MAL 60508
Food Court de, Mata Ashita.
フードコートで、また明日。
See You Tomorrow at the Food Court
DeetjeMineetje
See you tomorrow at the Food Court is an anime about an unlikely duo that hangs out at the KFC in some local food court place ( the whole thing might as well be a KFC ad ). What brings the duo together is them being outcasts in their own classes so now they meet up at this food court and mostly just talk about random stuff. The gyaru is a totally hot ( especially with the brown hair ) and sweet as can be but the other girl pretends to be your average Japanese school girl but is in reality quite a bitch with otaku tendencies. The topics at hand are sometimes quite random and the quality and laughs that might come with them arrange from relatable and funny to completely random and dull. All in all you could say this is just your average slice of life anime where you don't miss anything if you decide to pass on it. The most baffling of all is that the anime is only 6 episodes long and just ends without a proper conclusion. That ultimately just makes it a forgettable experience. But I'll say once more, that gyaru is hot.
SanaeK10
Food Court is what happens if you take the Choco-Coronet scene from Lucky Star and stretch it to about 20 minutes for 6 episodes straight. It is literally just two girls talking about stuff in one location, and the premise doesn't change one bit. It is the anti-CGDCT show, and I absolutely adore it. Part of it stems from how real the show feels. It's uncanny how just about any scene from the show resembles something I've lived through. I've had dumb conversations with my friends that went nowhere, went somewhere, or even had some heart-to-hearts out of nowhere in random locations coming right out of nowhere. Wada especially, it feels as if someone has been secretly recording aspects of my life and is broadcasting it all for the world to see. It is eerie, to say the least, but also comforting knowing that many people lived through a similar life to the lives of Wada and Yamamoto as depicted in the show. Look, the premise is just one terminally online shitposter girl with a terrible attitude and her very reasonable friend having random conversations with each other. It is such a surprisingly novel concept you don't see replicated too much in anime, but these things are dime a dozen on places like Youtube, where you can hang out with your not-really friends for 20 minutes or so and just reminisce on better times. I don't know how this thing got greenlit for an anime, but I'm forever grateful it did. In a way, it's the closest we'll ever get to seeing My Dinner with Andre in anime form. And as Martin Prince would do so in the Simpsons, I'll always firmly point my joystick towards "Tell Me More". Now, if you'll excuse me, I probably need to talk to a very old friend I've lost contact with after I moved here. 8/10
lotromas33
While most slice-of-life anime blend with other genres to create the foundation of their stories, See You Tomorrow at the Food Court makes slice-of-life its strong point: forget convoluted plots and hyper-complex characters, because the show is exactly what its title suggests: two girls meeting at the food court to chat about whatever crosses their minds. As you might guess, the plot is very simple, and the centre of attention is the interactions between Wada and Yamamoto, two high school girls. Most of the situations presented are entertaining and able to bring a smile to your face. The two main characters are developed enough to make their conversations feel natural and make you care about them over the course of the anime. This wasn’t a given, considering that they mostly talk about trivial things, and it shows that the dynamic between Wada and Yamamoto works pretty well. The production quality is solid, though not groundbreaking, and the heavy lifting is actually done by the VAs, who have all done a great job (especially Wada’s voice actress). So, why does this review have a “mixed feeling” tag? Because its simplistic slice-of-life nature will probably make it uninteresting to most people, who may find it lacking in substance. If you're a fan of the slice-of-life genre (like me), See You Tomorrow at the Food Court will be a great watch. If not, it is unlikely that you will appreciate it. Score: 7.5
KANLen09
See You Tomorrow at the Food Court - Wada and Yamamoto sitting at the food court, T A L K I N G. Talking and eating — that's what their friendship bumps onto. (If you know the pun of which this is from, it's cringe as heck...) They say, "it takes two (pairs of) hands for friendship to clap," and it's even difficult to keep the conversation going, regardless of whether it's seamless or always diverging from where it's supposed to go, that only true friends will know each other and let loose of who they really are to just bask in the moment. This is the case for transgender mangaka Shinichirou Nariie's series Food Court de, Mata Ashita. a.k.a See You Tomorrow at the Food Court, a go-getter story about two high school girls being friends who can converse about just about anything under the sun...er, I mean, in the food court. With only 2 volumes out since its serialization, which started as a webcomic on the author's Twitter account, the series may be as bare-bones looking externally, but within the adaptation of its half-than-usual 12-episode set of the webcomic-turned-manga, you can get a feel for what the show will be like: a chill, true-to-the-bones, slice-of-life comedy drama about two girls of different high schools converging at their secret place to just talk gobsmackers of anything in relation to them or anything within their control. I think it's smart of Shinichirou Nariie to feature not just two high school gals who have this kindred friendship towards each other, but also, in hindsight, their own appearances are also misleading to think that a normal girl and a literate gyaru would talk smack and not get into constant friendship fights. For one, the two simple girls of the quiet, rich honour student Wada and her accompaniment, the intimidating gyaru Yamamoto, on the outset, look anything but a pair that will literally bring in the catfights for how different they are. "Different" is the word of relation here because more than being the straight-laced student that she is, Wada is anything but studious and gets pissed off over petty issues, from her life's struggles to the gacha game that she plays, featuring her love-hate SSR character Duke Abel that has her always claiming that she hates him to the max, but that deep down, she loves him to the max. Compare that with Yamamoto, as her intimidation is only but a farce given her flashy but supposedly carefree personality, the complete opposite of Wada, who is studious, very interested in urban legends, and often uses English words to express her emotions through normal talk in the hopes of visiting America one day. It's easy to see how both Wada and Yamamoto can easily bump heads without getting into needless conflict for dramatic reasons, given how different they are since the time they met each other in middle school to keep this secretive friendship going. Even towards Wada, who grieves about the other students that notice her, like the gorilla girl of Saito (whose face that's full of makeup we never get to see), and much to her chagrin, a doppelganger case where her worst fears are realized when she sees her partner be one of the flat-chested girl's sworn enemies, being a pervert at best since middle school. God, I swear that Wada is interesting on her own, given her flurry of stories that only serve to traumatize her, but pairing this up with the nonchalant Yamamoto, who tries her best to measure against her best friend's rambling and get her back into reality, is even more interesting. You can't get a friendship so frenetic and yet so sane, like both girls do. For a debut performance, newbie VA Hiyori Miyazaki did a knockout job portraying Wada as the mature-but-immature Wada alongside VA Yoshino Aoyama, featuring the calm Bocchi gal that keeps her temperament straight-laced and cool. And if I may add, it's the art of the voiceover skills that makes this show truly the talk of the town. Otherwise, it's a plain ol' simple show that needs just the right amount of effort, alongside a simple staff team that could do the job at half the usual quantity but with the quality of a full seasonal set. It's nice to look at, given that this is rookie studio Atelier Pontdarc's 3rd main production series that honestly needs no punches nor glamour just to get the job done. The music is honestly hit-and-miss, though it too gets its nuances just alright with Oisicle Melonpan's slow-beat OP, and the mingling of both Wada and Yamamoto's VAs with the playful ED (which I feel is the best of the 2). All in all, you could do worse than passing on this "looking ol' simple" show and not realizing that it actually has depth for what seems to be a rather simple premise about friends hanging out at their usual spot. Sure, the "food" part has its focus at times (since this is a food court after all), but it's the friendship of the central MCs that makes this show shine the most. It's undeniably "slice of life" at its core, charming at times, and is one show where this quote sums it up best: "Less is more." We don't need excessive bombarding of other shows this season; just friends hanging out at a food court and sharing about anything and everything they can is what brings us the feels for Chicken Food for the Soul, showcasing ordinary life at its most natural.
AeroGunz
“See You Tomorrow at the Food Court” is what happens when you write a modern Greek drama, just not so deep. When I was but a wee lad studying psychology at the university I was forced by my master's thesis supervisor to do a rather simple experiment. I had to record pairs of people talking for 10 minutes about any subject. The experiment itself was simple but the analysis part was a ball buster. I had to count every damn joint move of every person during those 10 minutes. For fucks sake I was going mad doing this. Every finger movement, every head turn, every change of a sitting position.. FUUUU… sorry for the TMI. The goal was to see if people with good report and relationships synchronize when it comes to the amount of movement they make. Turns out that there is a correlation there. That said the more people are into a conversation the amount of movement they make increases in that experiment. I’m talking about this because the first episode reminded me of those recordings and those two would definitely not be in the “good relationship or report” category. Surprisingly that changes the longer the show goes on (apart from some of the mini stories). It’s especially visible in the case of Yamamoto (I’ll get to her) as Wada is rather mobile and energetic the whole show. Before we start I would like to explain something. I will be talking about “plot” and “story”. Many people use those terms interchangeably. I’m not one of those people, so to make sure everyone is on the same page… I use the definitions for “plot” and “story” as Lisa Cron describes them: “What happens in the story is the PLOT, the surface events.” “STORY is about how the things that happen affect someone in pursuit of a difficult goal, and how that person changes internally as a result”. Not gonna lie I got a strong Greek drama vibe from this show. Probably because it’s a rather good example of using (at least for the most part) unities of that form — the unity of action, place and time. And like most plays of this kind it uses dialogue at its main source of action… with varying degrees of success on that front. Every episode has 3 mini stories that 99% of the time use all of the unities. All episodes (I’m gonna use that term for the mini episodes as well, it will make the writing faster) take place mostly in the food court, concentrate on one specific topic and last just a few minutes of inworld time. So yeah. Greek drama. I’m not calling it a tragedy or comedy because there is nothing tragic here really and a comedy is a hit or miss. It missed with me. That said for what it is, it's actually a pretty solid slice of life. Unlike some slice of life shows this one doesn’t use other genres at all. I’m not saying it’s a bad thing but it could break the pattern of how the episodes go. Just saying. Because it uses dialogue as its main form of communicating… actually almost everything, one might think that the dialogue is top notch. And here we encounter a problem. It’s not. Especially in the beginning the dialogues are pretty bad. They are flat with rather weird timing and the characters don’t really bounce off each other. I would go as far as to say that episode one could be used as an example of how not to write dialogue between friends. Even if those friends have different energy levels. For what it’s worth it gets better and by the end I would say that the dialogues (in the last 2 episodes) are pretty competent. Now this is an important element for me. I love dialogues and how they are used. One of the best examples ever, on how to write magnificent, organic and dramatic dialogues comes from none other than “12 angry men” (I especially like the 1957 version with Henry Fonda and directed by Sidney Lumet). That movie shows how even the most mundane dialogue can be dramatic and important for the plot and story. This show is nowhere near that caliber and it shows. Most dialogues are Wada heavy with Yamamoto just giving reactions and sometimes some good points. It’s not bad per se but when You have just two characters You should give her more. Another example that You might be interested in, if You want to witness great dialogues is “Reservoir Dogs” from 1992, directed by Quentin Tarantino. That all said, because of its format the show doesn’t really have a story or overarching plot. There are no long term consequences to anything. It actually resembles a sitcom in that regard. There is an unwritten rule in most sitcoms, that everything returns to status quo at the end of the episode and that’s exactly what happens here. For the type of show this is, it actually works but it does make it a bit flat and meaningless. I actually like what the writers did with the main characters. Yamamoto looks like a gyaru but is actually the smart, responsible and more mature one of the duo. Wada on the outside could be taken for a proper student but, as she herself puts it, has a rotten personality, loves to talk about herself and (this is from me) is kind of a bitch with all her talking negative things behind peoples back. Wada actually got on my nerves more and more with each episode, I was hoping that maybe the writers will give her some sort of a redeeming episode where she will be positioned as someone who is able to not be an annoying cunt but unfortunately my hopes were in vain. Something that did surprise me is that Yamamoto was a far more interesting character than her energy level suggested. Her commentary on Wada's decisions, statements and calling her out on her bullshit, were sometimes almost funny and with each episode she becomes more and more warm and I could actually believe that she cares for Wada and not treat her like a pest that is just convenient to have. All in all I don’t think this show is a travesty. It has its flaws, especially in the beginning but it gets better towards the end and I actually got invested in the duo — Yamamoto more than Wada (she’s really annoying). I actually understand why people would rate this show highly but I can’t do that. Too much wasted potential and bad dialogues for that.
Marinate1016
See you tomorrow at the food court is slice of life in its purest form. It’s quite literally just a peep into the lives of two young girls who spend their free time together at a food court talking about the most mundane and typical high school kid things. While that might sound simple, that’s actually its biggest advantage. This truly feels like we’re watching two real people talk about their day, play around with one another and grow closer on a daily basis. The dialogue feels natural, conversations flow organically and the girls are loveable. It’s an extremely simple premise, but therein lies the beauty of it. It’s a shame this was only 6 episodes. Again, I can’t stress this enough, don’t come into this show expecting some grandiose storytelling or much else besides KFC promo and two cute girls talking about their day. It’s like watching a livestream of friends hanging out rather than an anime because of how authentic everything feels and that’s why I enjoyed this. Wada is the perfect extroverted and lively compliment to Yamamoto’s laid back introverted personality, a contrast to her Gyaru exterior. I had so much fun watching the girls bounce from topic to topic much like two high school buddies would, saying anything and everything that comes to mind whether it’s gacha game pulls, food, boys at school or manga, there was never a dull moment with these two. It’s such a nice show to sit down and unwind with at the start of the week and it just managed to create this cozy wholesome atmosphere that made you feel at home, almost as if we were the third wheel to their relationship. Miyazaki Hiyori and Aoyama Yoshino really make this show special. They work so well together and make the conversations feel very believable. The more realistic voice Aoyama goes with for Yamamoto fits her so well and it always feels like she’s Wada’s older sister, as Hiyorin goes with a more playful tone. Yamamoto calming Wada down and keeping her level headed constantly was a joy to see. Hats off to these two young ladies for taking the show to the next level with some awesome voice acting! There’s not a ton to talk about with this one, it’s extremely straightforward and if you like slice of life, you’ll enjoy this. If you’re a person who doesn’t enjoy static images and needs a lot of dynamism in your anime, it’s not gonna be for you. I personally love shows like this, they’re right up my alley. They’re simple, wholesome and just feel real. This was a great experience and hopefully as the manga continues to be published, we’ll get another season someday. See You Tomorrow at the Food Court gets 9, out of 10.
MightyJou
After finishing this already a very short show I can´t but find it a bit funny and sad how it might have more to offer than most main stream or other vice high-profile shows that we have seen over the past couple of years. Admittedly the premises being "two girls are having a chat" is not a very high stakes of a story, but it is the feeling of realism that wins you over. That and the quality of those chats. Plot is simple: two girls meet at the food court and talk over all kinds of things possible. If you are expecting some deep and meaningful conversations with buckets of drama, you might find it in a form very familiar to you. Reality is reflected in these conversations reminding us how some of the best memories we had could have been from those small moments with our best friend, as you could literally talk about anything and without masks. While having a snack of course. Yoshino Aoyama is voicing Yamamoto, young yet mature gal who plays the straight man of the duo. We get a solid performance with slight grin as she mainly is the listening party of the two. Hiyori Miyazaki is voicing Wada, young and definitely the one who wents out the jokes. "Who starts a conversation like that" could be used describing her. For Miyazaki´s first actual leading role we get a multilayered performance from lows to riches and I truly wish we can see more of her work in the future. She has talent and here is her proof. Watching this duo is like watching "Rush Hour". One serious but relaxed and the other yapping like there is no tomorrow. And I loved every moment of it. Great casting choices, for these two work together like it was meant to be. If you want to spend - as the show is finished for now - a couple of hours just emerged in a something that could be like watching a pod-cast, this might be for you. A short break from it all with a company of friends. And maybe a snack on a side.
HoToKe_E
This review of mine will have two parts. The first is the obvious, the latter on the other hand is more personal... This show is very comfy, it's the type of show I choose when I want to relax and let go. There are a lot of shows this season, with a handful being so good they are the Right Choices that don't leave any time for other content. I'm pretty happy I picked this out from the promotional content I saw before release. It's the Girls Night Out, or honestly, at least for me, it is not down to gender, rather two friends, co-existing, having those crazy conversations we all do, and look back so fondly on. It's very funny, and the subjects they choose are relevant to the day and age and are unique and not boring to listen to. Now, for my own preferences, something that made this stand out for me personally, is the conversation flow. This issue I've encountered with maybe other Slice Of Life Anime, of these take-it-easy Anime, filler episodes, things that have the same formula as this have, especially with older generation Anime, they lack memory. What I'm trying to say is that this show is also episodic, but it does not suffer from episodic shows norms. The characters remember, bring up older conversations, and turn them into inside jokes. It feels very rewarding and portrays actual friendships way better than its counterparts for this exact reason! I definitely suggest it to people who like these types of content.
johnbradshaw
Once in a few years, a great anime with gorgeous animation, beautiful story and complex, multi-dimensional characters will appear and take the world by storm. But even rarer, just sometimes, barely even, you will witness a story that is so simple, so mundane yet charming, funny and heart-warming. Such is the strange case of Food Court de, Mata Ashita or See You Tomorrow at the Food Court. If you ever see the concept of this anime on paper, you would swear up and down that it will never work. Just 2 girls talking about anything happening throughout their days and that's it. Yet someway, somehow, Japan always proves me wrong. Wada and Yamamoto seems like the opposite of each other. One is talkative and childish, one is mature and quiet. YYet they're the best of friends and everyday after class, they spent their afternoon together tucked away in a small corner of the mall's fast food court. The charming point of this show is of course Wada, Yamamoto and their beautiful friendship. It seems so genuine and the way they're talking to each other is quite realistic. I can definitely imagine two high school girls talking to each other that way. It also has a catchy op song. There's not much more to say so I'll wrap the review up. Well, the only complaint I have is it's too short. Why only 6 episodes, please give me more. For the power of friendship.
JayD3x
What a Surprise. I thought this anime might be mediocore at best, but decided to give it a chance and man i don't regret it. Food Court de, mata ashita is an anime where 2 girls meet up everyday to talk and while it may sound boring for some, i enjoyed it. The premise (talking) sounds boring but the characters make it interesting, which leads me to the next point, the characters. We first have Wada. She is an otaku and a gamer and likes to eat, talk and play games. She speaks openly on what she likes and dislikes which makes her charming, even tho some opinions might be questionable. Secondly we have Yamamoto. She seeks Knowledge which is not really said, but rather shown by her constantly searching the web on topics they both currently discuss at the moment. She also speaks up for herself, which leads to some very funny moments between the two. They are both very likable and their interactions make the anime charming and comforting. They're are awkward and loveable at the same time, but thats really what makes this anime good. Animation: You cannot really praise it, since the anime isn't about that at all, but the movements are smooth and you can tell it was made with love. Should you watch it? Yes, if you want a comfort show. No, if you want action
Otaku_Senpai
This is a really good anime for teen girls. I think they will love it. Most, if not all of the anime takes place in the food court or restaurant. And nothing much happens in the show other than two girls just talking to each other. And its all 'girl-talk'. And yet I enjoyed it because it was funny and the writing and acting was good. The conversation feels so natural and free flowing. You feel as though you are eavesdropping some real girls talking in a restaurant. The OP is good too as a bonus. It has a dance and a good song. If you are looking for a slice of life anime ... I recommend this. My Rating : 7/10 (Good)
lycoping
I haven't watched an anime in a while, and haven't completed one in even longer. This was a relatively short anime, so I didn't feel like I invested a lot of time into it. That was, ultimately, a good thing. This anime had a built in storytelling challenge. It takes place in a food court. You get flashbacks to other locations and times, and very rare forays into other environments, but 95 percent of the time this anime takes place in a food court, and 90 percent of THAT is spent in two seats underneath a rather opportunistically configured very large digital display. This isn't, in itself, a bad thing. It's a valid storytelling choice. But given this self-inflicted constraint. you're pretty much left with dialog and story as the defining characteristic of this anime, the thing that's going to make or break it. And while it didn't break it, I can't say it made it either. This is an anime about two high school girls who come to a food court after school and shoot the breeze. One is a gyaru-like girl (with surprising depth for a gyaru-like character, which is to say, not a lot but more than you'd expect), and the other is, well... a loud, somewhat annoying, and definitely mentally unstable at times girl who pretty much drives all the interactions. And that's all it's about. There's another girl, Saito-san, who shows up every now and then (and you don't see her face fully until the very end), and, well, that's pretty much it. There's really no plot to speak of (I guess you could say there's a story, but not much of one), it's just, well, exactly what you get. It's predictable, sometimes funny, and mostly just, well, a waste of time. I like anime in which you learn something useful, or are inspired, or feel something for the characters, or feel like you didn't just spend three hours for absolutely nothing. But if you're looking for mindless entertainment that does not go too far into the ecchi realm, that has okay animation (standout in spots and bland in spots), and a few funny moments, I suppose you can do worse. There were a few things that kinda set this anime apart, though, and they're mostly behind the scenes structural stuff. Because this took place pretty much exclusively in a food court, they took a great deal of care to, well, actually make it a realistic food court. I am not sure if they used an actual shopping mall as a model but it would not at all surprise me if they did. They used actual food and store names (such as KFC and Baskin Robbins), which did lead to a certain sense of immersion. While I understand why they do it, it really annoys me when anime (or other media) mangles the names and logos of actual businesses - it takes you out of the story. They took a lot of care with the backgrounds and environment. It's just too bad they kinda had to throw that to the side when it came to the actual story. I almost want to say that the actual main character is the food court. I can't quite bring myself to say that, but it does feel somewhat like that. To a degree, anyway. Also, one other thing I did like is, for as poorly fleshed out as they might have been, these were girls. I really liked K-On because it had characters in it that behaved like actual girls, and these two girls actually behaved like somewhat believable girls. The beautiful, mercurial, mood-swingy, occasionally stupid, but at the end of the day marginally adorable way that actual girls can be. They kinda nailed that. I just wish they didn't make them interact like a particularly tepid manzai group. This anime also was in three or four short vignettes per episode, a la "Love is War". But one thing it did well (structurally) was connected those vignettes. Stuff that happened in one would carry over to the next. So it was at least cohesive in that sense. Other anime that do this like "Nichijou" tend to treat the vignettes as more self contained. I prefer this approach. I didn't hate it. I didn't love it. I finished it. And that's really all I can say for it.
DoctorEmo
You've heard of Cute Girls Doing Cute Things, now get ready for Cute Girls Doing Absolutely Nothing! Food Court de, Mata Ashita is a very cozy slice of life show about two girls who meet to hang out and talk about whatever nonsense is on their mind at the moment. There aren't any big moments, deep character interactions or shocking revelations, but it's still cozy and, most importantly, very entertaining. The interactions between the two girls and their scatterbrained banter is enough to carry the whole show. The two girls have fun personalities. Wada is loud, weird and a hopeless gacha addict. Yamamoto is more reserved, level-headed and quiet. They play off each other well with their complementary personalities, and they each bring an interesting perspective to their talks. The visauls are nice. There's not much in the way of sakuga or anything like that, but the show looks polished and the animation looks good when the girls move around. They don't sit still in one place while their mouths flap. They move around, shift sitting positions. These little moments of animation do a good job of showing each character's personalities through their body language. Wada gets a lot of great facial expressions, too. Since this is a show about talking, the audio is the main focus. The two voice actresses do a great job with their performances, letting each character's personality shine through. If you're looking for a relaxed, laid back show to watch, give this a shot. It's a lot of fun.
TamonKazuno
Watching two beautiful JKs conversing is the most beautiful thing the animation industry has to offer. I'm not exaggerating; I do say that JKs are the backbone of the Japanese animation industry. But the most fun thing is how the anime approaches this ability to observe mundane conversations, filled with comedy and pop culture references. Wada-san and Yamamoto-sama are a great dynamic duo with the "gyaru is otaku-friendly (オタクに優しいギャル)" archetype story at its core. This latter point is handled perfectly, as Yamamoto-sama isn't the typical gyaru in romance anime who are the "active" ones in a conversation. Meanwhile, Wada-san isn't a shy girl or anything like that, but rather an otaku who talks like crazy when she likes something. Thus, this archetype is perfectly fulfilled. People who like yuri can enjoy them as if they were a couple, while those who see a great friendship can enjoy it as such; both sides are happy. There's nothing else to say, except that we should be grateful for having witnessed this magnum opus of the Japanese animation industry. 10/10.
pvdding
W Gyaru representation ^^ In all seriousness, even though this anime is just two girls chatting, its comedic timing is unmatched. Yamamoto and Wada look and act like polar opposites, but you quickly realize they are two sides of the same coin. Both characters subvert your expectations, as they do no act the way stereotypes would make you believe. The way they are written too is realistic (for me at least XD) for modern high school girls in this era of social media. As a girl myself, I really enjoyed their convos. It’s one of the few shows I struggled to finish simply because it was so good and I didn't want it to end :')
on1n4
fun, light hearted slice of life shorts that show teenage girls in their true element (being dumb as hell with your best friend). the characters are fun and quirky and the nonsense they discuss feels realistic to the kind of stupid discussions you have when spending time with a good friend. their relationship is really sweet to watch too. i really enjoyed it, short and sweet as it was. if you like this sort of thing, i think you'll definitely enjoy this anime. it kinda reminds me of asobi asobase, if that anime toned itself down a few hundred notches. 10/10 would get yuribaited by them again
josephsl
This show is so slice of life it would probably be more accurate to call it people-watching instead. It's unique, and actually pulled off really well. The whole thing is mostly two characters chatting, and feels like getting to know some amusing strangers by just happening to be near them every day. What makes it interesting is the two characters themselves. Through overhearing their conversations you piece together that their personalities don't entirely match their appearances. You'd think Wada would be the typical introvert, and Yamamoto the typical gyaru. And yet they're both loner types at heart, and have a shared language with lots of slang. They also both have particular interests, and while they don't exactly line up they enjoy discussing whatever it is they're into. By the end of the 6 episodes I feel we got a pretty good picture of who these characters are. What impressed me most was how calming it felt to hear conversations so much like the ones I enjoy having. If you're the type who likes long, quirky, unmasked conversations with a very close friend, I think you'll find plenty to appreciate here.
RinDragnell
Honestly, the title initially struck us as kind of a troll. We thought it would be some absurd slice-of-life anime with no substance. But after we read the description, we actually got curious—and rightly so. We expected a small, classic slice of life with a simple core idea. But the very first episode flipped our opinion completely to the positive. Reasons included the many Easter eggs and the strong synergy between the two main characters. Their dynamic is simply fun, and we found lots of moments that paralleled our own lives. Of course, keep in mind it’s a short anime that leans toward comedy. So you shouldn’t expect a big, profound story. What it does deliver is an appealing art style, playful stylistic breaks, and above all the facial expressions that make every scene feel more alive. The conversations in particular are a highlight: they’re not just the usual stock topics—they’re varied, funny, and surprisingly realistic. It’s not like one person talks while the other just keeps saying “Sugoiii!” Verdict See You Tomorrow at the Food Court is short, charming, and much smarter than the title might suggest at first glance. If you enjoy detail-rich, witty dialogue and an unusual yet realistic friendship, you should definitely check it out.
kiner_shah
This is a nice slice-of-life anime. If you like listening to random conversations, this is the anime for you. Sit back, relax and listen to these two girls talking with each other about different random topics. This anime shows that how having just one trustworthy person to talk to openly can help you overcome stress, loneliness, sadness, frustration, etc. One must try to find someone they can talk to without worrying about anything whom they can meet daily and talk for hours. The characters' personality is very nice, each of them are unique. Wada and Yamamoto make up a nice pair. Artwork is good, opening and ending songs are nice and fun. Anyone who likes slice of life anime, and who loves to listen to conversations will like this anime.
sametekiz
This is the greatest underrated anime of 2025.If you have been bored of low quality isekais or aura farmers,This is the anime to watch There is no action,romance or lesbomancy here, what we have is just two friends talking after school.Sit,relax yourself and enjoy it. I had immense fun watching it.Best thing about this series is the writing.They don't go the easy route.Every sentence has value.Even silence has a value.Having actual stops at talking when conversations felt "real" ,it is just like how i talked with my friend.It has been two months since i watched this and i still remember every episode.They gone balls deep in jokes too,there is no "sugar coating" here, have you ever thought you ever going to listen "Sketchy Fat Indian guy" joke? well i did not and pleasantly suprised about it.