Hakujaden

STORY 8/10: The story is a classic one, I believe it is based on a folk tale. Love between a human boy and a spirit girl, sadly to be disrupted from mankind's general intolerance of spirits. But ultimately, one where love triumphs supreme. One can also interpret the story as a criticism of institutions (such as religion and society) and the sweeping, preconceived judgments they pronounce without any actual knowledge of the situation; but ultimately again, while a powerful and often disruptive force, one that is overcome by true love. The subplot with the animals searching for Hsu Hsien is very funny and cute too! Especially when Panda challenges all the bandit animals. ART 8/10: For a 1958 show, the art was beautiful. Many of the backgrounds especially looked like paintings...thoroughly enjoyable! The festival scene was beautiful as well. My only complaint would be that some of the animations for the fighting and spells were crudely done. SOUND 8/10: Sometimes the Japanese was hard to understand (maybe it's a dialect of some kind in places?). My subbed version also had poor subs, so regretfully I missed out in places. But overall, the narrative voice was well done, especially in the parts where its half-sung, which was flowing and sonorous. Some of the voices quavered a lot, and generally the voice acting style is not my favorite; but it was suited for a children's folk tale I think. The music was generally high quality with traditional instruments. OVERALL: A gem from the 50s. Classic folk tale story. Beautiful art and music. Nothing that makes the adrenaline rush, but peaceful and enjoyable. Highly recommended.

白蛇伝 - Hakujaden is based on a great Chinese folk tale called "白蛇傳- Bái Shé Zhuàn". The "Legend of the White Snake" is quite old, but also very popular, with countless versions in folklore, literature and drama. The version chosen for the anime adaptation is beautifully romanticised, with some additional characters. A fairy tale about a snake spirit who falls in love with a human. Story: Legendary, beautifully romanticised, but deviating from the original (6/10) The original version of the legend is of literary significance, is considered to be one of the four great Chinese folk tales, and is much older than the existing written texts from the Ming Dynasty. It was first performed as an opera by oral tradition. It tells the story of a man-eating demon who was fought by Buddhist and Taoist priests. However, the legend has undergone a dramatic change since its earliest days. Over time, the demon has become more representative and sympathetic. She has been transformed into a serpent goddess, and her quest for love is in keeping with the times. Political interpretations are also common. But that is another story. In addition, the legend is a historical treasure for the Chinese. It contains wonderful references to the idyllic West Lake (西湖) and the beautiful and famous Léifēng Pagoda (雷峰塔) near Hángzhōu (杭州). Despite its considerable age, it is a beautiful fairy tale (in this version) about a monk Fǎ Hǎi (法海) in ancient China who tries to prevent the love between the man Xǔ Xiān (许仙) and the beautiful immortal snake goddess. The story's superficial moral can be interpreted as everything can grow, change and love conquers all. This may not be the first thing that comes to mind, but the narrative style and content is very reminiscent of Shakespeare's Romeo and Juliet, and this is not as far-fetched as it seems at first glance. Xǔ Xiān and the Snake Spirit Princess fall in love like Romeo and Juliet and must find the courage to face the incompatibility of their different worlds. It is up to them to overcome the greatest challenge and prove that their love is true and lasting. A closer look at the fairy tale reveals that, with its Taoist theme of immortality on the one hand, and its Confucian and Buddhist influences on the other, the story reflects the major philosophical influences rooted in many different aspects of Chinese culture. Characters: Simple MCs, animals stand out (5/10) The main characters are kept rather simple, and although they're very likeable, they're not allowed to develop beyond a basic feeling of loving each other. However, it is quite possible that Uehara, Shin and Yabushita, Taiji were trying to prevent any further changes to the main characters of the original legend in this way. Unfortunately, this makes them seem a little too abstract. The added secondary characters, especially the cute animals, literally steal the show from the protagonists. But let's take a closer look at the characters. Lady White The White Serpent (goddess) transformed into a very beautiful young woman called Bái Shé Zhuàn to visit the West Lake of Hángzhōu and was attracted by the beauty of the scenery. Lady White immediately fell in love with a human being (brief story). Her character is very interesting because she is portrayed as emotionally strong, with a deep willingness to fight for her love. It would have been nice to show the development of her character on this basis, even if it meant a variation of the original legend. And more than that, it would have been a minor sensation because it would have been the depiction of a very emancipated young woman (remember, this was 1958). Xǔ Xiān His character is also interesting, but not because he is very strong. On the contrary, his character reflects several facets of human nature. On the one hand he is good-natured, but on the other hand easily persuaded, especially by those in authority. Thus, it is possible for the monk to influence Xǔ Xiān and put his ulterior motives into action. Xiǎo Qīng (小青) She made it possible for Xǔ Xiān and Bái Shé Zhuàn to meet and fall in love. Her character can best be described as beautiful, smart and loyal. Furthermore, her character is historically based and existed before the anime version. She was added to the original legend a long time ago and is therefore already an integral part of it. According to one version, Lady White bought a captured snake and thus saved it from being eaten. The rescued snake was also transformed into a woman, named Xiǎo Qīng. Grateful for her rescue, she decided to serve Lady White in the future. Their relationship is aptly described in the anime as very trusting, like sisters. Monk The role of the Buddhist monk has changed as fundamentally as the demon of the original legend. He used to play the good guy in the original, now he's supposed to play the evil guy. But he plays his role quite well, I think. What motivates him varies depending on the version. In the rarer version, he wants to protect Xǔ Xiān. In the more common one, he is just jealous of Lady White's abilities, and he wants to do her harm. The animals The most challenging plot points are highlighted by the animal characters in a positive and understandable way. The little panda (Ailurus fulgens) and the big panda are very cute. Of course, their cuteness is due to the fact that their characters were given more screen time and adventure to develop. Especially the aspect that they care about the relationship between their owners. Conversely, the protagonists lack this potential, which is a bit sad. Visuals: Well done for the first Japanese full colour film (7/10) The animation is well done, although at first (for about four minutes) it looks like silhouette animation. Later on, you'll notice that a lot of effort has been put into creating lively characters that move smoothly. Toei's animation looks really good for its age and the colours are nice and saturated. Please remember that this was the first full colour Japanese animated film to be released in America and was created as a classic children's story despite the turbulence of the time. The characters actually look Asian. Even Miyazaki, Hayao, wrote in an essay in 1979 that he was inspired by Hakujaden and decided to become a mangaka. The style is immediately reminiscent of Disney, especially Snow White and Sleeping Beauty, but at that time the animation industry in Japan was mainly influenced by Disney. This changed in the early 1960s when Tezuka, Osamu entered the animation industry. He founded Mushi Production as a rival to Toei Animation. He was already famous for his imaginative stories and became the pioneer of the anime and manga industry as we know it today, varying many of the techniques used by Disney. He was the founder of the now well-known "Large Eyes" style, as well as the Western European "look" of Japanese manga and anime characters. To cut a long story short, the animation is probably not what you would first expect when you think of anime, but the film is very well done for the time. Sounds: BGM is fitting and well done, VA remarkable (7/10) The background music was composed by Kinoshita, Chuji and enhances the scenario very well. It almost feels like a good musical accompanies the show. There is not much dialogue, and the dubbing is also mono, which makes the Japanese a little difficult to understand at times. Still, it is remarkable, though not really surprising for the time, that there were only two voice actors: Miyagi, Mariko and Morishige, Hisaya. All characters are literally spoken by one woman and one man. Which they did very well. Hakujaden is a legendary work in the history of Japanese animation and a valuable gesture in the historical context of its time. The decision to use a legendary Chinese folk tale as a concept for an anime can certainly be seen as a valuable contribution to the relationship between the two countries and has also inspired many people. For me, this anime is touching and beautiful.…

For some reason when adapting the Legend of the White Snake into an animated movie, producers thought it was a good idea to have utterly boring protagonists. Perhaps attempting to remain faithful to the original, perhaps out of incompetence. Either way, the result is two painfully bland leads who occupy a large portion of the runtime without offering much beyond being conventionally pleasant. I'm not saying every protagonist has to be larger than life, only that a colorful fantasy adventure should probably rely on characters who are at least interesting enough to carry the audience through the narrative. The pets are fine, but I'd rather watch them feature their own picture instead of sitting through pointless padding. I'd be more impressed at it had colors not been a thing since Flowers and Trees from 1932 I guess.

Hakujaden is an interesting case, the very first Japanese animated feature film in color and somewhat of a hallmark in Japanese animation. So much so that the thing that actually got me to watch it was it's being selected as the no.1 anime of all time by the anime magazine Animage. Dated is probably the best way I can describe the film, it has some quite wonderful, fluid animation, stunning even. Interesting use of colour, blurred objects in the foreground, and baring a few jaring cuts and character expression it looks simply great, often taking much from both traditional and modern art creating a unique aesthetic. The other aspects however lag behind significantly. It is an adaptation of an old Chinese legend merged with a book name of which I can't remember and as a result, the story comes of as rather basic. The characters act as is usual in a legend or a fairy tail of that period and that is to say that they lack said character, they simply move along with the plot as the plot moves along with them. The villain of the story is somewhat of an exception, as he really is only the assigned villain, never really operating from malice or any kind of evil intention, but rather trying to help our hero Xu-Xian with what he sees as a haunting and a problem, where a problem is really not. The story is told primarily through rather intrusive naration, detailing things we already know on several ocasions and in that sense again feels like a relic of it's time. The sound is all rather choppy and unclear due to the movie's age, and the voice acting ranges from passable to bizzare. Music however is quite nice, if not very memorable. With the main cast all being bland and uninteresting, genuinelly the most engaging characters are the animal comic relief, quite obviously inspired by disney. Their designs are great, their animation allows for a wide range of movements and unlike the main cast they exert at least a little character of their own. There is one genuinelly wonderful and entertaining fightscene where a tiny panda beats up a bunch of animals and becomes their leader, and the movie is worth a watch just for that, and as a case study to see how anime has developed.

If you are looking for a very old anime to watch for, let's say, a challenge or simply because you are curious, this is a very fine specimen. I t works too if you are looking for a movie to watch with a kid. It's a fairytale with an oriental setting instead of a European one. First of all, I'd like to say don't panic. The movie starts with a song in shadow theatre style. It's only the opening of the movie giving the background of the story then comes the lovable old animation style. The story is that of a forbidden love between a human and a youkai. The world does not care about them and left them alone except for one annoying monk. The art is very beautiful. The animation is smooth. The colors are from dull. The music is a mix of traditional Chinese music and scores from black and white movies. The characters are lovable. The supporting characters are mainly animals and their action is found adorable, although ,personally, I liked watching the humans more. Story: 7 Art: 8 Sound: 6 Character:7 Enjoyment: 8

Fun Fact: This anime is as old as my mother. Story: This is based on a Chinese fairytale that I have never heard of before, so I have no idea how faithful this adaption is. As a romance, I found it well done. It's easy to root for the main characters to get together in the end. I don't know if these animals were in the original tale, but they do a good job as filler material. Slightly annoying however was the narrator, who kept describing what we see. Do we really need this? 8/10 Art: To put this in historical context, this was made one year prior to Disneys Sleeping Beauty. If we look at Disney as the nonplusultra in animation at that time, Hakujaden does not look much worse. Sure, there are some things one might find odd nowadays, like the character design, which is closer to traditional Japanese art than to what we recognize as anime art today, but for a country without a high profile history of animation, this movie looks amazing (for 1958). 9/10 Sound: The sound quality is not very good, which is not that surprising considering its age. Some of the voice actors sounded quite...let's call it odd. The traditional Chinese music was great for setting the mood and the woman who did the singing in the beginning (I guess she's the same who voiced Pai Niang) was really good. Fair for its day, but nothing to write home about. 6/10 Characters: As I said, the main couple were both likeable people. Their sidekicks were not that bad and did something noteworthy a couple of times. The bad guy (if you will) was interesting, as he saw his actions as righteous and justified. All in all, quite the interesting cast. 8/10 Enjoyment: I was a little worried that I might end up having to force myself through this, but to my suprise, this movie ended up being pretty entertaining. There were barely any drawn out scenes, or rather, they didn't feel like it. If you're interested in the history of anime or animation in general, The Legend of the White Serpent should be an easy pick. 8/10 Overall: 7.8/10

ok so the artwork of the anime was kinda GOOD ngl. But the story was a bit boring i kinda had to skip a lot cuz of some really REALLY boring scenes. The background music was good tho. Also the story progresses real slowly. The protagonist are kinda boring too. I had close to zero fun watching this. But the pets that the mc has are cute and i had fun watching them more than the whole show. Thats why i rated it an overall of 4 just beacause of the pets. If you like traditional music this anime has a lot of it though i am not into japanese traditional musics i liked the musics used in this anime also the instrument that i have never heard before.

If you want to watch some of the most insane fight scenes, I would definitely recommend this anime. It's one of those typical stories, where there's the protagonists who fall in love, the antagonist trying to separate them from each other creating the tragedy, and then everything has been resolved and they all live happily ever after, but adapted into an anime film and with an addition to the cast of characters. The anime accommodates spectacular artwork that I rarely see and the opening music is an absolute banger. Unfortunately, this is where the praise from me ends. The story was a mess. The supporting characters, the pandas, quickly stole the limelight from Xu Xian and Bai Niang and went off on their own adventure for about three-quarters of the film. At the end of the film, I struggled finding any empathy for the two who were finally together again, as all the information I got was that: they met, they had a little chat and they fell deeply in love. The only parts I enjoyed were: the art which was alright, the music which was intense at times but mainly beautiful, and the stupid animations which I ended up making memes out of ;-; Overall, it was alright, concerning the art and the sounds. It definitely doesn't equate to the animations of modern anime but it does set a decent role model as the first color anime feature film, released in 1958.

I went into this with higher expectations than I should have. TOEI's first feature length animation and also the first Japanese colored animated feature film, The Tale of the White Serpent is a sore disappointment in my eyes. Historically, this is certainly a landmark film in Japanese Animation that went on to inspire the likes of Hayao Miyakazi. If for anothing else, it is worth checking this film out for its historical value. However, when it comes to critically analyzing the film, I think it has way too many flaws to be considered good. The story is adapted from one of the four "great Chinese folktales" that has been a part of the Chinese operatic theatre plays since the 14th Century. The original play in its many forms is a complex character and class study that also critiques the politics of the Middle Kingdom. Toei manages to strip most of the nuance in this story and the deep characterizations to leave us with underdeveloped, paper thin caricatures for characters and the bare sniffs of a coherent narrative. Watching this, I can clearly see that the original storyboard had neither the budget not the material for a full length feature film. The result is that most of the movie is padded with misplaced establishment shots, transition scenes that lead to even more transitions. Introduction of characters that add nothing to the story, when the primary movers of the narrative have themselves been poorly picturized. We are frequently greeted with still background frames as placeholders for scenes, that overstay their welcome for dozens of seconds just to pad the length. TOEI clearly struggled to transition from the short film format to a feature length one, especially on the narrative front. The sound design in this film was to me one of its few redeeming features. Brilliantly designed accompanying background score along with some decent voice work elevated this from what would be a terrible disappointment to a bearable watch. It truly wasn't my intention to go so hard on a piece of art that clearly had a lot of hard work and love poured into it, but we've seen remarkably tighter stuff in American animation over a decade earlier. It doesn't matter how slick the animation looks if there is a severe narrative and pacing failure in the film.

First of its kind, check! Good? Let's talk about that. Panda and The Magic Serpent is the first-feature length film put out by Toei. The film is an adaptation of a pre-existing Chinese fable about a boy who falls in love with a snake but is forced to separate from her, while the snake attempts to reunite with him. On paper the premise is interesting enough, however the pacing and sense of time within film allows boredom to prevail. With the lack of direction there's no telling in what may happen or how long the movie might take to get back on track with the narrative. The animals serve as an uninteresting distraction, and the protagonist doesn't bring an awful lot to the table. Not to mention, the almost professionally boring antagonist who will stop at nothing cease the reunition. The conclusion of the film also doesn't feel deserved but instead feels delayed, rushed, and forced. I get this is Toei's first film, but it could've been a lot better. Don't bother with this one.

Art : 7/10 Beautiful art, beautiful color considering the age of the movie. The version I watched was very well restored, maybe a contrast a bit too bright between the characters and the beautiful sceneries behind (not sure if it is due to the restoration or if it was present from the start). Character : 6/10 Beautiful characters, I like the drawing. Personnality-wise, the girls and the pets have well-defined personalities, the boy might seem a bit dull/depressed but it is almost always the case in these kind of tales, no matter what country (even Sinbad in most depictions looks like he doesn't belong here xD) Story : 6/10 I don't know the original story behind the tale so I can't compare but the story is consistent and easy to follow, some shortcuts sometimes who makes you wonder what happened but it's rare. A very cute story with a nice classical ending. Sound : 7/10 Nice music, beautiful and spot-on ambience music/FX, incredible for such an old movie. Not much to say otherwise since the movie is old and the quality of the sound obviously suffered a bit from it, even after restoration. Personal enjoyment : 8/10 A bit slow-paced but still a very nice watch Overall : 7/10

Hakujaden exceeded my (admittedly somewhat low due to the age of the movie) expectations. This film feels less like an anime and more like a 1940-1960s Western animation. With a family-film sort of vibe, it is a movie that I would recommend to anyone who's a fan of very old Disney movies such as Snow White and Pinocchio. Though this is one of the two main things that I could see someone disliking about this movie. The child friendly tone means that you get things like 2-3 minute sequences of the animal companions getting up to hijinks, drawn out visual moments such as a parade going by during a festival that are meant to be visually entertaining but don't really relate to the ongoing story and pacing that can at times jump rapidly from one plot moment to another. Not to mention the somewhat hilarious 'fight' scenes that are meant to appear dramatic without being violent. So depending on your personal affinity for this sort of classic 'disney-esque' tone, as well as the mood and expectations that you have when going into this movie it can either come off as remarkably charming and strangely nostalgic or annoyingly nonsensical and boring. The other major drawback that I had was that the movie felt like it was a little slow. I ended up watching most of movie at 1.5x speed, other than the songs, and enjoyed it much more then I otherwise would have. If I had only been able to watch it at the regular speed then I probably would have rated the film a 6 instead of a 7. The animation was the biggest draw for me. There is a beautiful fluidity to all of the moving elements that can only be found in older hand drawn works. The stylization of the art feels classic and dream-like. The backgrounds are usually still, but are highly detailed and the watercolor landscapes are gorgeous. I particularly liked how they depicted the occasional twinkling element, such as light glinting off of water or stars. There were two categories of music that were predominantly used in the film. The first are the sung songs which are done in a older eastern Asian folk style. Though there are not very many of these used in the film, only two or three come to mind. The other type was the orchestral soundtrack which was used much more frequently in the background. Lots of brassy trumpets and strings instruments. This was another element of the movie that is very reminiscent of the background music in classic Disney movies. I personally enjoyed the music as I like both of these distinctive styles but this is another area that will likely be divisive to some viewers depend on your personal preference. The characters are not particularly unique but the story does a good job of establishing their personalities and goals early and their characterization remain consistent throughout. It makes sense why each character makes the choices that they do. While not particularly memorable they feel like a good fit for the type of story that they're in. Which is more of a fairy tale retelling than a character study. Because of this the film's straightforward depictions of the characters felt unpretentious and I found myself being more charmed than bored by them. It also helped that none of them, not even the animal sidekicks, are particularly annoying. Overall I liked this movie and would recommend it to anyone who enjoys older animation. This would also be an incredibly good film to watch with young children or as a family film.