show less and less the more characters were being introduced. While one would think that adding new dragons and friends around the neighborhood would add interesting interactions, all too often the writers took the cheap and easy way out of making characters very one dimensional and repeating the same jokes over and over and over again. One major issue comes with the younger dragon who comes to live with them. What at first seemed like it would be interesting, as these dragons are very old compared to the humans, quickly turned into a relationship with one of her school mates where this dragon in a little girls body does something lewd and her school friend provides an inappropriate surrogate nose bleeding reaction to her. This becomes a running gag in the show. Another issue comes when a different dragon appears and becomes a guardian of sorts for a little boy. The running gag with these two is that the dragon is an incredibly buxom sexpot who has no issues at all being naked or shoving this little boy in her cleavage complete with bouncy noises while he acts horrified. While this could be funny if it happened once as part of a "cultural misunderstanding", it essentially becomes their whole relationship schtick and the basic gag anytime they show up in the story. It wasn't funny enough to carry the characters. I could go on about a few other characters but they are similar in that they are one trick gags that get rotated in every so often as the show goes along. With characters like this, the show's humor end up feeling very repetitive and one ends up feeling a bit creeped out after watching these things over and over. Or not, depending on what you're in to, but that was my reaction. The characters do engage in a variety of activities, but instead of writing new humor, you get the a twist on the same boob jokes or whatever the character joke is over and over in a new environment. The longer the show went on, the more I felt like I knew pretty much how each story was going to play out, and it really wasn't very funny or interesting anymore. There are better ways to do fish out of water shows like this. This ultimately felt like a quickly produced cheap show to me, and in the end, a bit of an insult to my intelligence. Granted, I didn't go in expecting a lot here, I was actually looking for a light entertainment show to balance out the deeper stuff I was watching, but still, this ended up being pretty repetitive and way too focused on bizarre attempts at fan service that just felt creepy. I can't really recommend this show when there are far better options available. There are more interesting examples of shows where humans and other creatures get along, and there are better shows for fan service as well that actually have a more interesting story. I would seek those out and only waste time here if you absolutely have to see what people are making memes about.

This show is really about Kyoto Ani using their usual skills, with incredible artistic storytelling to elevate a trash fetish work to be as wonderful and good hearted as it can be. There is a perfect story about found family and love in the midst of this, as well as appreciation for peace and leisure. The problem is, they chose a trash fetish work to faithfully adapt, and they also leaned into the fetish because it gets engagement for their business. There has never been a Kyoto Ani show with so many ridiculous balloon boobs. It could teach people and maybe even porn addicts to appreciate life, and it also tries to get normal people to accept these disgusting fetishes. Empathy and love is important and healing, and the slice of life moments are very relatable. These dragons have tough lives. This series will always be objectifying and creepy, the studio is flawed, but I'd never guessed it'll go into vore, sexual molestation, children framed in sexual ways, forced stripping, jokes about sex slaves and exploitation. It's all justified in magic, but this is a basket of the author's thinly veiled fetishes. In this corrupted and exploitative industry, this kind of show will easily get popular and earn their money for other projects too. It's such a shame that a notably progressive and women supporting studio in the usually patriarchal and misogynistic society of Japan has to follow demand and draw balloon boobs. It's even worse in season 2 with Illulu, with balloon boobs so ridiculous on a young teenager character, it actually distracts from the main themes of the show. They're just a business, they have their biases and must stick with the times.

I feel like having to justify a 6 here. This show is alright. It is nothing significant, and that is ok. It is fluffy and light, and that is ok. The animation is amazing; KyoAni never fails to deliver, even in slice of life comedies. Fight scenes, although sparse, are fluid and dynamic, as are the movements of characters as they perform actions such as cooking or cleaning. It's all made with a ton of love and care, so what are the problems? Well, the relationship between Kobayashi and Tohru is very... weird. Chalk it up to just being anime, but it really does get creepy at times. That power dynamic isn't balanced. Lucoa and Shouta as well, for obvious reasons. There's some really uncomfortable pedolphiliac undertones in this show. It really does sour my enjoyment despite the overall enjoyment I have of the wholesome slice of life/fish out of water comedy that makes up the bulk of the content. This show is good for seasoned anime watchers, but seriously, I wouldn't let anyone catch me watching this.

From Kyoto Animation, responsible for far too many of the slice of life shows around to possibly remember, comes the charming and wonderful Miss Kobayashi's Maid Dragon, an extremely charming and heartwarming slice of life show which stands atop the head of slice of life shows. Our story begins when the titular Miss Kobayashi, a programmer who loves to hang out for drinks after work, wakes up after a night of especially hard drinking. Getting ready to go back to the grind of work, she opens her door to a rather surprising sight: A giant, scale-y dragon! Utilizing shapeshifting this magnificent dragon, Tohru, declares that Kobayashi totally said she could crash at her place after saving her life last night, and that she now wishes to serve Kobayashi as a maid. Thus begins Miss Kobayashi's Maid Dragon, a delightful romp of the story between one middle classed Japanese office worker and her fish out of water dragon maid. The show is not exactly subtle with its premise and goes right for the jugular early on, with Tohru being pretty inept at the idea of modern society with a mindset more fitting a magical fantasy world, where dragons and humans are mortal enemies and the gods themselves can rain down divine punishment. Tohru herself is fittingly overpowered, with giant flaming breath, magical tricks involving dimensions that would make modern physicists spin in their graves, tearing the sky asunder to deal with a rainy day when taking out the laundry and more. Kobayashi, on the other hand, brings Tohru down to Earth and slowly gets used to actively living with another, quite odd person. As the show progresses, a more diverse and fun cast join the fray, such as the WAY TOO ADORABLE Kanna Kamui, who serves as a bit of a surrogate daughter with Kobayashi and Tohru due to being banished to our dimension by her parents, the dark and chilly Fafnir, who sits on the edge of wishing to destroy the world but soon becomes distracted by the weight of MMORPGs and other games to care, and Lucoa, a goddess demoted to dragon who is just along for the fun, although she feels like one of the less fun members of the show due to being one note. This show has all the laughs you would want from a slice of life show, or at least the jokes landed for me mostly, but another good technique this show works together is the ideas of tensity, developement and a nice warming of the heart. Kobayashi isn't a generic, I don't care kind of protagonist, but more as just kind of internalized her life and chugging along content enough, with hobbies that exist but do not dominate and define her life. She handles and soon compartmentalizes the changing world around her as Tohru and Kanna enter her life, which also causes her to warm up and examine parts of her own life, such as her relationship with her parents. Just how well the compartimentalization works can be seen in the ending and is done well. This is contrasted with Tohru, who is impressed by the world of less danger that Earth brings compared to hers, and begins to enjoy a slower pace of life with the one she loves, as her attraction for Kobayashi is very, very real, and enjoyably is not relegated to mere subtext and is discussed at points. The tensity of how people will react to someone fairly alien if exposed forms a rather enjoyable part of the show and the show makes use of tenseness well, one of the most notable examples is in Episode 10, where the episode seems to be using tenseness and the general plot to make it seem as if it is building up to a Cringe Comedy routine, but then turning out to be something even more wonderful. This series also had a lot of heartwarming moments that were really able to speak to me, especially the start of Episode 9 for example, or how comiket is handled for the cast. This is the part I can least discuss without spoilers, so I won't get into it a ton, but lets just say that lots of the characters get nice, heartwarming moments. The story cannot be discussed a lot, it doesn't have a ton, especially since it is a slice of life show, but undercurrents of things like the ending are laid out through the series and some solid continuity. I give it a 6 because as far as slice of life plots go it is perfectly fine and has some nice things, but it isn't any masterpiece. Stylistically, Miss Kobayashi's Dragon Maid has some really nice animation, using some good effects when the dragons use their powers, really great character designs with things like Kanna's hair or Tohru's eyes. There's even some surprisingly well done action sequences in this slice of life show. It is somewhat basic, but definitely trying to be and does so very well. It has extremely catchy opening and endings that are incredibly cute and will get stuck in your head for far too long. It also has some good ambvient music and some really nice voice acting all along, but especially with Kanna and Kobayashi and helps make the characters leap off the screen. So, what's the shortform of this review? If you want a slice of life show, watch Miss Kobayashi's Maid Dragon. Even if you don't end up liking it, it is simply very worth forming an opinion on. If you like maids, watch this show, and be amused by Georgie and Kobayashi interacting. If you like dragons, then you'll like the parts of this show that examine the oddities of this mythological creature adjusting to a low powered world like ours. If you want lesbians and a little romance, it got some lovely bits of that. It even has some action! It will tickle your funny bone and warm your heart.

Self-awareness might be the best friend of otherwise average to bad shows. The most recent example of how this works well might be Boku no Hero Academia. It doesn't promise you anything it can't deliver. And you get exactly what you were looking for, nothing more, nothing less. Sounds like a fair deal, right? With that in mind, Dragon Maid tries to do the same - this time among the vast ocean of slice of life mediocrities. Many comment on the cute girls, casual humor, light fanservice and KyoAni's visuals. But what this show actually revolves around is often missed. Kobayashi is an office lady who used to live alone until Tohru and Kanna formed a family-like setup in her life. And that's it. How much becoming responsible for a family can change an adult? What Kobayashi's experience answers to us is that it won't change people at all. Sure, we do learn new things from raising a child, we do need to concede and make some sacrifices. That's why Kobayashi is the same person from episode one to the last. She's always the same laid-back, hard-working gal who loves a happy hour once in a while, with those dead-fish eyes to die for. And that's good enough. Unfortunately, the other aspects​ of this show are almost negligible. Side characters have any but surface-level purposes such as comic relief or fanservice. Also the setting doesn't make any difference. We could not have any dragons and it woudn't touch the purpose of the story. Having only Kanna, Kobayashi and Tohru introduced would not change the theme of the anime. What is redeeming though, is the self-awareness of this show. Whenever it takes a turn on fanservice, comedy or a heart warming moment, Dragon Maid knows what it is doing. And will be honest about it whenever possible. The best example of this is might be the "beach episode". It sure has a dose of fanservice, but soon we get to know a little more about Kobayashi and Tohru. The result is a heartening experience, instead of what a plain showcase of the girls' bodies would provide. This is far from being a sign of recovery by KyoAni, but it's already a step ahead. As expected from them, audiovisuals are of top-tier quality. Distinctive character designs, fluid animation, gorgeous backgrounds. All in a tradicional cartoonish style, uncommon to see in anime nowadays. OST might sound repetitive many times, but this doesn't bother at all. Also unskippable opening/ending songs make it up for the experience. Voice acting is on point too, with a special spotlight on Kanna and Kobayashi's voices - They stand out above the rest in their characterizations. Sometimes making it simple is the best. Sometimes we need a more human, light hearted story to sit and relax after a long day. It's time for the industry to try to be more honest, sensitive, and human on anime. Let's hope that KyoAni gets the message. Let's make this the starting point. And one more word: Kobayashi is the best girl.